As always a great selection. thanks for the t/l

Guest selector Terry Farley and also featuring tracks from Sean Johnston , Mad Professor, Akio, Moody boys, The Cure, Sabres, The Clash and many others. Join the dub club hub https://www.facebook.com/groups/1269260220137242/?ref=share

Sunday Dub Club with Terry Farley 21st March

A wonderful morning and afternoon sharing the decks with Steve KIW of B.A.O.L. and Andras Y Xavi fame.

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Follow my Balearic, Chillout, Downtempo, Dub selections Spotify Playlist: bit.ly/NNSIbz2019

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Phat Phil Cooper & Steve KIW (B.A.O.L.) Pikes Hotel, Ibiza 31st July 2021

Ichisan - Bubble Bath Mix

Livin In Stereo - Episode 08 - A Techno Disco Affair

00:00
Galen’s Selection:
1. Locassolus (DJ Harvey) - Next To You (Kiwi Remix) - Care 4 Life
2. Phreek Plus One - Astro Boogie - Compost
3. Harvey Sutherland - Superego - Clarity Recordings
4. Capuchino - Supertango - Gamma - 1981
5. Volta Cab, Sportloto - Teens (Eddie C Remix) - Blended Music

31:57
Interview:  DJ James Glass breaks down classic SF & Berkeley record store weaseling, the Golden Goose record label with Dj Garth, and his new Back2Basics renegade parties.  ~ Email for more info to: back2basicsrenegade@gmail.com ~

54:01
DJ Mix: James Glass hands over a wild and exclusive mix from a No Way Back New Years Day basement party deep in the catacombs of Club Monarch in San Francisco.

122:19
End.

Desktop

Livin In Stereo w/ Galen & James Glass | Live on HydeFM | 02/24/22

The LoveBath Episode XVIII featuring Bad Barbie

Download Mix & Read Interview on MI4L.com:
http://musicis4lovers.com/?p=27761

★ MORE LOVEBATHS ★
soundcloud.com/musicis4lovers/sets/the-lovebath

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Soundcloud: @bad-barbies-beats
Facebook: https://www.facebook.com/BadBarbieDj

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DOWNLOAD // INTERVIEW

The LoveBath XVIII featuring Bad Barbie [Musicis4Lovers.com]

A warm, sunny, early Sunday evening in Tunbridge Wells! Here is my set from Alfresco - Love that place, had such a great time!

Next up - AUTODELUXE with Dicky Trisco, Wolverhampton, UK.

https://www.skiddle.com/whats-on/Wolverhampton/Starworks-Warehouse/Autodeluxe/12952150/

Peza @ The Radio Shack Tent - Alfresco 2017

2017 best of part 2.. A blend of things with strings...
Mostly new music but it also features a couple of tracks from re-issues/compilations.

Jim Ghedi - Home for Moss Valley
Emmanuelle Parrenin - Thibault Et L’arbre D’or
Bendith - Can Am Garaid
Laura Marling - The Valley
Oumou Sangare - Mogoya
Poppy Ackroyd - Croft
Julie Byrne - Follow My Voice
Miles Cooper Seaton - I Am That
Moses Sumney - Quarrel 
Duke Garwood - Blue
Pete Fij & Terry Bickers - Love’s Going To Get You
Cory Hanson - Garden Of Delight 
Chris Gantry - Different 
Lambert - Aftermath
Pablo Color - The Sunset Of Puerto Sagunto
Judy Roderick - Someone To Talk My Troubles To
Angelo De Augustine - Crazy, Stoned And Gone

Best of 2017  pt 2

The Extended Mix Best of 2017 Pt. 2 - Strings & Things

Hawke Yoga DJ Set

To tie-in with my 200th blog post, this was the last mix I ever tape edited, putting it together on my original Revox B77 reel-to-reel, which I’d bought 14 years earlier, back in 1982. See the post with accompanying images at the blog:
http://www.gregwilson.co.uk/2012/11/the-monastic-mix/ 

