Durriti Column

'Californiyeah (Patrick Ford Remix feat. Main Attrakionz) appears on the 'R!M!X!S' EP released in November 2013. The digital download and 12" are available from,

iTunes - http://smarturl.it/xesjuv
Bleep - http://smarturl.it/h2lrre
Amazon - http://smarturl.it/rl988e
Google Play - http://smarturl.it/qlk2uf

'Californiyeah' is originally from the album 'THR!!!ER' out now on Warp Records. Watch the video for the single at http://youtu.be/Z9QYW2Su6b0

iTunes - http://smarturl.it/bcbvpq
Bleep - http://smarturl.it/qje5gi
Amazon - http://smarturl.it/p9is31
Google Play - http://smarturl.it/mklzs0

http://chkchkchk.net/
https://www.facebook.com/chkchkchk
http://twitter.com/chkchkchk

R!M!X!S

Californiyeah feat. Main Attrakionz (Patrick Ford Mix)

Buy at Bleep.com

"Californiyeah" Patrick Ford Remix (feat. Main Attrakionz)

𝔗𝔯𝔞𝔠𝔨𝔩𝔦𝔰𝔱:
INTRO (Various songs on the radio)
Kelly Finnegan - A Joyful Sound
Laddi - Á góðri jólastund 
Ómar Ragnarsson - Segðu okkur eitthvað sniðugt (Ívar Pétur Verse-Chorus-Chorus-Chorus Edit)
 Jean-Marie Riachi - El Layli Laylit El Milad 

ꜰʀᴏꜱᴛʏ ᴀʀᴏᴜɴᴅ ᴛʜᴇ ᴡᴏʀʟᴅ ᴍᴇᴅʟᴇʏ:
Monica Lind - Snögubben Frosty
VIVA VOCE - Frosty, der Schneemann
KK og Ellen - Snæfinnur Snjókarl
Mike Seeger, Peggy Seeger, Penny Seeger - Turkey Run Away 	
Haukur Morthens og Mezzoforte - Snæfinnur Snjókarl
	
The Free Design - Close Your Mouth (It’s Christmas)
Carla Thomas - Gee Whiz, It’s Christmas
Bibbi Stive - Juleball i Nisseland
Billy Jackson & the Citizen Band - Have a Happy, Happy, Happy Christmas
Al Green - Feels Like Christmas
Paul “Fat Daddy” Johnson - Fat Daddy Christmas (Apfel Edit)
Patti Labelle - This Christmas (Where’s my background singers at?!?) (Live at the 1996 National Tree Lighting, Washington DC.) 
Patti Labelle - Nativity
Jólem - Vetrarljósið 
Can vs. 69 Boyz And Quad City DJ's - What You Want This Silent Night (Ívar Pétur Mashup)

ᴀʟʟ ᴋɪɴᴅꜱ ᴏꜰ ᴊɪɴɢʟᴇ ʙᴇʟʟꜱ ᴍᴇᴅʟᴇʏ:
Les Paul & Mary Ford - Jungle Bells (Dingo-Dongo-Day)
Tuf MC’s - Jingle Beat
Chilly Gonzales - Jingle Bells (Apfelblut Edit)
Booker T & the MG’s - Jingle Bells
Patti Labelle & the Bluebelles - Jingle Bells

Brunaliðið - Þorláksmessukvöld (Apfel $$$ Edit)
Amerigo Gazaway - The Neck-Cracker Suite (Apfelblut’s Disco Claus Mash)

ᴄʜʀɪꜱᴛᴍᴀꜱ ᴡɪᴛʜ ᴛʜᴇ ꜰᴀᴍɪʟʏ ᴍᴇᴅʟᴇʏ:
2nd Timothy - Christmas Time with the family
Scotty Lean - Christmas With The Family
Mac Demarco - Wonderful Christmas Time
The Partridge Family - My Christmas Card To You
Delbi Smart & Music Writers Orchestra - Christmas Is For Children 
The Preston Family ft. Billy Preston - Christmas With The Family

From a cartoon - Christmas Comes But Once a Year (Apfelblut’s Yule Edit)
Augie Rios - Dónde Está Santa Claus (Apfelblut’s Sock It 2 ‘Em Edit)
Þú og ég - Mín Jól (eru ætluð þér) (Apfelblut Edit)
Katla María - Jólaball (Apfel Edit)
Rush Coil - O Holy Night
Úlfur og Jóli Björn - Kærar þakkir
Jerry Goldsmith - After Theater (with Silent Night) (From Gremlins OST)
The Gifted Children - Jul

ÍVARS SOUNDCLOUD: https://soundcloud.com/ivarpetur

Weinachtsmarktmix 3 - XMAS DJ SET

jaded

I HATE YOU

Jean Bernard Raiteux 
Les Demons
FKR086
LP | Digital

The unreleased Euro pysch score to the French/Portuguese X-rated version of The Devils meets The Witchfinder General! Synchronised by Spanish anti-establishmentarian, sexual liberator, die-hard independent filmmaker and unrepentant voyeur Jess Franco (Vampyros Lesbos/De Sade). Composed entirely by French composer Jean-Bernard Raiteux aka Jean-Michel Lorgere (Sinner/Harlem Pop Trotters) and presented here in full soundtrack form for the first time.

