Random 12 (2016)

From QUATORZE PIÈCES DE MENACE [CD|2xLP|DIGITAL]
http://www.denovali.com/dalecooper/

Lampyre Bonne Chère (Feat. Alicia Merz)

from 'Parole de Navarre' [CD|2xLP|DIGITAL] Reissue
Denovali Records · den060
available on all formats at [http://denovali.com/dalecooper]

AFTER 4 YEARS FINALLY REPRESSED - COMES WITH A NEW CD & LP ARTWORK. Formed for the improvisation nights Dynamo in Brest, France, this quartet made of musicians covering a wide variety of musical styles creates a sound that mixes electronic (samples, cuts, sound treatments) and acoustic elements (guitars, saxophone, trumpet). They’re playing moody ballads that sound as if they would come out from one of David Lynch's movies. Like in the films of Hollywood’s master of bizarre pieces, there is something like a dark and poisonous colour broken by red thunderlights and blue cigarette smoke. The music spawnes some odd characters and landscapes while the listener makes out some more friendly faces that loom up out of this nowhere place: the voice of Zalie Bellaccico, Milanese streets sounds, a lazy flute, or some distant breathing swim on the surface of this deep troubled waters. "Paroles de Navarre" is an invitation for opening the red curtain of this Dark Jazz cabaret made of shimmering and whirling walls. One of the best musical outputs from France of the last ten years and already a classic.

Parole De Navarre

Preorder / Buy

Dale Cooper Quartet & The Dictaphones - Aucun Cave

Jane 9

3x12" of 'and their refinement of the decline' back in print for the first time in many years as of 8/14


stars of the lid 'piano aquieu'

 مَــغَــاوِيْــــــرْ

أَوَّلاََ سَـنَـة حُلْـوَة يَا جَمِيـلْ     ثَانِياً الِلّيـلْ حَيْكُـون طَوِيـل 

ْقْـوْلْ لَإِمَّـكْــ مَـاَ تْخَـافْـ     الْمَلْهَــي عَلَي بُعْـدِ رْصَــاص

ْثَالِثـاً إِلْبُـسْ الأَسْـوَدْ وِانْـزَلْ     عَـالِمـاً بَـسْ تِثْلُــجْ فُـوقِ التْـلاَل

ْبِيصِيُــرُوا الصِّبْيَـانْ رْجَــالْ      مَـغَـاوِيْـرْ بْعَـاصْـمِـةِ الِلِّيْــل

ْعَــلَّمُوْنَـا عَــلَي المَـلْعَبـــ     نلْعَـبْـــ عصَــاْبَـات

ْشُـوبـْــ شُـوبـْــ قَـوَّصُـوكـْـ     شُـوبـْــ شُـوبـْــ قَـوَّصُـوك

ْكِنَّـا سَـــوَا عَـمْ نِتْسَـلَّـي      وَيْنَــكِ اخْتَـفَيْـــت

ْشُـوبـْــ شُـوبـْــ قَـوَّصُـوكـْـ     شُـوبـْــ شُـوبـْــ قَـوَّصُـوك

ْرَابِعـاً مَا تِحْكِـي مَعْ نِسْـوَانْ     عَلَشَـانْـ مَـا نِسْهَــرْ عَلَـي الجِثمَـان

ْهُــوْنْ الـسِّتْـــ بَـسْ مِقْيَـاسْ      لكْـرَاَمْتُـه قِّـدَّاَمِ النَــاس

غَـالِبـاً فِـيْ طَبَنْـجَـة بِجْيَـابُـه     عَلَـشَـانْ الصَبــيِّ إِبِـنْ بَـيُّــه

ْوْهُـونْ مَـا حَــدَا بْيِـنْطَـالْ     أدُونِـيـسْ ضَحِـيِّـة الأَدْغَـــال

MAGHAWIR

Number one, happy birthday beautiful.
Number two, you’re in for a long night;
Tell your mother to chill:
The club’s a bullet’s throw away.
Number three, wear your black suit and come down,
Bearing that when snow caps the hills
All the boys become men:
Soldiers in the capital of the night.

