The expatriate literary scene in Paris that flourished around Richard Wright and James Baldwin produced brilliant writing, intellectual ferment, and bitter rivalries—all of it, and much else from that turbulent time, thrillingly explored in John A. Williams’s explosive 1967 novel, The Man Who Cried I Am, a lost classic newly published in paperback by LOA.  

Merve Emre (The Personality Brokers), Adam Bradley (The Anthology of Rap; One Day It’ll All Make Sense), and William Maxwell (F.B. Eyes: How J. Edgar Hoover’s Ghostreaders Framed African American Literature) join LOA LIVE to explore this panoramic novel of Black American life in the era of segregation, civil rights, and paranoiac Cold War politics—Bradley enlists it in “the new Black canon”—and what it can tell us about the anxious world Williams moved in and our own politically unsettled moment. Library of America president and publisher Max Rudin moderates.

Black Writers in Paris, the FBI, and a Lost 1960s Classic: Rediscovering The Man Who Cried I Am

To cap LOA LIVE’s fall season, a killer lineup of panelists explores classic crime fiction of the 1960s, from Donald Westlake-writing-as-Richard Stark’s taut smash-and-grab heist novel The Score to Patricia Highsmith’s eerie meta-thriller The Tremor of Forgery.

Join Geoffrey O’Brien, editor of Crime Novels of the 1960s, along with noir maven Sarah Weinman (The Real Lolita), cultural critic Gene Seymour, and poet David Lehman (The Mysterious Romance of Murder) for an arresting dive into nine astonishingly inventive novels that pulse with the energies of a turbulent, transformative decade.

I’m Dreaming of a Noir Christmas: Classic Crime Thrillers of the 1960s

Don DeLillo is “our most necessary writer,” says his longtime editor Gerald Howard, one whose “intuitions and sentences have led him deeper into previously uncharted regions of our psyche than any other contemporary novelist.” Isn’t it time the Swedish Academy took notice?

To kick off a new year of LOA LIVE, Howard joins Mark Osteen, editor of the LOA DeLillo edition, for a freewheeling conversation about the towering legacy—and still insufficiently acknowledged genius—of the author of White Noise, Libra, and Underworld, modern masterpieces that explore, with humor and an unassailable eye for the absurd, the dreams, dangers, and delusions of modern American life.

Why Don DeLillo Deserves the Nobel

The story told and retold about America’s founding often excludes the Black communities that existed during the Revolution and the early republic. Black Writers of the Founding Era, a new volume from Library of America, changes that.

Inspired by the struggle for independence, Black Americans made bold, insightful contributions to debates about the meaning of the Revolution and the future of the new nation. Join James G. Basker, President of the Gilder Lehrman Institute of American History, and Pulitzer Prize–winning historian Annette Gordon-Reed for an eye-opening conversation about a vibrant and little-known aspect of American life and writing during a crucial formative period.

Black Writers of the Founding Era

Brash, opinionated, funny, and an indefatigable champion of the vulnerable over the rich and well-connected, Jimmy Breslin brought heart and knockout prose to every column and book he wrote. From peerless coverage of the assassinations of JFK and Malcolm X to the plight of immigrants, the Mafia, and the AIDS crisis, Breslin’s instinct for a story’s untold, personal dimensions gives his writing enduring vitality and emotional power.

Join New York Times columnist Dan Barry, editor of the just-published LOA edition of Breslin’s essential writings, MSNBC’s Mike Barnicle, and NYT bestselling author Mike Lupica for a lively conversation and memorable stories about the larger-than-life New Yorker who raised deadline journalism to literary art.

We thank our promotional partners: the Association of Literary Scholars, Critics & Writers, Arthur L. Carter Journalism Institute at New York University, and Moody College of Communication at the University of Texas at Austin.

Deadline Artist: The Genius of Jimmy Breslin

Why does the poet Robert Frost continue to beguile and intrigue readers 150 years after his birth? What is it about the four-time Pulitzer winner’s poems—deceptively simple evocations of landscape, work, village life, and love suffused with remarkable power, subtlety, and complexity—that makes them so quintessentially American?

Join former U.S. poet laureate Tracy K. Smith and Jay Parini, poet, biographer, and author of the just published Robert Frost: Sixteen Poems to Learn by Heart, for a special National Poetry Month conversation about the beauty , wisdom, and hidden depths of three beloved Frost poems that evoke different seasons and their moods: “Putting in the Seed,” “After Apple-Picking,” and “Stopping by Woods on a Snowy Evening.”

