Name: [THC 15] Automation – Comedown EP by The Healing Company
Duration: 8 min 25 s
Description: Eternity and a day. In the early nineties Automation were the masters of UK rave. 27 years later its about time to refresh one of their finest moments. Extended original version (1st) comes with three stunning remixes by Automation itself (2nd), Johannes Regnier(3rd)and Adesse Versions(4th).

2021

Sam Goku - Nocturnal Mating Dance of the Fireflies

Northern Irish DJ, Producer and label head honcho Hammer - AKA Rory Hamilton - announces a brand new Various Artists compilation titled Remmah Rundown, championing up and coming and established artists from across his musical sphere. The project will be released in March via his Remmah imprint with the first double-sided singles Sickwave – a collaboration with KILIMANJARO – and I Know from Tokyo’s Remmy.

The first single to drop as a double sided track is titled Sickwave, a collaboration with the Scottish producer and DJ, KILIMANJARO. The release sees the two producers team up once again following their entry into Beatportal’s 50 top tracks of 2022 with the Tornado Wallace remix of their track Muleña; a song that proved to be that catalyst in catapulting the producer into the public eye with a debut London Boiler Room set alongside Fred Again. Raised in Scotland with familial roots in Zambia, KILIMANJARO combines his background of afro-centric rhythms and influences, infused with fast-paced energies of the western electronic scene. Known for his high-energy performances and his infectious crowd-raising persona, the past year has seen him return to the studio, bringing with him his rhythmic energy and completely unique vocal style to all of his production. Sickwave carries an infectious grooving beat that represents both of what Hammer and KILIMANJARO do so well, and is the perfect way to launch Remmah Rundown.

The second single, I Know comes from Tokyo’s Remmy, an artist strongly influenced by the re-edit culture inherited from the early days of dance music, as well as disco dub and nu disco that emerged in the early 2000s. With a pure acid influence, I Know is a mesmerising track that elevates itself with a thumping bass beat accompanied by incandescent synth hooks, creating a tactile, pulsating atmosphere.

Marking the label’s eleventh release, the compilation consists of heavy-hitting tracks from some of Hammer’s favourite artists new and old, highlighting Remmah as a label that supports new talent as well as building on Rory's connections to the electronic music scenes in Glasgow and Ireland, two places very close to his heart. More than half of the EPs released on the label have been debuts for the artists involved. A key component to Remmah is enhancing young creatives' work and shining a light on those who fit the Remmah ethos. Through this aspect, talents from further afield join the action, with Mexico’s ALF CHAMPION & MDHNTR, LA’s Club Tularosa and Tokyo’s Remmy all contributing their own takes on Remmah’s established sound of dynamic, italo and acid-infused, cosmic house and techno. Past Remmah artists including Anna Gram, Stevie Cox & Fossil Archive and KILIMANJARO return with brand new tracks, alongside Naum Gabo - aka Optimo’s JG Wilkes and James Savage - and Phonica’s YSANNE with her debut release.

Originally dedicated to his own productions, Remmah is Hammer’s digital only label. A product of lockdown, the label has allowed Hammer to create an outlet that has provided a platform to self-release, all whilst exploring various concepts and allowing his ideas to flourish. Meanwhile, the label also explores socially conscious values, with the second release, a LP titled Fonda, doubling up as an initiative to raise money for Mind Mental Health charity during an extremely difficult time. Remmah is ready and raring to go.

Naum Gabo - PRN

From The Abstract Eye's Nine Oh Nine EP
TSEP777
www.technoindigenousstudies.com
www.giftedandblessed.com
giftedandblessed.bandcamp.com

get the vinyl

The Abstract Eye - Take Nine Oh Nine

RH012: RHYTHM FROM MARS - MY ORBIT EP
12 MAY 2023
BUY: https://fanlink.to/RH012

Remmah continues its quest to unearth exciting brand new talent with the debut EP from mysterious UK-based producer Rhythm From Mars, featuring a remix from Glasgow's Anna Gram, who herself debuted on Remmah in 2021 and has subsequently featured on adored Munich imprint Permanent Vacation.

As suggested by the name, Rhythm From Mars’s approach to music-making aims to tell his own cosmic sci-fi stories through laser music, dark disco and italo, all built around drums that kick harder than ten Barsoom Thoats. Perfect for the output of Rory Hamilton aka Hammer’s digital imprint, which has charted its own course through sci-fi italo and acid on its 11 previous releases.

