totally love this piece <3, especially vorgezogene eins-synkope (oder wie man das nennt) :) @jolup

very nice mood! i really like this flute-part :) @nokent1

@jolup Really nice. That noise! I would be happy if you finish this.

Featuring contributions from:
Sebastian Zocher
Chaoslawine - https://soundcloud.com/chaoslawine
Erucayion - https://soundcloud.com/erucayion
Dirty Lookin’ Mobile Disco - https://soundcloud.com/dirtylookinmobiledisco
Noah
Ella Dorn - https://soundcloud.com/elladorn
Mayanáay - https://soundcloud.com/mayanaay
Lunika - https://soundcloud.com/lunika-music
heftique - https://soundcloud.com/heftique
Anton Israel
Max Caesar -  https://soundcloud.com/maxcaesar
ÖM~ZEHN - https://soundcloud.com/omzehn

MIXTAPE 002

Featuring contributions from:
Max Caesar - @maxcaesar
heftique - @heftique
Ludwig
Ludi
Ella Dorn - @elladorn
Erucayion - @erucayion
Franz Flemming - @thewalkingsound
Noah Loom - https://soundcloud.com/noah_loom
Anton Israel - @differentbiketeam
Dirty Lookin’ Mobile Disco - @dirtylookinmobiledisco
Lele
Chaoslawine - @chaoslawine
Torn Kabuki - https://soundcloud.com/user-574278463
Jonatan - @jonathan-lang-435444001
Sebastian Zocher

MIXTAPE 004

Featuring contributions from:

Ella Dorn - @elladorn
Ludwig & Jakob
Jonatan - @jonathan-lang-435444001
Lele
Sebastian Zocher
Felix
Chaoslawine - @chaoslawine
ÖM~ZEHN - @omzehn
Dirty Lookin’ Mobile Disco - @dirtylookinmobiledisco
heftique - @heftique
Theo Gramal
Erucayion - @erucayion
Franz Flemming - @thewalkingsound
Aaron

MIXTAPE 009

Track 3/24 of The Live Lab Music Advent Calendar

The third track in our music advents calendar. Destruction Komplete by Dirty Lookin' Mobile Disco // Mark Burnett does exactly what it says on the tin... Destruction Komplete... a savagely OTT vibe with extra extra.

You can follow him here: @dirtylookinmobiledisco

Don' forget to follow us on Insta & Tiktok @the_live_lab

Dirty Lookin' Mobile Disco - Destruction Komplete

Track 11/24 of The Live Lab Music Advent Calendar
The eleventh track in our music advents calendar. Crows by AGATA JAGODA is an angelic piece of music with a huge room for dreaming.
You can follow him here: @stimme.als.weg
Don' forget to follow us on Insta & Tiktok @the_live_lab

AGATA JAGODA - Crows

A woman in the 1930s tries escaping a dust storm in the American desert. She has her car radio on and tries to distract herself from the danger dawning upon her. This Mixtape is her soundtrack of skipping through the radio stations ... 

With contributions from:

Dirty Lookin’ Mobile Disco - @dirtylookinmobiledisco
Anton Israel & OXIN - @differentbiketeam & @thisisoxin
Nokent
LEOSUN - @leosun-music
Erucayion - @Erucayion
Jölüp - @jolup
JPatterson - @jpattersson
heftique - @heftique
ÖM~ZEHN - @omzehn
Aaron - @aaron-techno

MIXTAPE 012 (curated by @LEOSUN)

Und immer wieder schimmert die Hoffnung. Ein US-Gericht hat den größten Zensurversuch in der Geschichte der Demokratie verurteilt. Das Urteil „Missouri v. Biden“ ist eine Ode an die Meinungsfreiheit und ein Schlag ins Gesicht des US-Zensurkartells. 

Beginnt jetzt die Aufarbeitung? „Von einer Kultur der Meinungsfreiheit sind wir noch meilenweit entfernt – sagt Milosz Matuschek, der Autor des Textes: „Zensur ist kein Skandal mehr“. 

Zunächst erschienen auf Freischwebende Intelligenz: https://www.freischwebende-intelligenz.org/p/dystopisches-szenario-us-gericht

Sprecherin und Gesang: Sabrina Khalil
Gitarre: Achim Krause

Zensur ist kein Skandal mehr, oder: Say it ain't so, Joe - von Milosz Matuschek

Techenie presents a new EP from German F - talented musician and producer from Cherepovets. Underwater Rocks - these are two original tracks, as well remixes from Eddi Shkiper, Oldschool Dubtechno.Producer and BLOMAQ.
Written and produced by German F.
Mastered by Alexander Shvoev at Kemchug River Studio. Design: Techenie Design.
Distribution: Proton LLC.