THE MONASTIC MIX:
‘The Monastic Mix’ was very much a labour of love, gradually assembled in stages, as I bounced between reel-to-reel and DAT in order to add further textures. I did it in collaboration with a young DJ from Liverpool, Matt Shannon, who was into the Trip Hop / D’n’B vibes of the time, which I really liked myself, but didn’t have any of the records (I was, as you might say, on the bones of my arse brassic back then, so I wasn’t in the position to be buying anything other than the bare essentials). We fused Matt’s tunes with mainly older stuff from my own collection for the mix, which appeared on one side of a free cassette that was given away to everyone who attended the launch of 'The Monastery', an experimental monthly club night on Merseyside (plus a couple of Wednesday specials at London's 'Mars Bar' in conjunction with Microdot, the design company ran by Brian Cannon). We made things particularly difficult for ourselves, holding the night on a Sunday, and choosing an off the beaten track venue, Stairways, a Birkenhead Rock club, to which we bussed people through the Mersey Tunnel from Liverpool, as well as attracting others from The Wirral. However, despite all the drawbacks, we somehow managed to keep things afloat for the best part of a year, enjoying some great memories and much musical mayhem along the way.

‘The Monastery’ brought together a collective of DJ’s and musicians who were largely disillusioned with the local dance scene - Derek Kaye, Bernie Connor, DJ Trix, Phil Jones, Desa, Girls On Top, Phil Melia, Kerry Harrison, Ciaron Bell, Matt and myself all played our parts, doing it for the love rather than money, with Martin O’Shea (who, as it would work out, went on to manage the successful girl group, Atomic Kitten) promoting the nights. The basic premise was that we didn't go down the four-on-the-floor path, as this was being played pretty much everywhere else at the time, concentrating instead on groove-based music from the 60's to the 90's.  

Featuring Soul, Funk, Electro-Funk, Hip Hop, Indie-Dance, Trip Hop, Drum & Bass and more, ‘The Monastic Mix’ became cult listening for many of the people who got hold of the cassette, although I’m sure that others found it a bit too eclectic for the time and never gave it a second hearing. I’ve been told that it’s quite a demanding mix to listen to, dark in places and somewhat ‘druggy’ (‘one for the heads’ being a comment made about it back then). 

It’s close to my heart because it reflects my state of mind at the time it was made, which was pretty turbulent. Since my production work had ground to a halt a few years earlier, I was very much in no man’s land, completely detached from the music scene and with no means of expressing myself. I was still totally illiterate as far as computers were concerned and I remember feeling old and out of touch. There were moments when I wanted nothing more to do with the music industry, being punch drunk from the knocks I’d taken during recent years, but, having never had a ‘proper job’ in my life, I was pretty much in a catch 22 situation. I had no money and no prospects, life was passing me by and I was more or less washed out creatively. Suffice to say it was a very bleak period for me.

It was during this time that my friends, seeing how much I was struggling, were urging me to get back into deejaying, telling me that I could make good money by trading on my reputation of old. However, there was a big catch, which was that I’d have to decide what area of dance music to specialise in, which was an alien concept for me, having made my name playing the best of a whole range of styles, rather than just one narrow area. Thankfully (and I can only say this with hindsight) I resisted the temptation to take this option, which would have amounted to selling my DJ soul for a quick cash-in.

The idea behind The Monastery was planted in my mind by my friend, Kermit, who, following on from the Rap Assassins, had hooked-up with former Happy Mondays mainman Shaun Ryder to form the band Black Grape.  Just before they were about to do the final mixes on their debut album, ‘It’s Great When You’re Straight…Yeah’ (which would subsequently top the British charts), Kermit came to see me in Liverpool with a cassette of all their tracks. I was blown away with what they’d come up with, but it also served to highlight my own shortfallings. I commented that he’d done so much while I’d been wasting away at home doing nothing, but he told me that the time I was spending, in relative seclusion, with my music, books and videos, would prove to be time well spent. He likened my existence to being in a monastery – a comment that very much resonated within me and somehow gave me renewed hope for the future.

