Buy & Stream:
http://smarturl.it/kosen38

Artwork by https://soundcloud.com/jondeerhill

The forthcoming LP from The Clamps and Kosen Productions isn’t just a collection of records which the French artist has spent months perfecting. It’s also a colossal look into the soundscape which such a high-calibre artist has at their disposal. Stretching across fifteen tracks, between drum & bass and garage, The Clamps focuses around the insanity that is stretching itself across the contemporary world and how he’s helped to define this sonically through each one of his records. There’s also a host of sci-fi inspired cuts which add to the LP’s explosive themes. From the already revealed record ‘LHS 1140b’, with a name that’ll resonate for any space fans, right through to the hard-hitting throws of ‘End of an Era’, there’s a taste to suit every palette throughout every expertly composed record. 

After already setting an enviable standard with the undeniably heavyweight standards on tracks like ‘Looking for Trouble’ alongside the notorious Nuklear MC, standalone offerings such as ‘Mankind’ and ‘30a #3a-23 Happiness’ peddle an unforgettable level of engineering whilst also pushing through a cinematic backdrop. Then a range of collaborations follow in their wake, including ‘Astronauts’ alongside Impak, as well as Snotrocket for ‘Friends in the Hood’. Merikan also joins the fray with ‘Fast Way’. 

The pace is continued to be set with ‘Cattle Mutilation’, whilst Mizo and The Clamps join forces for the meticulously sequenced drums of ‘Time Pressure’. ‘Medina’ pulls you through its half-time madness whilst adding to the LP’s strident versatility, which is followed in quick succession by ‘Soul of the Abyss’ with its throbbing LFOs. The Clamps and NickBee then merge their collective talents for ‘Addicted’, with its more old-school underpinnings. ‘The First and the Last’ platforms the creeping atmospherics which characterises many pieces of The Clamps’ sonic artillery, whilst ‘End of an Era’ draws the album to a close on a cataclysmic breakdown which takes you deep into the belly of the beast. ‘End of an Era’ alludes to The Clamps’ hardcore roots, whilst paying homage to the new foundations he’s laid down through his new music and Kosen Productions.



Follow The Clamps: 
https://www.facebook.com/theclampsmusic/
https://www.instagram.com/theclamps_music/
https://twitter.com/wayofcrab


Follow Kosenprod: 
https://www.kosenprod.com 
https://soundcloud.com/kosenprod
https://www.facebook.com/KOSEN.PRODUCTION
https://www.instagram.com/kosenprod/
https://twitter.com/kosenprod

Buy & Stream

"Odyssey" LP [Kosenprod] OUT NOW

Buy & Stream:
http://hyperurl.co/kosen36

Artwork by https://soundcloud.com/jondeerhill

The name ‘Odyssey’ is apt from an LP which explores the full musical world which The Clamps has built around his art. And alongside Kosen Production, he’s about to unleash a collection of records that is a full spectrum look of what he’s achieved over his career, one which has spanned the neurofunk genre and helped provide some of its most unforgiving, yet refined sounds. Stretching across fifteen tracks, mainly falling within the techstep and neurofunk categories, there’s a host of featuring artists which help to platform the network he’s built through his music, from Nuklear MC, Impak, Merikan, Mizo to Nickbee. Due to drop in September, Kosen Productions - one of the leading independent imprints pushing up through its competition - is set to release its first teaser. It comes in the form of ‘Mankind / Soul of the Abyss’. ‘Mankind’ is a sonic rendition of humanity’s dark side, setting the scene of the world going mad, whilst ‘Soul of the Abyss’ focuses more on the depression, juxtaposing the track’s more melancholy parts with its more aggressive elements.

‘Mankind’ creates a landscape which is snapping and unforgiving, one which slowly drags you in like quicksand. The Clamps isn’t afraid to search for new and exciting avenues for his music, which is shown throughout ‘Mankind’. Its foreboding intro sets the scene and bit by bit you’re gradually pulled into the chaos. ‘Soul of the Abyss’ is more deeply menacing; a brooding concoction of throbbing drum peddles, crackling LFOs and peaked stabs of bass. Whilst still pushing the same underground feel as its forerunner, The Clamps doesn’t mince his intentions, cutting forward with the precision and snapping jaws which are still part of the track’s more understated composition. Yet it still causes as much of an impact and that’s why this package provides an intriguing opener of what The Clamps is about to unleash. He has a talent at his disposal which has been proven time and time again, meaning that the anticipation around the album will only begin to rise. Its world is chaotic as The Clamps has ever been.


