Nice production and interesting energy variations within the track

Very smooth... bouncing between sultry and club music with the progression and vocals.

A great job behind this sensational track!

@crackabanger: thank you very much, very grateful

Love that 80s Human League vibe another great track 👍

Nice different styles with great transitions. Great!

Selection of 2023-01 | Chapter 1

Praise the Lord

Praise the Lord  feat Penti

Nature's Gift

I AM Digital 12 14 22 Practice

OOOOOOOOOOOOOOO~!!!!!!!!!!! THIS ONE IS DEF DIFF FROM WHE I NORMALLY DO HOLY MOLY!!!! I HOPE Y'ALL LIKE THIS ONE TOO!! I HAVE BEEN WORKING HARD...  I AM TRYING Y'ALL!!

KRAE-  'EXPERIMENTAL - MENTAL -  INSTRUMENTAL'

This is my new song called "Soultrip".  I wish you all a wonderful and relaxing time with the song

Soultrip

Rabbit Rock

This is one of the battle tracks of the yet unreleased game Anthador.
After I had finished the first attempt of this composition there was something missing. A lack of energy, character and vitality. So I decided to rework the composition and add another instrument that I'm quite familiar with from the past years as a singer-songwriter and frontman of my band: my voice.

Singing in this completely different style was a challenging but very exciting and fun experience. You may want to check out a short "behind the scenes" video: https://www.youtube.com/shorts/4zvCrhwvero

Point Of No Return

Here is a new track written with a new collaborator, vocalist Elvya. @elvyadulcimer brings her wonderful heavenly vocals to this Celtic track and Jordi Storm lends his voice on harmony.  We hope Willows Waltz will transport you to a peaceful spring day, laying by a river bank under the gently swaying boughs of a willow tree.

Elvya - Vocals and Harmonies
Philleann - Music and Instruments
Jordi Storm - Harmony Vocal

Written by Philip Dale & Elvya

Willow's Waltz (Philleann & Elvya)

Barlie Chucklez And The Shiznit Side Show

Like  Sisyphus who lifts his stone every day and begins to climb, knowing that, inevitably, the stone will end up rolling down the slope, and he will have to start over.

EVERY DAY I TRY...

This track is the fourth (of the five longer than ten minute pieces mentioned we'd be uploading) from the Self care reflective pieces released earlier through our website's spiritual enlightenment journey. As with all of our tracks, you may find the full individual song blog by clicking the link below and scrolling down to the appropriate song title. 

As always, we thank you and appreciate you Blessing us and our music with your time and listening ears... and we hope you enjoy this journey with us.

https://channeltherain.com/music

Logic Pro X
2022 Copyright/Sound Recording/All Rights: One Stop. 
For Licensing Contact:
Rainier Daze
Rainierdaze@gmail.com

Longevity

Crucial

https://youtu.be/6ZUSoM603lU

" Voler ! Voler ! " en audio sur YouTube Music.
https://youtu.be/6g4VUrEnpb4

Lien pour télécharger le titre :
https://music.imusician.pro/a/sHIKAVL3/

Musique : Arman Prod
Réalisé aux AK Studios par Alexandre Roux

Retrouvez Kent-Zo sur :
Facebook : https://www.facebook.com/Kent-Zo-1840887702899675/
SoundCloud : https://soundcloud.com/kent-zo 
Instagram : https://www.instagram.com/kent.zo.officiel
Twitter : https://twitter.com/KENTZOOfficiel

© 2023 KAZAPART Productions 
Contact : kazapartprods@gmail.com

#Ghetto #Zone #Réseaux #Voler #Kentzo #MC #HipHop #Rap #Paris #France #Peace #NoWar #2023

Intro
Voler !
Voler ! Voler !
Voler !

