Out 04/10/24

Preorder Vinyl & Digital via Bandcamp:
https://tinyurl.com/bd3b2x74

One Eye Witness:
https://link.common-ground.io/JJnxT5eDX

With a remix and a compilation cameo already under his belt, Canadian figurehead Priori makes his Kalahari return for the debut proper. 3 squelchy incursions complete with a hefty remix from fellow Oyster Cult acolyte Sansibar.

Known for traversing breezy, horizontal zones, the NAFF co-founder sets downbeat and ambient concerns aside for the direct and propulsive. Expect insistent, urgent forays down the wormhole as nocturnal jaunts made of ritual and darkroom throb coalesce with meditative, essential rhythm.

This is fractal gear born from the the traditions of European, Japanese and American Mid-West techno; tunnelling and immersive, conjuring moments of ascension for the gathered masses.

Finishing on Sansibar’s meaty refit, the one-two punch of seismic kick and dry-as-bone snare propels Priori’s original in a whole new direction.

Priori - Lexica | Kalahari Oyster Cult (OYSTER63)

MP06

Tils - Freak

Celebrating not just Ryan Elliott’s faith in a vital new generation of producers and DJs, but five years of his own meticulously curated Faith Beat imprint, ‘Have Faith’ is a bold new chapter for the Panorama Bar veteran. Before relocating to Berlin, Elliott cut his teeth spinning Detroit, so he pays it forward on this 34-track compilation, shining a dazzling spotlight on the local scenes and breaking new artists that promise to keep American dance music moving as it lurches towards a new era. When he was based in the US, Elliott realized how distant Europe felt for homegrown artists – not just philosophically, but physically. Two years ago, he set about excavating the US’s underground architecture, pooling contacts and tracks, and urging his wide network of friends to send over their best recommendations. The compilation coalesced organically, and pulls together a diverse canon of producers, offering them the global exposure they urgently need. Eighty percent of the tracks are from up-and-coming US-based artists from the Midwest and beyond, so with the 10th release on his label, Elliott lays down a glimpse of a possible future of underground house and techno that counters the scene’s contemporary Eurocentricity. This music was born in the US, and its evolution might still be in American hands.
credits
released November 15, 2024

Compiled and Mixed by Ryan Elliott
Compilation and DJ Mix mastered by Simon Hoffmann
Photography Mali Wychodil
Artwork Mali Wychodil
Faith Beat Records 2024 ©️

PREMIERE: Sansibar - D.T.T.

Buy on Bandcamp: spectralbounce.bandcamp.com/album/dangerous-when-wet
Buy on One Eye Witness: https://www.one-eye-witness.com/release/1744798990/dreams-dangerous-when-wet

@dreamstrax

Spectral Bounce’s fifth instalment comes courtesy of L.A.’s rave archivist and dancefloor operative Dreams, A.K.A. Jesse Pimenta. Throughout his decade-long career the California native has inspected, dissected and concocted all manner of dance musics, leaving his mark with drops on Apron Records, Pinkman, BANK NYC and his own imprint Dance Data. On SPEC05 — Dangerous When Wet — he hijacks the synapses with 4 accomplished productions, plotting a high BPM course through manifold styles using the raw aesthetic that characterises his output.

“Losing Control” is a frenetic dancefloor invitation, immediately locking into a pacing groove. Beneath wild hand drums, Dreams plays with an insistent 303 bassline alternating between rasping buzz and oily squelch, while stern vocals are layered on top of breaks that have been processed to a viscerally satisfying end.

Taking things from delirious dance circle to underwater biosphere, the EP’s eponymous track explores a submerged 1980s Miami. Weighty & enveloping, “Dangerous When Wet” is pure aquatic pop-n-lock — hydraulic electro for a drowned world. Ocean floor caustics are transmuted into auditory form: arpeggios bubble up; drones shimmer mystically; hi-hats hiss like air from an open valve. Amongst the sonar bleeps, a barrage of pummeling low-end is sure to give subwoofers a workout.

“XTC Messenger” delivers an infectious paranoid dispatch, astutely balancing the sensual with the deranged. A slow-mo dial tone unfolds languidly, running counter to nervously twitching high frequencies. Its punchy percussion is tuned for maximum dopamine release; the track’s abrupt vocal chops and mechanical kick-snare pulsation evoke the leather jackets and jagged edges of 1980s industrial discotheque.

“Pressure Points” closes the EP on a heady and mesmerising polymetric trip. The parting track is a lithe yet spacious number, propelled by a rattling break. Here Dreams follows from track 2, creating an immersive environment in which sounds tightly twist and twirl. Shifting oscillators call out like tiny creatures as the bass throbs and wriggles further into your brain, long after the needle hits the runout groove.

SPEC05 — Nightclub specialist in effekt! 

releases May 30, 2025

Art by Susanne Janssen
Words by Cameron Leaf
Mastered by Marco Pellegrino @ Analogcut

Dreams - Dangerous When Wet (SPEC05) | Snippets

Full Metal Frequencies Snippets - (TEST005)

Convergence w/ Jakob Albert (2025-04-24)

Aedis presents his first self-released EP, featuring four distinct tracks that journey through evolving sonic textures. Starting with groovy and rough sounds, the release flows into swampy, percussive atmospheres, and concludes with a deep, tech-infused dub track.

Bazumba

BONJOUR

Buy Here: https://schlaxrecords.bandcamp.com/album/gaijin-drifter-ep

With the Gaijin Drifter EP, GPRN takes Schlax Records deep into a raw, restless techno journey. The “Gaijin Drifter” — a stranger in perpetual motion — comes alive in four relentless cuts that balance pounding kicks, shadowy atmospheres, and subtle hypnotic details. Mechanical precision meets modulated basslines and flickering percussion, unfolding like a nocturnal ride through endless neon streets. GPRN blends stripped-back minimalism with unyielding energy — a peak-time weapon as much as an after-hours trip. Schlax Records delivers another uncompromising statement for the club.

Get it Here

Lost In Philly

http://malingenie.bandcamp.com

Malin Genie B2B Yaleesa Hall.
Recorded @ Globus; Tresor, Berlin. 
February 2019.

Tils - Freak

Magic Power

Recent comments

masja

Related tracks