We thank our promotional partners: the Association of Literary Scholars, Critics & Writers, the Boutell-Day Poetry Center at Smith College, and the Wick Poetry Center at Kent State University.
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Donate to support LOA LIVE programs: loa.org/loalive.

Robert Frost: Our Poet for All Seasons

Published in 1961, Walker Percy’s The Moviegoer announced a major new voice in American fiction. In this lush, New Orleans–based novel, the forty-four-year-old doctor-turned-writer set out to explore what he called “the strange spiritual malady of the modern age.” What he gave us, says writer Paul Elie, editor of a new LOA edition of Percy’s novels, is “the first work of what we call contemporary American fiction, the earliest novel to render a set of circumstances and an outlook that still feel recognizably ours.”

Join Elie, senior fellow at Georgetown University’s Berkley Center for Religion, Peace, and World Affairs, and New York Times best-selling novelist Ayana Mathis (The Twelve Tribes of Hattie) for a conversation about faith, fiction, and the novel that established Percy as a peerless examiner of American alienation and redemption.

We thank our promotional partners: the Association of Literary Scholars, Critics & Writers and SoLit.

Faith, Fiction, and Walker Percy’s The Moviegoer

Grief, Joan Didion wrote, “turns out to be a place none of us know until we reach it.” In two luminous memoirs, The Year of Magical Thinking and Blue Nights, collected in the capstone volume of Library of America’s Didion edition, she relates the twin tragedies of her husband and daughter’s deaths with stunning precision, poignancy, and power—a late flowering of her genius that won her millions of new readers.

Join Megan O’Rourke, Honor Moore, and volume editor David L. Ulin—three acclaimed authors who have confronted grief in their own writing—for a free, virtual LOA LIVE program exploring Didion’s achingly beautiful accounts of bereavement and the ways literature can illuminate the search for meaning and consolation in the face of great loss.

“A Place None of Us Know”: Writing, Loss, and Joan Didion’s Late Memoirs

“The rise of totalitarian governments,” Hannah Arendt wrote, “is the central event of our world.” In her masterpiece, The Origins of Totalitarianism, Arendt linked the horrors of Nazism and Stalinism, seeing them as twin manifestations of a terrifying new political system that sought absolute control over all aspects of life. How does this book, which probed the psychology and pathology of the twentieth century, take on new relevance in today’s political landscape?

Join celebrated scholars David Bromwich, Seyla Benhabib, Roger Berkowitz, and Thomas Wild, editor of LOA’s new expanded and annotated edition of Arendt’s great work, for a riveting conversation about the causes, means, and ends of totalitarian regimes and the difficult, sometimes excruciating choices faced by those who live under them.

What Is Totalitarianism? Understanding Hannah Arendt Now

Sylvia Plath’s bold and incandescent poems have struck a deep chord with generations of readers. A visionary writer who scaled astonishing literary heights in her short life, Plath may best be understood, says acclaimed classicist and Plath devotee Sarah Ruden, as a modern mythmaker: an artist who, at the peak of her powers, transcends autobiography to give us poems that describe the shape of our shared experience.

Ruden joins LOA LIVE for a conversation inspired by her book I Am the Arrow: The Life & Art of Sylvia Plath in Six Poems, published this April by Library of America, with Pulitzer-winning poet Diane Seuss and pre-eminent Plath scholars Heather Clark and Amanda Golden.

The Greatness of Sylvia Plath

In this Library of America Zoom event, Farah Jasmine Griffin, chair of Columbia University’s Department of African American and African Diaspora Studies, offers a close reading of James Baldwin’s unforgettable story of a jazz pianist’s struggles with his art and his addiction. LOA President and Publisher Max Rudin introduces the talk and moderates a Q & A afterward. (1 hr., 1 min.) 

Presented in partnership with the Schomburg Center for Research in Black Culture, the Hutchins Center for African and African American Research, the University of Houston, the Association of Literary Scholars, Critics & Writers (ALSCW), and the American Writers Museum.

For more information on Library of America's edition of "Sonny's Blues," visit:
https://www.loa.org/books/118-early-novels-stories

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Reading James Baldwin Now: Sonny's Blues

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Reading James Baldwin Now: Sonny's Blues

Library of America

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