Follow The Clamps: 
https://www.facebook.com/theclampsmusic/
https://www.instagram.com/theclamps_music/
https://twitter.com/wayofcrab


Follow Kosenprod: 
https://www.kosenprod.com 
https://soundcloud.com/kosenprod
https://www.facebook.com/KOSEN.PRODUCTION
https://www.instagram.com/kosenprod/
https://twitter.com/kosenprod

Odyssey

The Clamps - Soul Of The Abyss [Kosenprod]

The Clamps - Mankind [Kosenprod]

Buy & Stream:
http://smarturl.it/kosen37

Artwork by http://www.yanvfx.com/

Whether it's hard techno, industrial hardcore or drum & bass, dance music producer The Clamps has stayed at the helm of its ever-growing scene. And having such a wide array of influences has helped him to become one of the most notorious players in the darkest realms, having already grown within the trenches of French label Kosen Production, a platform well known for pushing forward likeminded artists. Whether it's his collaborations with the likes of Nick Bee and Redject, or his standalone singles, he's been heralded by many as a pivotal art within the underground, which is why the announcement of his forthcoming album was met with great anticipation from across the market.

Already releasing on the likes Prolix's Trendkill, Invisible, Eatbrain, Titan and Impact Music, he's made his music felt throughout a wide range of imperative labels. The second part of his 'Odyssey LP' sampler packages comes in the form of both 'Looking for Trouble' featuring the notorious Nuklear MC and 'LHS 1140b', which highlight the LP's versatility whilst also engineering two darkly atmospheric cuts which pull you into the sound which The Clamps is renowned for.

If you're a frequent visitor of the international DJing circuit, you're sure to have heard the sampler's A-side 'Looking For Trouble'. It's a destructive call to arms, one which bares its sonic artillery but first rolls out on strung-out note patterns, a rolling soundscape and an intro which pulls you up an intimidating breakdown. As the track catapults into its first immersive plunge, you're taken for the ride and each constructed hook grabs at you with an intimidating snarl, alongside Nuklear's growling lyricism. 'LHS 1140b' is just as gripping but in its own way, with a heavily distorted bassline and crashing drum sequences which create an effortlessly driving single. This is a secondary sampler proving that The Clamps forthcoming album is a force to be reckoned with. It also pedestals the type of diversity which he's historically championed for, although this can only be expected from an artist who's devoted himself to his craft for such an expansive time frame.


Follow The Clamps: 
https://www.facebook.com/theclampsmusic/
https://www.instagram.com/theclamps_music/
https://twitter.com/wayofcrab


Follow Kosenprod: 
https://www.kosenprod.com 
https://soundcloud.com/kosenprod
https://www.facebook.com/KOSEN.PRODUCTION
https://www.instagram.com/kosenprod/
https://twitter.com/kosenprod

The Clamps - LHS 1140b [Kosenprod]

Buy & Stream:
http://smarturl.it/kosen37

Artwork by http://www.yanvfx.com/

Whether it's hard techno, industrial hardcore or drum & bass, dance music producer The Clamps has stayed at the helm of its ever-growing scene. And having such a wide array of influences has helped him to become one of the most notorious players in the darkest realms, having already grown within the trenches of French label Kosen Production, a platform well known for pushing forward likeminded artists. Whether it's his collaborations with the likes of Nick Bee and Redject, or his standalone singles, he's been heralded by many as a pivotal art within the underground, which is why the announcement of his forthcoming album was met with great anticipation from across the market.

Already releasing on the likes Prolix's Trendkill, Invisible, Eatbrain, Titan and Impact Music, he's made his music felt throughout a wide range of imperative labels. The second part of his 'Odyssey LP' sampler packages comes in the form of both 'Looking for Trouble' featuring the notorious Nuklear MC and 'LHS 1140b', which highlight the LP's versatility whilst also engineering two darkly atmospheric cuts which pull you into the sound which The Clamps is renowned for.

