this song is the literal definition of perfect

April 2013

THUMPERS "Unkinder (A Tougher Love)" from their forthcoming record on Sub Pop Records 

Available on iTunes: https://itunes.apple.com/us/album/unkinder-tougher-love-single/id708653577

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Galore

Unkinder (A Tougher Love)

THUMPERS - Unkinder (A Tougher Love)

Wolfgan Amadeus Phoenix

Lisztomania

Our new album "JR JR" is out now!
iTunes: http://smarturl.it/jrjritunes
Spotify: http://smarturl.it/jrjrspotify

Watch the official video on YouTube: https://youtu.be/nq0mpgHNapc

Gone

Download

From Stockholm Sweden
Povel / Magnus / Filip / David
www.theroyalconcept.com

Royal

Goldrushed

Buy on iTunes

The Mother We Share out now: http://po.st/TWMSiT

The Bones Of What You Believe out now. Standard: http://po.st/TBOWYB | Special: http://po.st/TBOWYBSpecial

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The Bones Of What You Believe

The Mother We Share

The unreleased track World on Fire premiered on the CW's hit show Arrow (8pm/7pm central).  
As a gift to our fans we would like to offer you a free download of the track!  

I see the world has gone mad
I see them talk the talk, walk the walk
But nothing stands out
I see the world has gone mad
I think I'll do you like I used to do
Do it all night

I see the world has gone mad
I say we do it like we used to do
Fuck this charade
Where is my band, where are my friends
They turned to DJs and just hit it, hit it 
Big time instead

I set the world on fire
Won't let you go
Now all the pieces come together and I let it all go
I set the world on fire
Won't let you go
I'll come and pick you up I think you'd like the world from above

I see the world has gone mad
I say we do it like we used to do
Do it all night
Where's their big plan, What's their next move
I say just fuck them let them know that they ain't 
Doing no good

Get the job, Get the job , Get the job done
Do it like we used to do, do it all night

I set the world on fire
Won't let you go
Now all the pieces come together and I let it all go
I set the world on fire
Won't let you go
I'll come and pick you up I think you'd like the world from above

Get the job, get the job, get the job done
Do it like we used to do, do it all night
Get the job, get the job, get the job done
They do it like they used to do they do it all wrong

I set the world on fire
Won't let you go
Now all the pieces come together and I let it all go
I set the world on fire
Won't let you go
I'll come and pick you up I think you'd like the world from above

I set the world on fire
Now all the pieces come together and I let it all go

World On Fire

Our debut album "When It Was Now," is now available on iTunes- smarturl.it/atlas

Subscribe for more new music on YouTube- bit.ly/W8yTQS
iTunes - www.smarturl.it/atlas
Facebook- facebook.com/atlasgenius
Twitter- twitter.com/atlasgenius
Tour Dates- atlasgenius.com/tour

About Atlas Genius-
The members of Adelaide, Australia’s Atlas Genius do things a little differently….They set about building a studio where they could write and record music for their newly formed band 3 years before they even played their first live show as Atlas Genius. For two years, they devoted their days to constructing their dream studio and spent their nights performing songs by The Police, The Beatles and The Rolling Stones at local pubs to pay the bills. “We really got down and dirty with dry walling and literally laying the floorboards, and at the same time we were taking a couple of days a week to focus on writing songs,” recalls Keith Jeffery, Atlas Genius’s vocalist/guitarist. "We had a lot of song ideas and it was important to us to have our own studio where we could experiment and hone in on our sound," adds brother and drummer, Michael Jeffery. The studio was designed and outfitted by the brothers with the help of their father (who comes from a music and engineering background). Once the studio was complete, the first song that Atlas Genius finished was a song called “Trojans,” which they wrote, recorded and produced in collaboration with their friend, keyboardist Darren Sell. After many weeks tweaking the song, Michael insisted that the song was ready to be heard outside of the studio walls. Within an hour, “Trojans” was on the Triple J Unearthed Website, SoundCloud, and for sale via TuneCore on iTunes, Amazon and Spotify worldwide.

“We had begun to think that music was a pipedream and we had all gone back to university to pursue more realistic careers,” says Keith. “We’d had such a long slog of playing late nights and working all day, and it felt like we didn’t really have anything to show for it.” But then, in the midst of cramming for their Fall 2011 semester final exams, Neon Gold discovered “Trojans” on the Triple J Unearthed Website and wrote a post praising “Trojans” as a song sure to “invade your head, all dressed up in a clever disguise of earnest vocals riding a hooky riff.” Checking the band’s email account for the first time in over a month, the band found that dozens of record labels, publishers, lawyers, booking agents and management companies from all over the world had contacted them.

“We were trying to focus on school, but it was just impossible,” recalls Keith. “So we said, ‘There’s something going on here. Let’s get back to the music.’” The band added manager, Jonny Kaps from +1, to their extended family to navigate all of the interest as the band focused on writing and recording more songs.

Quickly named an iTunes Single of the Week in Australia and New Zealand, “Trojans” reached #4 on Hype Machine by the end of May. In August, SiriusXM Satellite Radio’s Alt-Nation discovered the song on a blog and decided to give it some spins. There was an immediate reaction from listeners, and in September, “Trojans” was placed into heavy rotation, where it maintained a top-five position on the listener-generated Alt-18 countdown and peaked at number one for 4 consecutive weeks in January 2012. “Trojans” began selling over a thousand tracks per week on U.S. iTunes and soon climbed to 45,000 sales - all with zero promotional efforts from the still-unsigned Atlas Genius.

