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Freegrant Music's newest release FG686

Noise Generation & Ganapati 'Namowa EP'
01. Noise Generation & Ganapati - Namowa
02. Noise Generation & Ganapati - Vetenim


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Namowa EP

Namowa

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Release Date: 12 Sep  2025
Download: https://www.beatport.com/release/namowa-ep/5253244


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PREMIERE: Noise Generation, Ganapati - Namowa [Freegrant Music]

TIKTAK 2

Out now (Vinyl + digital):  https://LifeAndDeath.lnk.to/Displaced    

Various Artists - Displaced Soundtracks

Release Date: November 3rd, 2017
Label: Life and Death
Format: Vinyl / digital
Cat #: LAD030

A1 Artefakt - Magnetic Midnight
A2 Black Merlin - OPI
A3 Appleblim - Sacred Rowan Grove
B1 Stimming x Lambert - Trafic Aérien
B2 Kink - Megadrop
B3 Fango - Nung
C1 Axel Boman - Just Imagine (Part I & II)
C2 Duncan Gray - Smelly Little Man
D1 Simian Mobile Disco - Hades Rocket
D2 Redshape - Theme
D3 Danny Daze - Orb

Seven years into its celebrated journey, Life and Death assembles its third and most adventurous compilation to date - Displaced Soundtracks.

For the first instalment in a new series, DJ Tennis has given free rein to some of his most trusted contemporaries, enabling many of today’s most respected dance music producers to display their hidden talents as composers. Gathering music from a long-aborted film, the collection stands as another bastion of Life and Death’s perpetual evolution.

Duncan Gray embraces dissonance, Black Merlin, Appleblim and Artefakt go interstellar and Fango channels post-punk squat music. Hades Rocket showcases the expertly-sequenced synth work that has graced Simian Mobile Disco’s illustrious career, while Redshape revisits all the right sides of 80’s Wave and Library music. Danny Daze and synth-savant KINK embrace non-standard tempi with great success, while Axel Boman delivers sitar-laced gospelhouse without a bass drum. Elsewhere, your favourite producer’s favourite producer, Stimming, team’s up with pianist Lambert and the pair learn to fly.

Inspired and challenging, Life and Death ventures into their eighth year confidently, constantly evolving without compromise.

Redshape - Theme

Llewellyn - Remote Scope

https://clutching-at-straws.bandcamp.com/album/reflections-ep

Brian Ring - Forest Walk (Kiwi Remix)

Bufi is back with ‘México 70’ a new album, a couple of years after his sophomore LP on Discotexas ‘Revelación’.

With a broader, more eclectic palette of sounds and rhythms, this time the music gets infected with cowbells and bongoes, prehispanic samples, funky guitars, "guapachoso" basses and ethereal vocals. From the pseudo cumbia of "Hillalum (Amazónica)" to the suicidesque jam of "Impresionistas", this addictive album will induce you to have a lot of fun from the beginning till the end.

The artwork is a design by portuguese artist Braulio Amado, responsible for the covers of Bufi's previous two singles extracted from this same LP, "Brujerías" and "Hillalum (Amazónica)", released late 2018.

MÃ©xico 70

Bufi - Máquina del Ritmo

Dancefloor endurance masters Duro return fresh from their fourth anniversary celebrations with the return of one of their most enigmatic artists: AMBIANCE

Inspired by film scores, analogue machines and the twists and turns of existence, the Nicaraguan-born, Miami-raised, LA-based artist has hit the spot twice on the Mexican label before. Now he's taken that spot and shot it right into the heart of the sun. Make way for 'Electronic Emergency'…

Channelling the high voltage spirit of Kraftwerk with booming 808 subs, icy Street Sounds flavoured breaks and a touch of lyrical poignancy no one can ignore, 'Electronic Emergency' is a nuclear electro jam for modern day escapism. It comes with some explosive remixes, too: Rigopolar switches the beats to four-four juggernauts and swathes the original's magic in heavy cosmic layers while Kincaid continues his impeccable vein of form with a moodier perspective, loaded with far-gazing synth spirals, tidal washes and slippery icicle arpeggios.

And the shivers continue as we huddle closer for the sweaty, dancefloor gem 'That Crisp Night'. A turbo cosmic boogie vibe loaded with sizzling synth slap bass and humanised keys, once again / AMBIANCE doesn't just hit the spot; this time he smashes it to analogue pieces. Good night!