And on the playground, 
They always taught us
To gang-play-pretend.
Shoop shoop shot you down.
Shoop shoop shot you down.
We were just all together,
Painting the town.
Where’d you disappear?
Shoop shoop shot you down.
Shoop shoop shot you down.

Number four, quit chatting up the misses, 
Before the night turns into a wake.
Here women are but emblems of men’s influence.
Yes, that is a gun in his pocket,
Because the boy’s his fathers son.
Where the arm of the law can’t reach, adonis falls victim.

And on the playground, 
They always taught us
To gang-play-pretend.
Shoop shoop shot you down.
Shoop shoop shot you down.
We were just all together,
Painting the town.
Where’d you disappear?
Shoop shoop shot you down.
Shoop shoop shot you down.


Mashrou' Leila - Maghawir El Leil ( IBN EL LEIL ) | مشروع ليلي - مغاوير الليل

أصنــام

كانت الدفاتر بيضاء وحياتنا ما بتتغنى،
والراديو يذيع مللنا يا أما خمسة أو خمسين مرة.
لمرّة سمعنا فارس قال لنا نردم معابدنا.
رحنا وعمّرنا له معبد ثاني بمحلّها.

سلّطنا الضوء على وجهه لما طلع حتى يمكسج.
ما شفنا غير خياله إختفى وجهه تحت الوهج،
ويطلع يعزف ليتخيّل حاله بالأفلام،
وإحنا نصدّق حكيُه حتى نبرّر الأصنام.

ْحَـرَفُـوْهْ و رَدَدُوهْ ، قَدَسُـوُهْ ورَتَّـلـُوه

طربنا بحفلاته لما بلش يلعبلنا
الأسرار اللي خربشناها على الحيط بحمّاماتنا.
فسّر الأغنية فصلبناه بخشب المسرح.
كان يكتب من الجوع وما في أكل على المذبح. 

ْحَـرَفُـوْه و رَدَدُوه ، قَدَسُـوُه ورَتَّـلـُوه

ASNAM (IDOLS)

Our notebooks lay bare when being didn’t merit a song,
And the radio blared ennui five or fifty times a day.
Till once we heard a DJ who said ‘go destroy your temples’
But in their place we built anew, temples in his name.

All we saw were shadows, when he’d mount the stage to play
We shone a light too bright, and blurred his face away
And he’d play dubious tunes, telling lies from film.
But we believed every word to justify the idols we built for him.

They distorted him, to echo him. 
They sanctified him, to chant him.

He thrilled us at his shows when he started to perform
The secrets that we’d scribbled upon the bathroom walls
We nailed him to a stage-wood cross when he explained his lyrics
He too wrote out of hunger, but the altar was always fruitless.

They distorted him, to echo him. 
They sanctified him, to chant him.





Mashrou' Leila - ASNAM/IDOLS ( IBN EL LEIL ) | ( مشروع ليلي - أصنام ( ابن الليل

طــيف

غنيت
مع كورس أشباح تحت رصاص مدينتي
والدّبكات
رقصتها تحِت ضوء إشارة السير 
لانتَشيت 
عالكهربا من نخاع العامود 
وصبّيت 
دموع النيون ع سواد العيون
والطرابيش خذونا، عالحبوس عشان يخصونا، ويعملوا أوسام
خيّطنا لهم أعلامنا من أكفان جثث الأصحاب، اللّي كانوا عالإعدام
خبز الغراب بدأ ينمى منورث الأرض غدًا يامّا
خبز الغراب بدأ ينمى منورث الأرض غدًا يامّا
وقضّيت
عمري مع حقّي مرْهون لأّحاسيسك (آه يا نوسك)
وانمحيت
من كِتب التاريخ كأنها تاريخك (وهويتك)
بأوراكنا ترجمنالهم أبيات سافو وأبو نوّاس بلْسان الآهات
على شراشف طرّزناها بالآهات الّي نشدناها بالمظاهرات
خبز الغراب بدأ ينمى منورث الأرض غدًا يامّا
خبز الغراب بدأ ينمى منورث الأرض غدًا يامّا
علّيلِي كعبك بالغنا
بعدها الأغاني ممكنة