The EP kicks of with City of Mars’ marching beat, adorned with italo melodies and growling synth lines, all of which are further heightened on Anna Gram’s Red Planet Remix, which dials up the original’s chugging rhythm and hypnotic elements. Moon Request marries insistent forward motion with fizzing acid lines, while the title track closes Rhythm From Mars’ assured inaugural release on a note of dancefloor panic with the irresistible urgency of its hectic synth stabs and rolling percussion.

Tracklist:
01. City of Mars
02. City of Mars (Anna Gram's Red Planet Remix)
03. Moon Request
04. My Orbit

Buy: https://fanlink.to/RH012 

https://soundcloud.com/rhythmfrommars
https://instagram.com/rhythmfrommars
https://facebook.com/rhythmfrommars

https://facebook.com/thehammerhits
https://instagram.com/thehammerhits
https://twitter.com/thehammerhits
https://soundcloud.com/thehammerhits
https://youtube.com/@TheHammerHits

My Orbit EP

Rhythm From Mars - City Of Mars (Anna Gram's Red Planet Remix)

Label heads So.undso return once again on the Munich imprint Dance Petrol Records with their latest EP "Alte Spuren“! The EP features four original tracks, resulting from their latest experiments with elements from breakbeat, electronica, acid, electro and house. 
The lead track „Gruppentour“ sets the tone for the EP with its driving breakbeat rhythms, infectious synth melodies, and expertly crafted transitions. From the upbeat and energetic "Gruppentour," to the moody and introspective „Stromabwärts“ continues the journey with its pulsing basslines, haunting vocals, and intricate percussion, creating a dark and brooding atmosphere, spiked with broken rhythms. 
The second half of the EP starts of with the experimental and unpredictable "Alte Spuren und ungeahnte Schwierigkeiten“  diving into a more experimental approach, incorporating elements of acid and glitch into its ever-evolving soundscape.  Slow-burning and hypnotic "Gedränge vor der Fähre“ closes of So.undso latest experiments in the fields of electronic music with slow and moody grooves, laced with haunting vocals and atmospheric pads. Be sure to capture this snapshot of So.undso latest musical adventures in your collection, which has only the one goal to:

Fuel your passion!

Social Links So.undso:

Soundcloud: https://soundcloud.com/so-undso
Instagram: https://www.instagram.com/so.undso_official
Facebook: https://www.facebook.com/soundsoofficial
Bandcamp: https://soundso.bandcamp.com/
Traxsource: https://www.traxsource.com/artist/398567/so-undso
Beatport: https://www.beatport.com/artist/soundso/626873
Resident Advisor: https://ra.co/dj/so.undso
Spotify: https://open.spotify.com/artist/27T7RWthBD0ap5BwVBYdAO?si=ia68fOZuS1CNtn3G6LbxrA

BUY on BANDCAMP

PREMIERE : So.undso - Alte Spuren Und Ungeahnte Schwierigkeiten

Model 500 - Starlight  (Mike Huckaby S Y N T H Mix) - BF3qI Eu1bY

Shed - Selection One (Original Mix)

Written & Produced by Patrick Pulsinger & Erdem Tunakan
  Rhodes Mark 7 by H. Gollini

Claire

Eternity and a day. In the early nineties Automation were the masters of UK rave. 27 years later its about time to refresh one of their finest moments. Extended original version (1st) comes with three stunning remixes by Automation itself (2nd), Johannes Regnier(3rd)and Adesse Versions(4th).

[THC 15] Automation – Comedown EP

Recorded in Kentish Town, London NW5, "Deep In NW5" tapped into the sound of London's deep house scene of the mid-late 1990s. The basic chords were written in my flat in Finsbury Park, but the entire production was done at a studio on Queen's Crescent, a not-entirely- salubrious area of Kentish Town. 

The other side, "A Question Of Logic", was written the month previously at a studio in London's Docklands. It's more techno in nature, and was influenced by chords of Derrick May and stuttered drum programming of Dave Angel.

Deep In NW5 (1996)

a sick look glazed over my repression. humbly i'm dismissed with no warning. 


[THC 15] Automation – Comedown EP

The Healing Company

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