Avalanche

Light Bulbs

King's Dream

Who Robbed The Rogue?

My Shallow Lover

Nuke

Recorded & Mixed at Converse Rubber Tracks Studio in Brooklyn (NY)

Producer/Engineer: Aaron Bastinelli
Studio Technician: Tony Stanziano

Mastered at Audible Oddities (Sean)

Special thanks: Converse, Debayan Deb, Tej Brar, Aniket Rao, Arjun Ravi, Vijay Nair (OML)

Blackboard

Recorded & Mixed at Converse Rubber Tracks Studio in Brooklyn (NY)

Producer/Engineer: Aaron Bastinelli
Studio Technician: Tony Stanziano

Mastered at Audible Oddities (Sean)

Special thanks: Converse, Debayan Deb, Tej Brar, Aniket Rao, Arjun Ravi, Vijay Nair (OML)


lyrics: 

Its like walking on broken glass, the mirror on my wall just cracked
seven years down the drain, the sooner we get done we could
all call the lawyers who live down the street, 
all hear the sirens and get to our feet
these shackles seem heavy and so is my yoke.
this ocean seems calm but then who rocked my boat
who rocked my boat? 

twenty seven days of rain with fire work on display
climbing up to the edge, i find myself a little bit
rusty with people and hasty with time
gone are the pieces of yours and whats mine
these shackles seem and heavy and so is my yoke
this ocean is calm but then who rocked my boat
who rocked my boat?

falling from a cliff cause i want to
falling for your appetite
planet earth a place for all the wrong feuds, baby
I've got a dozen ways to die tonight
you've got me on the leash by the twin towers baby
what the fuck a new Mercedes?  
wasn't it worth it in the end? 
wasn't it worth it in the end? 

its all confetti and strobe lights at night
your friends arnt ready, but i poured my wine
pour me more wine, and turn out the lights.
Turn out the lights. 


Jacuzzi

Cannibal Life II

You Could Use Me As A Weapon

Plastik Like Skin

Luna Zep

Digital Dead

Caddilak

Summer In My Lungs

Moon Child

Palladian Park

"Amber" out on all possible streaming platforms  
This is a single from WKND FRNDS by The F16s

All instruments except drums tracked at Barking Beat Recording Co.
Drums played by Manu Krishnan and tracked by MT Aditya at Dome
Mixed by Rohan Ramanna (Island City Studios)
Mastered by Clay Jensen

WKND FRNDS out on May 31st 

The F16s are
Josh
Harshan
Shank
Booby
 
Special Thanks to House Arrest

Amber

"My Baby's Beak" out on all possible streaming platforms 
This is the second single from WKND FRNDS by The F16s

All instruments except drums tracked at Barking Beat Recording Co.
Drums played by Manu Krishnan and tracked by MT Aditya at Dome
Mixed by Rohan Ramanna (Island City Studios)
Mastered by Clay Jensen

WKND FRNDS out on May 31st

The F16s are
Josh
Harshan
Shank
Booby

Special Thanks to House Arrest

My Baby's Beak

"Boudoir" out on all possible streaming platforms 
This is a song from WKND FRNDS by The F16s

All instruments except drums tracked at Barking Beat Recording Co.
Drums played by Manu Krishnan and tracked by MT Aditya at Dome
Mixed by Rohan Ramanna (Island City Studios)
Mastered by Clay Jensen

WKND FRNDS out on May 31st

The F16s are
Josh
Harshan
Shank
Booby

Special Thanks to House Arrest

Boudoir

"WKND FRNDS" out on all possible streaming platforms 

All instruments except drums tracked at Barking Beat Recording Co.
Drums played by Manu Krishnan and tracked by MT Aditya at Dome
Mixed by Rohan Ramanna (Island City Studios)
Mastered by Clay Jensen

WKND FRNDS out on May 31st

The F16s are
Josh
Harshan
Shank
Booby

Special Thanks to House Arrest

WKND FRNDS

For over ten years, Chennai based four piece The F16s have been churning towards an ongoing refinement of their vision. From their 2013 debut Kaleidoscope, to the 2014 studio tie up with Converse that birthed "Nobody's Gonna Wait", through to their 2016 breakthrough "Triggerpunkte", this vision has mirrored both a maturity of execution and a certain gravity from listeners worldwide - as ten million plus Spotify streams and coverage in StereoGum, Brooklyn Vegan, Variety and Sirius XM clearly suggest.

Then came “Is It Time To Eat The Rich Yet?”. Borne of an extended evolutionary sojourn as authored from an observer’s distant stare, the record focuses on intimately experiencing how a global pandemic needlessly compromised not only the lives of millions here in India, but more personally their own. This music explores alienation with lyrical wit intact - “dancing to our doom” as one member frames it - via a wide reaching musical craftsmanship that serves to pull listeners in, almost by the juxtaposition of these sentiments; A joyful celebration of the human condition under duress, scored by some of the finest pop music this country has on offer.

The band have plenty more on the way, embarking on yet another national tour to cement themselves as one of the country's most bankable independent acts while training one eye on international attention.

The F16s

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