“Knowing we had this audience that was waiting on new songs, we had a much greater sense of purpose than we had before,” says Keith. “It was really exciting to know that there were people who wanted to hear more of our music.” Although labels were clamoring for the band to come to the U.S. and play a series of showcase gigs, Atlas Genius turned down those offers in favor of staying in Adelaide to keep writing and recording new songs. In February 2012, after months of communicating with numerous labels via Skype, the band chose to travel to the US in order to make their label decision.

“We’d never been to America before,” says Keith. “We flew in at night and saw this sea of lights, and it really became apparent to us how massive the U.S. is. It was pretty intimidating - like ‘How do we fit into all this?’” In April 2012, the band returned to the states having made their decision to sign with Warner Bros. Records. “We felt a connection with them,” notes Keith. “Everyone there feels very creative and dedicated to the music.”

The band’s first release from their new label home, the EP Through The Glass (produced, engineered and mixed by the band), came out in June of 2012. With Through The Glass completed, Atlas Genius then holed up in its studio and worked on writing and recording its first full-length album, while at the same time rehearsing for their first ever tour. The tour started in August 2012 and led to three more tours back to back taking them thru to the end of the year. Thus, their full-length debut was finished up between tour dates and got completed just before Christmas 2012. When It Was Now is set for a US release on February 19th, 2013, with an international release to follow soon after.

The debut captures Atlas Genius’s singular combination of sophisticated musicality and warm, wistful spirit. Infused with a classic sensibility, each of the songs would fit seamlessly if somehow slipped into a long-treasured mixtape. On the shimmering “Symptoms,” for instance, taut keyboard riffs mesh with urgent acoustic strumming before the band bursts into a gently frenetic, guitar-drenched chorus. Meanwhile, “Back Seat” blends its pulsing bass throb with a sweetly infectious beat and tender vocals that alternately soar and sigh. And on “Trojans,” Atlas Genius begins with a restrained guitar melody and vocal (“Take it off, take it in/Take off all the thoughts of what we’ve been”) before giving way to the handclap-accented, harmony-soaked refrain and lush yet kinetic bridge.

“It’s still surreal,” says Keith of all that’s happened over the past 18 months. “I think when we were very young, we had hopes that something like this might happen one day,” he continues. (Thanks largely to encouragement from their Beatles fanatic parents, who encouraged the brothers to begin playing music by age 14.) “But then you grow up a bit and it seems less and less likely. So when we put ‘Trojans’ out, we figured it would be a success if maybe a hundred people heard it. We don’t want to force our music onto anyone. Our goal is to write songs that we love and we hope they connect with other people too.”

When It Was Now

If So

Recover EP out now: http://po.st/Sm7Tvk

The Bones Of What You Believe out now. Standard: http://po.st/TBOWYB | Special: http://po.st/TBOWYBSpecial

http://chvrch.es/
https://facebook.com/CHVRCHES
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Recover EP

Recover

Little Games by The Colourist

Lido EP available now!
iTunes: http://smarturl.it/TheColouristLIDOiT
Amazon: http://smarturl.it/TheColouristLIDOAMZ

http://www.thecolouristmusic.com
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Lido

Little Games

Evil Friends http://smarturl.it/evilfriends 
Now Available Everywhere 
Produced by Danger Mouse 

Purple Yellow Red and Blue

America quickly became like a second home for Sweden’s The Royal Concept. In fact, their stateside arrival has been quite a long time in the making for vocalist David Larson. ”When I was a kid, I used to say, ‘The first time I go to America will be because of music!’,” he smiles. “Low and behold, that’s exactly how and why it happened.”

In 2012, that anxiously-awaited dream came true shortly after the quartet—Larson, Filip Bekic [guitar], Magnus Robert [bass], and Frans Povel [drums]—topped HypeMachine with not one but two songs, “D-D-Dance” and “Gimme Twice”. A myriad of labels clamored to sign them over the course of the next month, but LAVA proved the perfect fit. The band proceeded to hit U.S. soil for the first time alongside everybody from Imagine Dragons and Alex Clare to Atlas Genius, further generating buzz and developing a fervent following.

When they returned to Sweden in early 2013, they garnered all sorts of new inspirations and experiences to cull from as they worked on what would eventually become their 2013 offering the Royal EP [LAVA/Republic Records]. By happenstance, a track entitled “World On Fire” leaked and quickly became a fan favorite. Merging sizzling synths, dynamic guitars, and a devilishly danceable hook, the song further fueled their own fire.

In 2013, the band released the single "On Our Way", and announced the title of their debut album, Goldrushed, which was released in Sweden on September 11, 2013. In addition the band also released an exclusive song on Spotify, "27 Forever". The band also did several covers of songs such as "Cecilia" by Linnea Hendrickson and also "Simply Irresistible" by Robert Palmer for E!'s Live From the Red Carpet. On April 2014, the band announced the release date (May 7, 2014) of their debut album "Goldrushed" in Japan, which features five bonus tracks (Damn, Naked & Dumb, Gimme Twice, Knocked Up, and Someday). "On Our Way" is one of the songs featured in EA Sports's football game FIFA 14. It was also covered by the cast of Glee in the Season 5 episode "The End of Twerk" and was also used several episodes of MTV series Big Tips Texas and Generation Cryo.

World On Fire

The Royal Concept

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