If you're a frequent visitor of the international DJing circuit, you're sure to have heard the sampler's A-side 'Looking For Trouble'. It's a destructive call to arms, one which bares its sonic artillery but first rolls out on strung-out note patterns, a rolling soundscape and an intro which pulls you up an intimidating breakdown. As the track catapults into its first immersive plunge, you're taken for the ride and each constructed hook grabs at you with an intimidating snarl, alongside Nuklear's growling lyricism. 'LHS 1140b' is just as gripping but in its own way, with a heavily distorted bassline and crashing drum sequences which create an effortlessly driving single. This is a secondary sampler proving that The Clamps forthcoming album is a force to be reckoned with. It also pedestals the type of diversity which he's historically championed for, although this can only be expected from an artist who's devoted himself to his craft for such an expansive time frame.


Follow The Clamps: 
https://www.facebook.com/theclampsmusic/
https://www.instagram.com/theclamps_music/
https://twitter.com/wayofcrab

Follow Nuklear MC: 
https://www.facebook.com/nuklearmc/
https://soundcloud.com/nuklearmc
https://www.instagram.com/nuklearmc/
https://twitter.com/NuklearMC

Follow Kosenprod: 
https://www.kosenprod.com 
https://soundcloud.com/kosenprod
https://www.facebook.com/KOSEN.PRODUCTION
https://www.instagram.com/kosenprod/
https://twitter.com/kosenprod

The Clamps ft. Nuklear MC - Looking For Trouble [Kosenprod]

The Clamps - End Of An Era [Kosenprod] OUT ON SEPT 24

The Clamps - The First And The Last [Kosenprod] OUT ON SEPT 24

Buy & Stream:
http://smarturl.it/kosen38

Artwork by https://soundcloud.com/jondeerhill

The forthcoming LP from The Clamps and Kosen Productions isn’t just a collection of records which the French artist has spent months perfecting. It’s also a colossal look into the soundscape which such a high-calibre artist has at their disposal. Stretching across fifteen tracks, between drum & bass and garage, The Clamps focuses around the insanity that is stretching itself across the contemporary world and how he’s helped to define this sonically through each one of his records. There’s also a host of sci-fi inspired cuts which add to the LP’s explosive themes. From the already revealed record ‘LHS 1140b’, with a name that’ll resonate for any space fans, right through to the hard-hitting throws of ‘End of an Era’, there’s a taste to suit every palette throughout every expertly composed record. 

After already setting an enviable standard with the undeniably heavyweight standards on tracks like ‘Looking for Trouble’ alongside the notorious Nuklear MC, standalone offerings such as ‘Mankind’ and ‘30a #3a-23 Happiness’ peddle an unforgettable level of engineering whilst also pushing through a cinematic backdrop. Then a range of collaborations follow in their wake, including ‘Astronauts’ alongside Impak, as well as Snotrocket for ‘Friends in the Hood’. Merikan also joins the fray with ‘Fast Way’. 

The pace is continued to be set with ‘Cattle Mutilation’, whilst Mizo and The Clamps join forces for the meticulously sequenced drums of ‘Time Pressure’. ‘Medina’ pulls you through its half-time madness whilst adding to the LP’s strident versatility, which is followed in quick succession by ‘Soul of the Abyss’ with its throbbing LFOs. The Clamps and NickBee then merge their collective talents for ‘Addicted’, with its more old-school underpinnings. ‘The First and the Last’ platforms the creeping atmospherics which characterises many pieces of The Clamps’ sonic artillery, whilst ‘End of an Era’ draws the album to a close on a cataclysmic breakdown which takes you deep into the belly of the beast. ‘End of an Era’ alludes to The Clamps’ hardcore roots, whilst paying homage to the new foundations he’s laid down through his new music and Kosen Productions.



Follow The Clamps: 
https://www.facebook.com/theclampsmusic/
https://www.instagram.com/theclamps_music/
https://twitter.com/wayofcrab

Follow Nickbee: 
https://soundcloud.com/nickbee
https://www.facebook.com/nickbeeaudio/
https://www.instagram.com/nickbeeaudio/
https://twitter.com/NickBeeAudio


Follow Kosenprod: 
https://www.kosenprod.com 
https://soundcloud.com/kosenprod
https://www.facebook.com/KOSEN.PRODUCTION
https://www.instagram.com/kosenprod/
https://twitter.com/kosenprod