Proudly claiming the dubious accolade of the Spanish sexploitation version of The Devils as the distributor’s most bankable asset, this previously banned 1973 European witch flick would rip the art house facade from Ken Russell’s well polished box office smash and push the envelope way beyond the closet titillation of the gentrified new wave controversy seekers. Delivered on a comparable shoestring budget as the 55th feature in Jess Franco’s filmography of approximately 203 completed movies, The Demons (Les Démons), directed under the Anglicised pseudonym Clifford Brown, took many of the Franco’s sexually stylistic watermarks (epitomised in his Vampyros Lesbos trilogy) adding witchcraft, possession and nunsploitation against a rural Mediterranean backdrop before disappearing into the woods. Whilst clearly taking inspirational plot cues from Michael Reeve’s The Witchfinder General (UK 1968) and drawing comparisons with scenes from Eiichi Yamamoto’s Belladonna Of Sadness (Japan 1973) this B-Movie reduction of Franco’s wide palette of colourful ingredients has in recent years provided enthusiasts/champions/defenders of the workaholic horrotica bastion with a rare and treasured addition. Future-proofed by an essential component, omnipresent in Franco’s films, it is the mysterious commercially unobtainable soundtrack music that cements the unwaning interest in his risqué brand of unconventional shock/schlock sinema (not hindered my the enigmatic title card misinformation that often surrounds the original composers) and the music herein that has given Franco’s harshest critics a second chance/reason to reevaluate this man’s unapologetic art.

Following on from Finders Keepers previous expanded release of Bruno Nicolai’s score for Franco’s 1970 adaptation of De Sade (FKR069) this record stands as another tribute to Franco’s life which he lived through the mechanisms of a camera with relentless zeal and a passion to challenge every aspect of movie making along the way. UNDERground, OVERambitious, RIGHT on, LEFTfield, BELOW the radar but ABOVE criticism. INdulgent and OUTrageous, but never middle of the road, Jess Franco was many things but he wasn’t pretentious and never delivered art for art’s sake and I feel honoured to have spent time with him. Franco was in fact a realist, he kept both feet firmly on the ground and a keen eye behind the right side of the lens and if Jess did have any demons his films were his exorcisms, the critics were the bloody judges and his legacy (through the medium of X-rated cinema of variable quality) is immortal.

www.finderskeepersrecords.com

Jean Bernard Raiteux - The Weakness Of Rosalinda

First track off Causa Sui: Live in Copenhagen!
http://elparaisorecords.com/releases/causa-sui-live-copenhagen

Causa Sui: Ju - Ju Blues (Live in Copenhagen)

Live At The Venue

Never Known

Sigh Becomes A Scream

The Missing Boy

@snapped-ankles
@theleaflabel
www.snappedankles.com
www.theleaflabel.com

“Masters, there is three carters, three shepherds, three neat-herds, three swine-herds, that have made themselves all men of hair, they call themselves Snapped Ankles, and they have a dance which the wenches say is a gallimaufry of gambols...” 
William Shakespeare on Snapped Ankles

'Hanging With The Moon' is taken from Snapped Ankles' debut album Come Play The Trees - out on 29 September.

Hanging With The Moon

From the forest floor:

"Having unearthed The Fugs CIA man some years before, we were shocked to discover a newer more sinister agency had taken over from the diatribe's protagonist so we updated Tuli Kupferberg's list of ills...

"Of course every time the song is now mentioned online, a blip of data triggers a filter that enters a file that rings a bell in a bunker deep under a mountain in Pennsylvania. So now the forest is full of agents looking for us, and we are taping up our microphones and cameras and walking backwards through our own footprints to shake them off..."

Snapped Ankles - CIA Man (NSA Man Violation)

The Durutti Column - Sketch For Summer

'Mantra Moderne' is a stunning, contemporary masterpiece that fuses Anatolian Psychedelia, Brazilian Tropicalia, 60’s European pop and American jazz. A must for fans of Khruangbin, Portishead, Arthur Verocai, Goat, Caetano Veloso, Tom Zé, Os Mutantes, Cortex and co.

The duo is formed of Kit Martin, who lives between London and France and plays all instruments on the album, and Merve Erdem, vocalist and multi-disciplinary artist from Istanbul, now based in London. This is their debut album.

The album explores universal themes such as love, loss, decay, language and ideology, mixing three different languages: English, Turkish and French. Written and recorded by the duo - Kit composed all the songs and Merve wrote the lyrics - in rural France during 2018, each song was completed within a 12-hour window, pawning contemplation for spontaneity.

Dubbed by Kit and Merve as ‘lo-fi-hi-fi’ in reference to the high-end tube equipment that helped it find its way to 8-track cassette tape. The style owes its sound to narrow tape width, valve distortion, spring reverb, the mixture of high end gear with lo-fi equipment as well as a disregard to the norms of hi-fi studio techniques. All instruments were analogue and no samples were used. The instruments that are used range from tablas to darbukas, balalaikas to ouds, MS20 synths to Farfisa organs and a lot of cuica. The mixing techniques were done on-the-fly, tracking immediately to tape: compression, EQ, delay and reverb; meaning mixing could not be revisited!

The deluxe edition of ‘Mantra Moderne’ features two previously unreleased tracks - ‘Kozmos' and 'Rain (باران)’. It also includes remixes of album tracks from Baris K, Halal Cool J, and Natureboy Flako (who also contributes an unreleased cover version of ‘Senden Baska’).

Tracklist:
1) Senden Başka
2) Mantra Moderne
3) Tyranny 20
4) Pangea
5) Kuytu
6) Yanımda Kal
7) Yürüdüm, Büyüdüm, Çürüdüm
8) With A Sense Of Grace
9) Durma
10) Kozmos
11) Rain (باران)
12) Durma (Baris K Dub)
13) Senden Baska (Natureboy Flako Remix)
14) Kit Sebastian vs Halal Cool J
15) Senden Baska (Natureboy Flako Cover)

Never Known

The Durutti Column

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