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Gustav Holst, Brook Green Suite, II. Air

BO "Midnight In Paris"
Composé Par Jacques Offenbach
Interprété Par The Czech National Symphony Orchestra 
Réalisé Par Woody Allen

Midnight In Paris (Music From The Motion Picture)

Can-Can From "Orpheus In The Underworld"

Dream,  daydream, dream  of everything you  love  to  be  in your dreams  for  they  would    maybe  turn  into horror when they  ´d  come  true - so  baby, never stop to  dream,   dream,  dream !
Bastian Lee Jones´"Träumerei"/Reverie  by  Robert Schumann.
EARMErecords LC 29347, ISRC DE-QB2-16-00045

©2022 composed by Robert Schumann - ©2022 Gemälde von Eduard Bendemann & design by Bastian Lee Jones 
P-Line 2022 by  by Bastian Lee Jones Mediagroup® - LebenslustTV®Ltd. & EARMErecords - Bastian Lee Jones

Climaxual intimacies No. II

Träumerei

all buy & follow links

Robert Schumann - Träumerei Op. 15 (Kinderszenen)

Kneeling Before Giants

William Tell Overture (Gioachino Rossini)

Passionately  lying  in flowery  meadows. The  mountains are  kissing  the  blue  skies - and from  the  valley  afar,  sounds  of  a traditional folk band  and  festivity  are  blown through  soft  breezes to  us.

Franz Schubert´s  Impromptus  Nr. 4  interpreted  by  Bastian Lee Jones, is one  of  BLJ´s favorite  piano pieces  by  Schubert, which  will  be  published  on his  solo classic  cd  "climaxual intimacies".
EARMErecords  LC 29347, ISRC  DE-QB2-14-00049

©2022 by Bastian Lee Jones Mediagroup® - LebenslustTV®Ltd. & EARMErecords - Bastian Lee Jones - ©2022 photo source: google search and the copyrightowner
P-Line 2022 by  by Bastian Lee Jones Mediagroup® - LebenslustTV®Ltd. & EARMErecords - Bastian Lee Jones

impromptus Op 90, Nr. 4

Franz Schubert -  Impromptus Op. 90 No. 4

Violin Concerto In D Major, Op. 35, I. Allegro Moderato, Pyotr Ilyich Tchaikovsky

Feuerfest Polka
Joseph Strauß (Vienna 1827-1870), the second son of Johann Strauß Senior, was active as an engineer and an architect before getting in the wake of his illustrious father and brother. The Feuerfest Polka was composed especially for Wertheim & Co, a firm in fireproof (feuerfest) safes.

https://www.molenaar.com/details/1/9129/en

Feuerfest Polka (arr. Terry Kenny) - Joseph Strauss

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Maria (Francisco Tárrega) - Gavota

British Royal Wedding: Prince William & Kate Middleton (Traditional Wedding Classics)

Für Elise, Bagatelle No. 25 in A Minor (Ludwig van Beethoven)

Classical Christmas: Greatest Orchestral Holiday Classics

The Nutcracker, Op. 71, Act II, Scene XIV: Waltz of the Flowers

Dvorak: Two Quartets

Quartet No. 14 in A Flat Major Op. 105 II. Molto Vivace

A contemporary version Erik Satie's timeless Gymnopédie No.1 - Brought to you by Remixdj.

Satie Amazon
https://www.amazon.com/Erik-Satie-Essential-Collection/dp/B00J0LBFIG/

Satie iTunes
https://music.apple.com/gb/album/erik-satie-the-essential-collection/918615441

Best of Satie
https://play.google.com/store/music/album?id=Bditbkfgfdqvxx7hansrl6qhy4y

Satie Compilation
https://open.spotify.com/album/0vzKMInu4PzU2Qyi6NgmRK

Erik Satie Album
https://www.deezer.com/us/album/7540311

Best of Satie Playlist
https://www.youtube.com/watch?v=mk2SNcpTNbs&t=68s

Erik Satie The Essential Collection

Gymnopédie

🎥 VIDEO

Gymnopédie No.1 - Satie

Claude Debussy’s Clair de Lune is the third movement of his Suite Bergamasque, written for solo piano and completed in 1905. The title, meaning “Moonlight,” is inspired by Paul Verlaine’s poem, evoking a serene and reflective atmosphere. The piece epitomizes French Impressionism, focusing on mood and imagery over traditional form.
Structure and Atmosphere

The piece is in ternary form (ABA):

    Opening (A):
    A soft, flowing melody emerges over delicate arpeggios. The music feels weightless, like moonlight shimmering on water. Debussy uses rich harmonies and seventh chords to create a dreamlike quality, with a tender, introspective mood.

    Middle Section (B):
    The dynamics intensify, with fuller textures and soaring melodic lines. This section brings a sense of emotional depth and urgency, contrasting with the calm opening. Arpeggios cascade dramatically, giving the impression of moonlight suddenly brightening or revealing hidden beauty.

    Closing (A):
    The opening material returns, slightly varied, fading into a gentle, whisper-like conclusion. The piece ends as quietly as it began, leaving a sense of stillness and wonder.

Musical Features

    Harmonics: Debussy’s use of whole-tone scales, parallel chords, and non-functional harmony creates a suspended, ethereal soundscape.
    Melody: The lyrical melody floats effortlessly above the accompaniment, expressing both simplicity and emotional depth.
    Texture: Light, transparent textures alternate with moments of lush, resonant fullness, embodying the interplay of light and shadow.

Mood and Interpretation

Clair de Lune evokes the quiet magic of a moonlit night, combining serenity with subtle melancholy. Its poetic quality invites listeners to imagine moonlight reflecting on a calm lake, whispering through trees, or illuminating a tranquil landscape. The music feels timeless, blending stillness with fleeting moments of intensity.

Cultural Impact

This iconic piece has been widely used in films (Ocean’s Eleven, Twilight) and pop culture, often accompanying scenes of romance, nostalgia, or quiet reflection. Its universal appeal lies in its ability to evoke deep emotion while remaining understated.
Performance Notes

Expressive dynamics, fluid phrasing, and careful pedaling are essential to capturing its delicate atmosphere. A balance between freedom and control ensures its dreamlike flow remains intact.

Clair de Lune is a masterpiece of impressionistic music, celebrated for its ability to transport listeners into a realm of quiet beauty and introspection.

Claude Debussy - The Essential Collection

Clair de Lune

Clair de Lune - Debussy

La Source für Harfe, Op. 44 -Alphonse Hasselmans

The Nutcracker, Op. 71, Act II, Scene XIV: Waltz of the Flowers

The City of Prague Philharmonic

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