The Clamps & NickBee - Addicted [Kosenprod] OUT ON SEPT 24

The Clamps - The Sky Darkens [Kosenprod] OUT ON SEPT 24

The Clamps - Medina [Kosenprod] OUT ON SEPT 24

Buy & Stream:
http://smarturl.it/kosen38

Artwork by https://soundcloud.com/jondeerhill

The forthcoming LP from The Clamps and Kosen Productions isn’t just a collection of records which the French artist has spent months perfecting. It’s also a colossal look into the soundscape which such a high-calibre artist has at their disposal. Stretching across fifteen tracks, between drum & bass and garage, The Clamps focuses around the insanity that is stretching itself across the contemporary world and how he’s helped to define this sonically through each one of his records. There’s also a host of sci-fi inspired cuts which add to the LP’s explosive themes. From the already revealed record ‘LHS 1140b’, with a name that’ll resonate for any space fans, right through to the hard-hitting throws of ‘End of an Era’, there’s a taste to suit every palette throughout every expertly composed record. 

After already setting an enviable standard with the undeniably heavyweight standards on tracks like ‘Looking for Trouble’ alongside the notorious Nuklear MC, standalone offerings such as ‘Mankind’ and ‘30a #3a-23 Happiness’ peddle an unforgettable level of engineering whilst also pushing through a cinematic backdrop. Then a range of collaborations follow in their wake, including ‘Astronauts’ alongside Impak, as well as Snotrocket for ‘Friends in the Hood’. Merikan also joins the fray with ‘Fast Way’. 

The pace is continued to be set with ‘Cattle Mutilation’, whilst Mizo and The Clamps join forces for the meticulously sequenced drums of ‘Time Pressure’. ‘Medina’ pulls you through its half-time madness whilst adding to the LP’s strident versatility, which is followed in quick succession by ‘Soul of the Abyss’ with its throbbing LFOs. The Clamps and NickBee then merge their collective talents for ‘Addicted’, with its more old-school underpinnings. ‘The First and the Last’ platforms the creeping atmospherics which characterises many pieces of The Clamps’ sonic artillery, whilst ‘End of an Era’ draws the album to a close on a cataclysmic breakdown which takes you deep into the belly of the beast. ‘End of an Era’ alludes to The Clamps’ hardcore roots, whilst paying homage to the new foundations he’s laid down through his new music and Kosen Productions.



Follow The Clamps: 
https://www.facebook.com/theclampsmusic/
https://www.instagram.com/theclamps_music/
https://twitter.com/wayofcrab

Follow Mizo: 
https://soundcloud.com/mizodnb
https://www.facebook.com/mizodnb/
https://www.instagram.com/alex_mizo/

Follow Kosenprod: 
https://www.kosenprod.com 
https://soundcloud.com/kosenprod
https://www.facebook.com/KOSEN.PRODUCTION
https://www.instagram.com/kosenprod/
https://twitter.com/kosenprod

The Clamps & Mizo - Time Pressure [Kosenprod] OUT ON SEPT 24

The Clamps - Cattle Mutilation Syndrome [Kosenprod] OUT ON SEPT 24

Buy & Stream:
http://smarturl.it/kosen38

Artwork by https://soundcloud.com/jondeerhill

The forthcoming LP from The Clamps and Kosen Productions isn’t just a collection of records which the French artist has spent months perfecting. It’s also a colossal look into the soundscape which such a high-calibre artist has at their disposal. Stretching across fifteen tracks, between drum & bass and garage, The Clamps focuses around the insanity that is stretching itself across the contemporary world and how he’s helped to define this sonically through each one of his records. There’s also a host of sci-fi inspired cuts which add to the LP’s explosive themes. From the already revealed record ‘LHS 1140b’, with a name that’ll resonate for any space fans, right through to the hard-hitting throws of ‘End of an Era’, there’s a taste to suit every palette throughout every expertly composed record. 

After already setting an enviable standard with the undeniably heavyweight standards on tracks like ‘Looking for Trouble’ alongside the notorious Nuklear MC, standalone offerings such as ‘Mankind’ and ‘30a #3a-23 Happiness’ peddle an unforgettable level of engineering whilst also pushing through a cinematic backdrop. Then a range of collaborations follow in their wake, including ‘Astronauts’ alongside Impak, as well as Snotrocket for ‘Friends in the Hood’. Merikan also joins the fray with ‘Fast Way’. 