Voler dans les airs et tout quitter 
Misère et bêtise m'ont vidé 
Fatigué c'est décidé
Il faut que je m'envole pour mes idées
L'esprit n'est jamais à brider
Non jamais [jamais]
Visez l'étoile et déridez
Vous si vous ne souriez jamais
Voler dans les airs et tout laisser
Derrière soi sans les blesser
La vie n'est belle que dans l'essai
Imbécile que j'étais
Bien avant de me voir baisser
La tête afin de ramasser
Les miettes qu'on me laissait pensant
Que j'étais libre avec l'argent

Refrain (x1)
Voler comme vole un oiseau
Très haut loin des réseaux
Quitter les zones et les ghettos 
Qui endommagent nos cerveaux 
Voler comme vole un oiseau 
Très haut loin des réseaux 
Il faudrait casser l'étau 
Pour enfin vivre à nouveau

Voler dans les airs et me tirer
 Rien à cirer de leurs C.V.
D'une vie de rêve toute tracée
Habitée par la cupidité
Mal-aimé des miens m'aurait tué
Si j'avais retourné
Ma veste en venant déchirer
Ce qu'enfant je désirais
Devenir, découvrir en suivant mes désirs  [Voler !]
Bâtissant l'avenir que je rêvais de vivre [Voler ! Voler ! Voler !]
Mais la vie bien des fois n'est pas lisse et paisible [Voler !]
Si bien que l'impro devient alors impossible

Refrain (x1)

Voler dans les airs et délirer
Dériver les yeux rivés
Sur l'horizon que je verrais se colorer
D'effets dorés
Ferait de moi l'être comblé
Que j'aimerais retrouver
Dans le miroir un jour en paix 
Epanoui émancipé
Libéré du poids du passé qui me revient [Voler !]
Quand le destin fait des siennes et puis me retient [Voler ! Voler ! Voler !]
Me rappelant qu'aucun pouvoir je ne détiens [Voler !]
Sur le sort que je voudrais briser de mes mains

Refrain (x2)

Voler ! Voler ! (Arman Prod)

Stylin', Smilin' And Profilin'  Extended Dance Mix Djloops (1982)

Wild Hearts

Honeybee

A small note on my own behalf: I have noticed that my playback figures have dropped dramatically. The statistics show that the number of playbacks has dropped from 2000 per week to just under 200.
On the one hand, this is frustrating, as everyone sees this as an indicator and confirmation of their work. On the other hand, figures are not particularly important, but one wonders what is wrong. In my opinion, SC has changed a lot, uploading tracks has become more complicated and constant security queries are annoying.
In addition, great artists are disappearing from the platform, partly by their own choice, partly because they have been banned, the algorithm has “recognized” them as spam and mercilessly deleted their account. I'm still a paying member, but my attitude towards this has changed...

Please let me know your experiences and impressions.

😮‍💨😔


When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

********************************************************************

A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

🎧 The New Of The Tower
Welcome to a new, underground, dark world...

🎭 Musical Style & Artistic Evolution

🚀 Avant-Garde Dance Music Without Borders
The New Of The Tower is an independent, self-taught project that fearlessly pushes the limits of dance music with a unique fusion of genres. Officially described as a mix of dark techno, tech-house, electro, and experimental pop, it also incorporates elements of trap, punk, and even classical music.

In practice, each track oscillates between club anthems and conceptual sonic experiences. For instance, “Velvet Guillotine” (2025) is a hypnotic techno hymn built on heavy percussion and distorted vocals—a true “surreal sonic ritual” under neon lights.

The sound is always matched by a cinematic, underground aesthetic: strobe lights, cyberpunk visuals, and immersive atmospheres define every release.

🌍 Eclectic Influences & Genre Alchemy

The New Of The Tower draws from a wide range of sonic traditions:

🏴‍☠️ Dark techno and industrial groove infused with gothic textures and anarchic punk (e.g., “BRUTAL!!” — a chaotic journey of distortion and rebellion).

🌍 Afro-Tech House meets rock guitars à la AC/DC in “Love Letters” (124–126 BPM).

👺 “Masquerade of Bass” blends melodic techno, dark psytrance, and retro synth-pop.

💃 Spanish-language tracks like “Marionetas” and “Vidas Rotas” fuse flamenco sorrow with trap beats and deep 808s.

🎷 “2:59 AM” evokes Amy Winehouse-inspired jazzy cloud-rap, while “She Danced Through Storms” travels through deep house and jazz fusion with a cinematic touch.

🧊 “Still Echoing” merges melodic trance with nostalgic 80s synth-pop.

🧬 Each track is a bold cross-genre experiment: from industrial club bangers to dark electronic ballads, always rich in texture and emotion.