The following year, when the idea of a putting together a club night was put to me, I suggested it should be called The Monastery, with the music policy and presentation completely unlike anything else that was happening, combining DJ’s with live musicians. When it came to putting the mix together, I wanted to reference as many of my musical influences as I could, even if it only be a tiny snippet. I managed to cram a lot of them in and I can guarantee that, even after numerous plays, you’ll still recognise new elements hidden away in there. There’s a lot of stuff going on in the detail and, listening back to it later down the line, I became aware of a definite autobiographical slant that didn’t seem so obvious then, reflecting the struggle and soul searching that summed up my life at the point it was made. A mix will, obviously, always have something of yourself within it, but this is undoubtedly more personally revealing than anything else I’ve done – there’s some kind of twisted narrative in there, and I can hear me talking to myself via some of the samples I chose (for example, when you hear the words ‘does anyone remember who I am?’, I really meant it, trapped in obscurity as I was). Even the discordant parts, the bits that jar with me now, show me exactly where my head was at.

It was an important personal step for me, and I thank Matt Shannon for what he brought to the table – I didn’t have all the ingredients myself, and he was also pretty handy on the decks, so Matt was, of course, key to this. He no doubt reads it in a different way to me, but I know it has its own special symbolism for him, especially given he never followed the DJ route, and instead carved out a rewarding career working in the computer, rather than in club realm. 

‘The Monastic Mix’ very much informed what I did later, especially the Teenage DJ project, which built on that autobiographical slant I’d stumbled across. It’s echoes can also be heard via my use of samples in a live context - people who know my mixes from more recent times will, no doubt, recognise many of the samples I’ve subsequently used, which are spun from the same tape, but in a different context – from another time and place.

I think it’s a mix that’s most conducive to a chilled-out environment (and state of mind). I might have given the impression that it’s pretty heavy-going, but you’ll find lots of familiar stuff throughout (it makes for a great game of spot the sample) and I’m sure it’ll raise a smile, and perhaps even the spirit, here and there. 

Greg Wilson - November 2012

THE MONASTIC MIX (by greg wilson and matt shannon for the monastery 1996)

1. The Last Song-Plant Life
2. Electromagnetic-Freeform Five
3. Release The Beast-Breakwater
4. Losing My Control-Freeform Five
5. Get Off My Case-Comateens
6. Eddik-Kangos Stein Massiv
7. All The Ladies Looking Naughty-Skatta Feat. Kenesha Karats
8. Perspex Sex-Freeform Five [Maurice Fulton Acappella]
9. Spin-The Impossible Dreamers
10. In The Cabin Of My Uncle Jam-Funkadelic 11. Pull Up-Mr Vegas
12. Be You (Beep Beep)-Punks Jump Up Featuring The Beepettes
13. The Crocodile-Wax
14. Eeeeaaooww-Freeform Five Feat. Bounty Killer
15. Alive & Kicking-Jean Winner [DJ Naughty Mix]
16. Countach-Franz & Shape
17. Break Me-Freeform Five [Jackson Mix]
18. What Do I Want From You-Freeform Five [Paul Woolford Mix]
19. Piggy In The Middle-Simian Mobile Disco Feat. Chris Doloroso
20. The Pink G.R.Ease-Pink Grease
21. NY Excuse-Soulwax
22. Housewife-Daan
23. Newsflash-Diplo Feat. Sandra Melody
24. No More Conversations-Freeform Five
25. You Must Be The Bass-Seymour Bits
26. Geht's Noch?-Roman Flugel
27. Windowlicker-Aphex Twin
28. I Feel Space-Lindstrom 

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Freeform Five  "Misch Masch" DJ mix (Disc 1) (Fine 2005)

Early in the Morning

Been around a bit... done loads of stuff.. played at some of the best shindigs in the world and collected a heap of great records along the way... enjoyed every minute...

The Extended Mix Best of 2017 Pt. 2 - Strings & Things

The Extended Mix

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