The pace is continued to be set with ‘Cattle Mutilation’, whilst Mizo and The Clamps join forces for the meticulously sequenced drums of ‘Time Pressure’. ‘Medina’ pulls you through its half-time madness whilst adding to the LP’s strident versatility, which is followed in quick succession by ‘Soul of the Abyss’ with its throbbing LFOs. The Clamps and NickBee then merge their collective talents for ‘Addicted’, with its more old-school underpinnings. ‘The First and the Last’ platforms the creeping atmospherics which characterises many pieces of The Clamps’ sonic artillery, whilst ‘End of an Era’ draws the album to a close on a cataclysmic breakdown which takes you deep into the belly of the beast. ‘End of an Era’ alludes to The Clamps’ hardcore roots, whilst paying homage to the new foundations he’s laid down through his new music and Kosen Productions.



Follow The Clamps: 
https://www.facebook.com/theclampsmusic/
https://www.instagram.com/theclamps_music/
https://twitter.com/wayofcrab

Follow Merikan: 
https://soundcloud.com/merikan
https://www.facebook.com/merikanofficial/
https://www.instagram.com/merikan_dnb/

Follow Kosenprod: 
https://www.kosenprod.com 
https://soundcloud.com/kosenprod
https://www.facebook.com/KOSEN.PRODUCTION
https://www.instagram.com/kosenprod/
https://twitter.com/kosenprod

The Clamps & Merikan - Fast Way [Kosenprod] OUT ON SEPT 24

The Clamps  - 30a #3a - 23 Happiness [Kosenprod] OUT ON SEPT 24

Buy & Stream:
http://smarturl.it/kosen38

Artwork by https://soundcloud.com/jondeerhill

The forthcoming LP from The Clamps and Kosen Productions isn’t just a collection of records which the French artist has spent months perfecting. It’s also a colossal look into the soundscape which such a high-calibre artist has at their disposal. Stretching across fifteen tracks, between drum & bass and garage, The Clamps focuses around the insanity that is stretching itself across the contemporary world and how he’s helped to define this sonically through each one of his records. There’s also a host of sci-fi inspired cuts which add to the LP’s explosive themes. From the already revealed record ‘LHS 1140b’, with a name that’ll resonate for any space fans, right through to the hard-hitting throws of ‘End of an Era’, there’s a taste to suit every palette throughout every expertly composed record. 

After already setting an enviable standard with the undeniably heavyweight standards on tracks like ‘Looking for Trouble’ alongside the notorious Nuklear MC, standalone offerings such as ‘Mankind’ and ‘30a #3a-23 Happiness’ peddle an unforgettable level of engineering whilst also pushing through a cinematic backdrop. Then a range of collaborations follow in their wake, including ‘Astronauts’ alongside Impak, as well as Snotrocket for ‘Friends in the Hood’. Merikan also joins the fray with ‘Fast Way’. 

The pace is continued to be set with ‘Cattle Mutilation’, whilst Mizo and The Clamps join forces for the meticulously sequenced drums of ‘Time Pressure’. ‘Medina’ pulls you through its half-time madness whilst adding to the LP’s strident versatility, which is followed in quick succession by ‘Soul of the Abyss’ with its throbbing LFOs. The Clamps and NickBee then merge their collective talents for ‘Addicted’, with its more old-school underpinnings. ‘The First and the Last’ platforms the creeping atmospherics which characterises many pieces of The Clamps’ sonic artillery, whilst ‘End of an Era’ draws the album to a close on a cataclysmic breakdown which takes you deep into the belly of the beast. ‘End of an Era’ alludes to The Clamps’ hardcore roots, whilst paying homage to the new foundations he’s laid down through his new music and Kosen Productions.



Follow The Clamps: 
https://www.facebook.com/theclampsmusic/
https://www.instagram.com/theclamps_music/
https://twitter.com/wayofcrab

Follow Snotrocket:
https://soundcloud.com/snotrocket
https://www.facebook.com/snotrocket.kosenprod

Follow Kosenprod: 
https://www.kosenprod.com 
https://soundcloud.com/kosenprod
https://www.facebook.com/KOSEN.PRODUCTION
https://www.instagram.com/kosenprod/
https://twitter.com/kosenprod

