Deep Blue Trip

A track I started with my boy, Sal, in Dubai and worked on the whole plane-ride back to Miami. Really gets you moving at the end. #GetMorePlays

Bed by Midnight, Sleep by Bug-bite

"Eternal Wait" by SoBeAsh. A haunting mambo-dreamcore track that takes you on a melancholic, dreamy, and reflective journey.

Eternal Wait

"Bad Juju" by SoBeAsh. A dark, high-energy acid house track that will electrify your senses. Perfect for intense and thrilling moments.

Bad Juju

"Lotta Luv" by SoBeAsh. A passionate trance track that will elevate your senses and move your soul. Feel the energy.

Lotta Luv

Deep Rainz

Who Is My Brother?

A slow, cinematic trip‑hop/neo‑soul hybrid in F minor that floats at 84 BPM. Dusty boom‑bap drums, warm sub‑bass and trembling Rhodes chords set a smoky, intimate scene. Two voices tell the story: a throaty, resilient contralto who sings about fragile hope (“New dawn reaching in…”) and a raw, Dre‑adjacent rapper reflecting on hard‑earned scars (“I woke up in the fallout, dust in my lungs…”). The arrangement blooms from filtered intros through spacious hooks to cathartic call‑and‑response finales, with reverse cymbals, tape‑stop moments and vinyl crackle adding texture. It’s for late‑night listening when you’re balancing the weight of yesterday with the promise of a new morning.

New Light Shift

Orbiting in Blue

Deep-house at 122 BPM with a trip-hop heart: rounded 4x4 kick, crisp off-beat hats, warm minor9 chords, and an intimate vocal that blooms into halo-like delay trails in the hook. “Halogen Halo” is built for afterhours sets and night drives — cool on the surface, quietly wrecked underneath.

Halogen Halo

“Escape Velocity Anthem” is the moment the loop breaks. A steady four‑on‑the‑floor pulse, shimmering pads, and bright arpeggios build like engines warming up—then the hook lifts into that clean, weightless feeling right after you finally let go. Spacey but still human: part club propulsion, part late‑night confession turning into an anthem.

Escape Velocity Anthem

Neon Aftertaste is a late-night electric memory—synthetic glow, quiet burn, and the feeling that something already over still lingers on your skin. It lives between neon-noir and emotional synth pop, where the city hums louder than the thoughts you’re trying to outrun.

Neon Aftertaste

Streetlight Liturgy

Threshold of Escape

Static Between Stars

Escape Velocity

Late-night city music.
118 BPM. Head-nod house with a hush in its voice.

“Owl Between Buildings” lives in that liminal hour where the city is still awake but no longer pretending. Deep-house swing meets trip-hop restraint: a warm minor groove, soft pressure on the low end, and a two-note “owl-call” synth that answers the vocal like it knows something you don’t.

The song is about moving through familiar streets after something has ended—and realizing the night remembers you better than people do. The vocal stays close, almost spoken, while the groove keeps walking forward. Not sad. Not healed. Just aware.

Built for:
• late-night DJ sets
• afterhours rooms
• night walks with headphones
• staring out a rain-streaked window pretending you’re fine

Let the owl keep your secret.

Owl Between Buildings

Perigee Texts is a late-night TripHouse confession built around the moment you promise yourself you won’t reach out—and then feel the orbit tighten anyway.

At 123 BPM, the track leans club-forward: tight grid, glossy drums, warm minor-9 chords, and a whispered vocal that feels closer than it should. Notification-like plucks tick through the groove like nervous system signals, while gated delays make the hook pulse and retract, over and over.

The lyrics unfold as unsent messages—typing, deleting, circling back—set against the quiet gravity of the city after midnight. It’s not heartbreak music. It’s proximity music.

Made for:
• deep house DJ sets
• club closing hours
• night drives with the windows cracked
• headphones + city lights

Closest point. Worst moment.

Perigee Texts

A track that started in South Beach Miami at Dewey's and would never have gone beyond a funny hook as a joke if not for Clarice, who this song is dedicated to ;-) Shout out to Rosa, Sapir, and Cici for the inspiration

This song is an inside joke combining "I can't feel my face" with "Baking Soda" - don't take it too seriously! :-P

Stoogies By Night (Baking Soda)

Telomeres

5:45

Don't Beat The Beat

Wish There Was Magic

Remake of Sandalwood with Jackie von Rueden on vocals

Sandalwood part 2 - featuring Jackie von Rueden

SoBeASH & The Lonely Hookers
Music for the after-hours brain.

A studio for hooks that refuse to behave—melodies that linger too long, rhythms that flirt with collapse, songs that know they’re songs and don’t apologize for it. Rooted in deep house and trip hop, drifting through modular analog synths, digital beings, and grooves you notice only after they’ve already rewired your mood.

Built by SoBeASH with The Lonely Hookers: a rotating cast of friends, ideas, machines, late-night conversations, and half-imagined intelligences. Sometimes ironic. Sometimes sincere. Often both at once. Always chasing that moment where structure breaks just enough to let something human leak through.

For full effect, real bass matters. Headphones or a proper system recommended. A high-fidelity stereo will reward you with details hiding in the low end, the space between hits, and the slow bloom of sound.

Put on headphones. Trust the tension. Let the hook do what hooks do.

SoBeASH & The Lonely Hookers

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