TAYF (GHOST)

Showered with this city’s bullets, I chorused with ghosts
Bathed by traffic lights, I danced our dabkeh
Till i was high on the the marrow of the electric pole,
And i poured tears - neon - on swollen pupils.
Till the fezzes came to take us, to prisons, to castrate us, to make medallions.
But we sewed flags from funeral shrouds (from friends on death row).

The mushrooms have started to grow
Tomorrow we inherit the earth
The mushrooms have started to grow
Tomorrow we inherit the earth

My life spent; with rights mortgaged off to your sentiments 
My history erased from our books like they were yours to claim 
Our hips translated Sappho and Abu Nuwas in the tongue of oohs and aahs
On bed sheets embroidered with the same oohs and aahs we chanted at the picket line.

The mushrooms have started to grow
Tomorrow we inherit the earth
The mushrooms have started to grow
Tomorrow we inherit the earth

For now we still have songs;
Sing with your highest heels on

Mashrou' Leila - TAYF/Ghost ( IBN EL LEIL ) | ( مشروع ليلي - طيف ( ابن الليل

Mashrou' Leila - SAAD ALSUUD ( IBN EL LEIL ) | مشروع ليلي - سعد السعود

Music by : M.Ragab & A.Hefny.
Voice : Ghalia BenAli
Recorded @ RadioAcid studio & Ganoub studio.
Mixed @ Ganoub Studio.
2015

سيد الكونين "ج٢

Ryuichi Sakamoto - Insensatez Remix (Re - Model By Alva Noto) + Brian Eno & J. Peter Schwalm - Intenser

Ryuichi Sakamoto - Insensatez (Re - Model By Alva Noto) + Brian Eno & J. Peter Schwalm - Intenser

the live album inni - a first for the band - is comprised of the full set from alexandra palace, played in order with just one omission, and clocks in at one-and-three-quarter hours. recorded by sigur rós' in-house studio engineer birgir jón birgisson, inni's live audio recording is far and away the best way of replicating the full-force effect of standing in front of sigur rós for an evening.
to buy, visit <a href="http://www.sigur-ros.co.uk">http://www.sigur-ros.co.uk</a>/
to download this song, go here: <a href="http://emailunlock.com/sigur-ros/n-batter-live">http://emailunlock.com/sigur-ros/n-batter-live</a>



Ný Batterí (Live)

Aphex Twin - Avril 14th

from the 2012 album valtari. http://www.sigur-ros.co.uk/valtari

ekki múkk

taken from "Phonē to Logos" album, released on Audiobulb

Phonē to Logos

Porya Hatami - Pomegranates

Artist: William Basinski 
Title: O, My Daughter, O, My Sorrow
Album: Lamentations
Release Date: November 13, 2020

William Basinski’s reputation as the foremost producer of profound meditations on death and decay has long been established, but on his new album, Lamentations, he transforms operatic tragedy into abyssal beauty. More than any other work since The Disintegration Loops, there is an ominous grief throughout the album, and that sense of loss lingers like an emotional vapor.

Captured and constructed from tape loops and studies from Basinski’s archives – dating back to 1979 – Lamentations is over forty years of mournful sighs meticulously crafted into songs. They are shaped by the inevitable passage of time and the indisputable collapsing of space – and their collective resonance is infinite and eternal.

Lampyre Bonne Chère (Feat. Alicia Merz)

The Dale Cooper Quartet

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