The Clamps & Snotrocket - Friends In The Hood [Kosenprod] OUT ON SEPT 24

Buy & Stream:
http://smarturl.it/kosen38

Artwork by https://soundcloud.com/jondeerhill

The forthcoming LP from The Clamps and Kosen Productions isn’t just a collection of records which the French artist has spent months perfecting. It’s also a colossal look into the soundscape which such a high-calibre artist has at their disposal. Stretching across fifteen tracks, between drum & bass and garage, The Clamps focuses around the insanity that is stretching itself across the contemporary world and how he’s helped to define this sonically through each one of his records. There’s also a host of sci-fi inspired cuts which add to the LP’s explosive themes. From the already revealed record ‘LHS 1140b’, with a name that’ll resonate for any space fans, right through to the hard-hitting throws of ‘End of an Era’, there’s a taste to suit every palette throughout every expertly composed record. 

After already setting an enviable standard with the undeniably heavyweight standards on tracks like ‘Looking for Trouble’ alongside the notorious Nuklear MC, standalone offerings such as ‘Mankind’ and ‘30a #3a-23 Happiness’ peddle an unforgettable level of engineering whilst also pushing through a cinematic backdrop. Then a range of collaborations follow in their wake, including ‘Astronauts’ alongside Impak, as well as Snotrocket for ‘Friends in the Hood’. Merikan also joins the fray with ‘Fast Way’. 

The pace is continued to be set with ‘Cattle Mutilation’, whilst Mizo and The Clamps join forces for the meticulously sequenced drums of ‘Time Pressure’. ‘Medina’ pulls you through its half-time madness whilst adding to the LP’s strident versatility, which is followed in quick succession by ‘Soul of the Abyss’ with its throbbing LFOs. The Clamps and NickBee then merge their collective talents for ‘Addicted’, with its more old-school underpinnings. ‘The First and the Last’ platforms the creeping atmospherics which characterises many pieces of The Clamps’ sonic artillery, whilst ‘End of an Era’ draws the album to a close on a cataclysmic breakdown which takes you deep into the belly of the beast. ‘End of an Era’ alludes to The Clamps’ hardcore roots, whilst paying homage to the new foundations he’s laid down through his new music and Kosen Productions.



Follow The Clamps: 
https://www.facebook.com/theclampsmusic/
https://www.instagram.com/theclamps_music/
https://twitter.com/wayofcrab

Follow Impak:
https://soundcloud.com/impak
https://www.facebook.com/impakDNB/
https://twitter.com/Impak89
https://www.instagram.com/impak.music/

Follow Kosenprod: 
https://www.kosenprod.com 
https://soundcloud.com/kosenprod
https://www.facebook.com/KOSEN.PRODUCTION
https://www.instagram.com/kosenprod/
https://twitter.com/kosenprod

The Clamps & Impak - Astronauts [Kosenprod] OUT ON SEPT 24

About Music...

Booking & General Enquiries:
saylyn1@gmail.com
booking@kaonashiprod.com

Merch:
https://theclamps.myspreadshop.fr/

Music Producer and Co-owner at:
▶https://soundcloud.com/burroakmusic
▶https://soundcloud.com/thirdcolonymusic
▶https://soundcloud.com/forum_music


The Clamps, born Julien Carbou, is a French Drum & Bass producer and DJ established in Toulouse. Since starting his music career through several musical projects in the late 90s, he has become known for his unique and heavy sound that blends elements of Drum & Bass, Techno, and Industrial Music.

With a string of releases on respected labels such as Trendkill Records, Kosen Production and Eatbrain, The Clamps has established himself as a prominent figure in the Drum & Bass scene. His music is characterized by its intricate sound design, intense energy, and expertly crafted basslines that have earned him a dedicated following.

With a discography spanning over a decade, The Clamps continues to push the D&B boundaries and remains a significant force in the genre. His music is celebrated for its raw energy, technical precision, and forward-thinking approach, making him a must-see act for fans of the genre.

Aside from his solo work, he has set up different musical projects such as Burr Oak (with Opsen), Forum (with Opsen & SKS) and Third Colony (with Deerhill) to express himself in different musical journeys.

In addition to his production work, The Clamps is also known for his high-energy DJ sets, which have taken him to clubs and festivals all across the world.

Over the years, he has established himself as one of the leading figures in the Drum & Bass scene, and his music continues to be highly regarded by fans and critics alike. With his dedication to his craft and his relentless work ethic, he is sure to remain a major force in the world of drum and bass for years to come.