Soaked in reverb. Feels like floating. Post-dubstep weightless shuffle.

From the Double A-Side Digital Single: Passive_Aggressive/A Lack Of Gravity.

A Lack Of Gravity

A shuffling epic built on tension and release. In the same branch of future garage as James Blake, Jamie XX, SBTRKT, and James Fox, this track has a shuffling groove, pitch-shifted vocals, and over-whelming synths.

Youtube: http://youtu.be/r3hFTvbl3Wo

Free download: http://www.mediafire.com/?yxi4qg2pp3cnmb2

The Montage Sequence - Feel You - Single - SEQ004

Sampling Brandy & Monica, Frederic Chopin, and Daft Punk, You're My Future takes the listener on a journey from a loose Indie RnB groove, through ambient Space Bass, and settles onto a future garage finale. Simultaneously evoking the groove of The Weeknd, the ambiance of Hyetal, and the beats of Kidnap Kid, this track shows the evolution of TMS's sound, taking it new peaks.

From the forthcoming as-yet-titled EP from The Montage Sequence.

http://www.youtube.com/watch?v=WrOTh68v8u8

Free DL: http://www.mediafire.com/?dg7mcz1xgnadear



The Montage Sequence - You're My Future - Promo Single (from forthcoming EP)

The Montage Sequence presents his first remix, taking two lines from the classic Beyonce track, 'Naughty Girl', and turning it into a Space Bass epic. Taking cues from 8-bit sounds and their lush soundscapes, TMS bring the bass in heavy and the track settles in an undeniable groove. The now-canon mid-track move into another atmosphere by TMS creates a stunning finale for The Montage Sequence's brilliant first step into remixes. Also contains a Lauryn Hill sample!

DL: http://www.mediafire.com/?566a35yv52x71q5

YT: http://www.youtube.com/watch?v=GnUee5LXvQw

Beyonce - Naughty Girl (Montage Sequence 'Boy' Edit)

A trance-influenced future garage track that works percussion around throbbing bass, and competing melodies. A groovy track that has an unexpected cameo from Ol' Dirty Bastard.

Beautiful Tonight (feat. ODB)

An absolute killer groove and bass line is worked on by pitch manipulated R Kelly vocals, that sound like a children's choir. It's all about the dynamics with a huge dubby chorus and a chord progression straight outof the post-dubstep playbook. Addictive track! "Gonna hit that ass!"

Bout To Roll (feat. R. Kelly)

I See Stars

An electronic track that mixes elements of House, Dubstep, and 8-bit.

If Discovery-era Daft Punk and Joker had a depressed love child that liked video games and 1980s fantasy/adventure movies, it would sound like this.