German F - Underwater Rocks

An der Isar, am Gärtnerplatz, im Englischen Garten– sobald das Wetter es zulässt, treffen sich die Jungen und Mittelalten und machen Party. Das bedeutet Stadtflair mit grünem Background. Viele, viele Menschen und immer mehr leben und arbeiten in der Stadt. Und um ein ruhiges Plätzchen zu finden, wandert man weit die Isarauen in den Süden oder fährt am besten mit dem Fahrrad in Fließrichtung nach Norden. Vor 25 Jahren war der Lärmpegel noch niedriger. Die Städte werden dichter, das macht Stress. Wie wollen wir leben? Wie sollen wir leben? Das fragt sich der Autor Gunther Sosna und hinterfragt die Verdichtung der Städte und den Versuch, sie für besser Verträglichkeit smart und nice und clean zu machen. Wir stießen auf Gunther Sosna über die internationale Presseagentur Pressenza. Er ist studierte Psychologie, Soziologie und Sportwissenschaften in Kiel und Hamburg. Er war Handballtrainer und arbeitete ab Ende der 1990er-Jahre als Journalist für Tageszeitungen und Magazine. Später war er in der Unternehmenskommunikation und international in PR und Marketing. Er ist Initiator entkommerzialisierter Medien und der Zukunftskonferenz, die 2021 und 2022 unter dem Slogan „Weil es anders geht“ in Wien stattfand. Von dort berichteten wir ... Als Autor, Co-Autor und Ghostwriter publizierte er zahlreiche Artikel über soziologische Themen, Militarisierung, gesellschaftlichen Wandel und die destruktiven Auswirkungen unseres Wirtschaftens auf Natur und Menschheit. 

Hören Sie hier seinen Text: „Smart to exit – Letzte Ausfahrt Dorf“, den Sabrina Khalil für uns eingelesen hat.

Nachzulesen unter: https://www.pressenza.com/de/2023/12/smart-to-exitus-letzte-ausfahrt-dorf/

Smart to Exitus: Letzte Ausfahrt Dorf - von Gunther Sosna

Dave Bessell Chromatic Lightning Cage DiN84

Release date 15th March 2024
Limited to 250 copies Digipak CD

This new release from synthesist Dave Bessell sees him completing a quartet of albums loosely based on the Greek philosophy of the Four Elements, namely Fire, Water, Earth and Air. There’s certainly no doubting that “Chromatic Lightning Cage” with its vivid cover is referencing Fire but this personal odyssey started with the concept of Water on his inaugural solo album, “Analogue” released in 2010. This was followed by “Black Horses Of The Sun” (DiN47) - Air, and “Reality Engine” (DiN62) - Earth.

Bessell has also released three collaborations with Parallel Worlds on the DiN imprint as well as being part of the synth supergroup Node. It is interesting that whilst the Berlin School inspired sequencer riffs of the latter dominate the soundstage Bessell largely eschews this approach on his own albums. Rather on this and his other DiN solo releases he explores interesting harmonic progressions with a series of interlocking delicate arpeggios. This is most evident on the opening track “After Hours” as well as the beautiful closing piece “Elegy”. Elsewhere Bessell blurs the line between guitar and synth using his stringed instruments as controllers for his modular systems. His music has always had an element of the soundtrack to it and this is certainly highlighted in the track “Ariel” which has a mystical, unearthly quality to its soundscapes. Bessell has noted that the ghosts of Amon Tobin and Nils Frahm wander through this album at times which is certainly an intriguing thought.

Always one to push the boundaries Bessell has included a QR code in the Bandcamp download version of the album that opens up an augmented reality vista from the cover image. Lovers of Electronica, Downtempo, Ambient and Soundtracks will find much to admire in “Chromatic Lightning Cage” and this new album once again showcases the unique talent of this highly individual musician.

 
 01 After Hours   05:43
02 Forest Under The Sea   03:41
03 Darkening Air   07:17
04 Dream Of The Red Chamber   07:10
05 Ariel   05:01
06 Unheimlich   08:36
07 Nightshade   08:55
08 Moths   09:34
09 Elegy   06:31

Total Time :  62:46

Chromatic Lightning Cage

Buy CD / Download

Chromatic Lightning Cage by Dave Bessell (DiN84) Demo Mix

This EP is fully copyright and will be released on the Hello Strange label soon.

Once more unto the deep my friends. You may need your SCUBA diving equipment for this one, particularly the long sound painting, A Bottomless Lagoon.

I am increasingly drawn to this kind of sound play and abstraction using field recordings & electronics.

Release

Buy TBC

A collective of producers and music makers working together to push our skills, music and ideas. Find out more at www.thelivelab.com

MIXTAPE 012 (curated by @LEOSUN)

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