🎛️ Sonic Palette: Instruments & Effects

🎹 Synths & Melodies
Analog pads & leads (often vocoder-enhanced) create retrofuturistic atmospheres.
Punk-style distorted guitars and 80s synthwave textures bring cinematic depth.

🥁 Percussion & Rhythms
Hard techno kicks, metallic hi-hats, tribal drums, and trap-style 808s.
Layered acoustic and electronic elements make for dynamic and precise beats.

🌀 FX & Processing
Rich in glitchy clips, VHS noise, deep delays, and reverb-soaked vocals.

Examples: “Love Letters” is drenched in lo-fi and VHS textures; “4 Malos Polvos” features glitchy ambient layers and emotional auto-tune.

🎨 Each sound is carefully crafted to contribute to a vivid, cinematic soundscape.

🎤 Vocal Treatments: A Sonic Chameleon

Vocals range from:
🎙️ Melodic singing (English & Spanish)
🔥 Punk shouting & spoken rap
🤖 Vocoded retro textures (“Still Echoing”)
💔 Melancholic auto-tuned lines (“4 Malos Polvos”)
💣 Confessional, emotionally intense deliveries
🗣️ The voice becomes another instrument of emotion, soaked in effects like reverb, delay, filters—ranging from ghostly whispers to ecstatic screams.

🌑 Emotional Climate & Storytelling

The overall emotional tone is dark, introspective, and visceral.

Themes revolve around:
💘 Passion, heartbreak, rebellion
🧠 Subconscious states & urban alienation
🕯️ Ritualistic, trance-like experiences (e.g., “Velvet Guillotine”)
🌆 Social suffering (“Marionetas”, “Vidas Rotas”)
😈 Raw eroticism & shame (“4 Malos Polvos”: “each drop is a stab disguised as a caress”)
🎞️ Romantic melancholy in cinematic settings (“2:59 AM”, “She Danced Through Storms”)
🎬 Each track unfolds like an emotional chapter, offering catharsis, vulnerability, and mystery.

📽️ Conceptual Artistry & Vision

The New Of The Tower is not just music—it's an immersive audiovisual concept.

💀 Explores themes of dystopia, poverty, guilt, rebellion
🏙️ Brutalist club visuals, cyberpunk aesthetics
🕯️ Emotional depth with non-commercial intent
🎭 “4 Malos Polvos” = a “dark confession for love sinners,” cinematic and raw
🌀 Each release = a journey through shadow and rhythm
🕺💀 Dance meets darkness—a kind of electronic film noir where each beat tells a deeper truth.

📈 Style Evolution: From EDM to Darkness

🟢 2019–2022: EDM & electro-pop beginnings (Feel EP, “You And Me” — catchy and bright)

🟡 2024: Transition into melodic techno (“Not Living Without You”)

🔴 2025–Present: Shift to dark techno, darkwave, flamenco-trap, and experimental storytelling (“Velvet Guillotine”, “Marionetas”)

🎭 From mainstream dance-pop to raw, conceptual electronic music—always evolving, always fearless.

🎼 Comparable Artists & Influences

🧩 The New Of The Tower resonates with:

🧨 Brutalismus 3000 (techno-punk dystopia)
👾 Perturbator (dark synthwave)
🌘 Mind Against / Recondite (melodic techno & melancholia)
🎤 Boy Harsher, Massive Attack (dark vocals, trip-hop moods)
🔥 Anyma (techno emotion), Latin trap/fusion for its flamenco-trap leanings
🌌 But ultimately, it defines its own world—one built from dark techno, darkwave, nu-jazz, and trap-rock fusion.

🔍 Sources
All analysis is based on official content from:
📻 SoundCloud & YouTube, where each track’s genre, BPM, and atmosphere are detailed, along with the project’s self-described tags and narratives.

📎 Verified by direct observation of mixes like:

“Velvet Guillotine”

“Marionetas”

“4 Malos Polvos”

“Still Echoing”

“Love Letters”

“2:59 AM”

and more.

🎧 The New Of The Tower: Not just a sound, but a dark, immersive, and emotional experience.
Let the beats confess what words cannot.

Crucial

The New Of The Tower - Official

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The New Of The Tower - Official

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