Classical Bangers 🎹🎻

R. Schumann: Kinderszenen, Op. 15, Waldszenen, Op. 82 & Arabeske Op. 18

Waldszenen, Op. 82: No. 5, Freundliche Landschaft

BO "Midnight In Paris"
Composé Par Jacques Offenbach
Interprété Par The Czech National Symphony Orchestra 
Réalisé Par Woody Allen

Midnight In Paris (Music From The Motion Picture)

Can-Can From "Orpheus In The Underworld"

Kneeling Before Giants

William Tell Overture (Gioachino Rossini)

I feel  like dancing in the  moonlight....moonlight sonata/Mondscheinsonate (first movement) played  by  Bastian Lee Jones just  after  his  recovery  from his  bicycle  accident, where  he  broke  his both  arms: 
http://youtu.be/yOSTsS-bHxU
http://youtu.be/lyJ6vYBKtdA
http://www.facebook.com/bastianleejones
EARMErecords LC 29347  ISRC DE-QB2-14-00048

©2022 composed by Ludwig van Beethoven  - ©2022 photo source: google search & copyrightowner & design by Bastian Lee Jones 
P-Line 2022 by  by Bastian Lee Jones Mediagroup® - LebenslustTV®Ltd. & EARMErecords - Bastian Lee Jones

Moonlight Sonata Op. 27 No. 2 (adagio sostenuto)

all buy & follow links

Ludwig v. Beethoven - Moonlight Sonata Op. 27 No. 2 (adagio sostenuto)

Lágrima, Preludio performed by R.J. Smits

Lágrima, Preludio - Francisco Tárrega

“Song of the Lost Stars” is an orchestral and choral epic song created as a dream about stars, dedicated to the nomad planets drifting through the cosmos, forever searching for a star to call home.

Song of the Lost Stars

Buy on Bandcamp

Song of the Lost Stars | Cinematic Orchestral Music

The concert of October 24 with Joyce Lindorff, James Tibbles, Megumi Tanno, Michael Tsalka

Johann Sebastian Bach - Ouverture Nach Französischer Art BWV 831

Dreaming

The Death of Åse – Nr. 2 (from Peer Gynt Suite No. 1, Op. 46)

British Royal Wedding: Prince William & Kate Middleton (Traditional Wedding Classics)

Für Elise, Bagatelle No. 25 in A Minor (Ludwig van Beethoven)

piano: Anna D'Errico
live recording, Radio3, La stanza della musica. Roma, December 2016

Robert Schumann – Symphonic Etudes, Op. 13

Classical Christmas: Greatest Orchestral Holiday Classics

The Nutcracker, Op. 71, Act II, Scene XII: Trepak (Russian Dance)

The Nutcracker, Op. 71, Act II, Scene XIV: Waltz of the Flowers

A contemporary version Erik Satie's timeless Gymnopédie No.1 - Brought to you by Remixdj.

Satie Amazon
https://www.amazon.com/Erik-Satie-Essential-Collection/dp/B00J0LBFIG/

Satie iTunes
https://music.apple.com/gb/album/erik-satie-the-essential-collection/918615441

Best of Satie
https://play.google.com/store/music/album?id=Bditbkfgfdqvxx7hansrl6qhy4y

Satie Compilation
https://open.spotify.com/album/0vzKMInu4PzU2Qyi6NgmRK

Erik Satie Album
https://www.deezer.com/us/album/7540311

Best of Satie Playlist
https://www.youtube.com/watch?v=mk2SNcpTNbs&t=68s

Erik Satie The Essential Collection

Jazzopédie

🎥 VIDEO

Claude Debussy’s Clair de Lune is the third movement of his Suite Bergamasque, written for solo piano and completed in 1905. The title, meaning “Moonlight,” is inspired by Paul Verlaine’s poem, evoking a serene and reflective atmosphere. The piece epitomizes French Impressionism, focusing on mood and imagery over traditional form.
Structure and Atmosphere

The piece is in ternary form (ABA):

    Opening (A):
    A soft, flowing melody emerges over delicate arpeggios. The music feels weightless, like moonlight shimmering on water. Debussy uses rich harmonies and seventh chords to create a dreamlike quality, with a tender, introspective mood.

    Middle Section (B):
    The dynamics intensify, with fuller textures and soaring melodic lines. This section brings a sense of emotional depth and urgency, contrasting with the calm opening. Arpeggios cascade dramatically, giving the impression of moonlight suddenly brightening or revealing hidden beauty.

    Closing (A):
    The opening material returns, slightly varied, fading into a gentle, whisper-like conclusion. The piece ends as quietly as it began, leaving a sense of stillness and wonder.

Musical Features

    Harmonics: Debussy’s use of whole-tone scales, parallel chords, and non-functional harmony creates a suspended, ethereal soundscape.
    Melody: The lyrical melody floats effortlessly above the accompaniment, expressing both simplicity and emotional depth.
    Texture: Light, transparent textures alternate with moments of lush, resonant fullness, embodying the interplay of light and shadow.

Mood and Interpretation

Clair de Lune evokes the quiet magic of a moonlit night, combining serenity with subtle melancholy. Its poetic quality invites listeners to imagine moonlight reflecting on a calm lake, whispering through trees, or illuminating a tranquil landscape. The music feels timeless, blending stillness with fleeting moments of intensity.

Cultural Impact

This iconic piece has been widely used in films (Ocean’s Eleven, Twilight) and pop culture, often accompanying scenes of romance, nostalgia, or quiet reflection. Its universal appeal lies in its ability to evoke deep emotion while remaining understated.
Performance Notes

Expressive dynamics, fluid phrasing, and careful pedaling are essential to capturing its delicate atmosphere. A balance between freedom and control ensures its dreamlike flow remains intact.

Clair de Lune is a masterpiece of impressionistic music, celebrated for its ability to transport listeners into a realm of quiet beauty and introspection.

Claude Debussy - The Essential Collection

Clair de Lune

Composed in 1941 for the film "49th Parallel - The Invaders", the drama and depth of the music was intended to influence the United States, which was then neutral, to enter the war. The title relates to the border between the U.S. and Canada. A complete description can be found at:
h􀀦p://en.wikipedia.org/wiki/49th_Parallel_%28film%29
The power, drama, and technical accessibility of this piece should be one that all bands would take great pride in performing.

Prelude: 49th Parallel  Ralph Vaughan Williams, arr. by Paul Noble - Vernon Hills H.S. Band

Album "Sierra y Arco" - Proyecto LupA
Serrucho musical: Mariano Morales.
Piano, acordeón y clarinete: Mariano Morales.
Músico invitado: Roco Palavecino (Trombón y trompeta).

Grabación y producción: Proyecto LupA.

The Nutcracker, Op. 71, Act II, Scene XIV: Waltz of the Flowers

The City of Prague Philharmonic

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