The Crisp Night

Electronic Emergency

/Ambiance\ - Electronic Emergency (Original Mix)

*BANDCAMP: https://spaindisco.bandcamp.com
*SOUNDCLOUD; @spa-in-disco // @spa-in-disco-1
*INSTAGRAM: www.instagram.com/spaindisco/
*TRAXSOURCE: www.traxsource.com/label/21694/spa-in-disco
*BEATPORT: www.beatport.com/label/spa-in-disco/44846
*JUNODOWNLOAD: www.junodownload.com/labels/Spa+In+Disco/releases/
*FACEBOOK PAGE: www.facebook.com/spaindisco/
*TWITTER: twitter.com/Spa_In_Disco
*MIXCLOUD: www.mixcloud.com/SpaInDisco/
*YOUTUBE:www.youtube.com/channel/UC9e8BTlA…iew_as=subscriber
*Mastering LABEL: www.keffectmusik.com

(SPA081) K-EFFECT - Agora (Original Mix)

It’s taken @yotamavni a little while to get to his debut album; almost a decade, really, since his debut 12”, “That’s What The World Needs”, on California’s Seasons Limited imprint. During that time, the Tel-Aviv based producer has refined his productions, tightening the groove and paring everything back to bare essentials; the power in an Avni cut is its combination of piston-pulse propulsion and a deep, but gently applied, musicality. This combination gives his techno productions added heft on the dance floor, but also a lyrical sensibility that places him squarely in a tradition of techno legends who somehow manage to make the four-to-the-floor a space of poetic intensity, of rigorous joy.

Avni’s been on Kompakt’s radar for a while, first appearing on the label last year, with his Speicher contribution, “Mañana Mañana”. (“Track For Agoria”, from that EP, also appeared on Total 19.) The connection immediately made sense – dance music that managed to feel both lush and streamlined across the same great gasp of late-night energy. But with Yotam Avni Was Here, he’s taken a huge leap. After a brief intro, Avni sets his stall with “Beyond The Dance”, which features slow-moving vocal melisma over sculptural, melting tonalities, a tintinnabulating, harpsichord-like two-note phrase pacing out the track. Then “It Was What It Was” comes into view, its strip-light textures suddenly placed into sharp relief by a muted trumpet figure that hangs in the air, melancholy and pensive.

It’s no surprise, at this point, to discover that Avni’s inspirations for Was Here took in the histories of both techno and jazz. “I wanted to try something more around Detroit Techno meets ECM,” he reflects, when explaining the motivating forces behind the album. “Carl Craig’s Just Another Day EP and Kenny Larkin’s Keys, Strings, Tambourines came out during my high school years and had huge impact on me.” Avni’s also appeared on Transmat compilations, and remixed artists like the Midwest’s Titonton Duvanté, and Orlando Voorn – the latter particularly important for the way he connected the Detroit and Amsterdam techno scenes – his career path is marked by ongoing connections, direct and indirect, to Detroit’s storied history.

“I always wanted to go back to those hi-tek soul roots on a full album,” he continues, and he’s definitely exploring that terrain here, with the sky-strafing brass on “Free Darius Now”, morse-code keys on “Vortex” and glitchy, microhouse tickles of “Know Hope” all contributing to an oblique narrative that seems to arc across Was Here – one fleshed out by guest musicians, who include dop and Gerog Levin on vocals, and trumpets by Greg Paulus (of Beirut and No Regular Play). The cover art makes the jazz connection explicit, riffing on the text-based, minimal design of The Modern Jazz Quartet’s 1955 album for Prestige, Concorde. But the way Avni has gathered around him both inspiring musicians and intriguing reference points makes me think of his broader career as well, the collectivism behind his AVADON nights in Tel-Aviv, his many and wide-ranging releases on labels like Innervisions, Hotflush and Stroboscopic Artefacts, and the openness of his productions, which seem to be all about the multiple, the possibilities of cross-pollination, of fusing this with that, of adding and subtracting, all under the pulsating thumbprint of techno.

Good things, after all, are worth waiting for.

Buy/stream

Yotam Avni - Beyond The Dance

Manthony

Bufomania

Latest Release:
'Anthony' EP, out now on Correspondant: 
Beatport:  https://www.beatport.com/release/manthony/2909362
Spotify:     https://open.spotify.com/album/6KTS1b13rqkJMTzktratVr?si=CTJzgiKcTm-t2wGw-0AMag

Bufomania

The Juan MacLean

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