Pop from The Tower

Apashe - UEBOK (Rolex Remix)

Drip drop
now I hear the sounds of the rain
I'm pissed off
Cause I fear the bounds of my pain 
Tick tock
As I watch my time slowly fades
Criss Crossed
When I mix the cup and Mary Jane 
Kick rocks
   
I could never get it right
Ever since I could remember
January to December
I been fightin for my life
Had that man up in the mirror
Who was praying I would die
Cause he knows that I'm a sinner
who will never see the light
 
Thought that I was locked in darkness
Till the blood seeped through the cracks
Then when I look where I started
 all I see a bloody path
I guess it's my fault 
For always getting backstabbed 
Got my heart locked in a vault
Cause it was in the wrong hands

Can't even imagine what had happened
 in the past tense
I be of that acid feeling static 
like a sixth sense
Life keep doin damage ups and downs
 give me a sickness
 This pain yeah you can have it i cant take it
Shits a hindrance

Memories erased, erased
Darkness in my brain, my brain
Hard to stay in your lane
If you can't see straight



only excuse is that this is my medicine
Otherwise i just do it for the hell of it
Off of these drugs yeah you know i'm a specimen
Up in my blood all the way to my skeleton 
Slurin my words like i got an impediment
Up in the party and out of my element
Talkin to niggas and losin intelligence 
Bitches is stupid and that shi is evident 
Evident 
Evident
I know that these bitches just chasin adrenaline
Bad lil thing, just tryna experiment 
Trying it out, just for the experience 

Tabs come out when i'm feelin delirious
hit my peek and get sent to oblivion
In this dream guess i am oblivious

Drip drop
now I hear the sounds of the rain
I'm pissed off
Cause I fear the bounds of my pain 
Tick tock
As I watch my time slowly fades
Criss Crossed
When I mix the cup and Mary Jane 
Kick rocks

The devil hit my line and told me that I'm on my demon time
They tremblin inside, but I know everything will be ight 
We'll revel through the night, gettin high, losing track of time
A rebel by my side, Bonnie and Clyde, tryna catch a vibe
A special kind of light, i'ma diamond shinin in disguise  
different type height, im enlightened, opened my third eye
Knew that i was right, got the devil lookin so surprised
Live a different life, he took your soul, but he aint takin mine

Memories erased, erased
Darkness in my brain, my brain
Hard to stay in your lane
If you can't see straight

MEMORIES ERASED (prod. Jean parker)

My Story

Promises

Press Continue

Nothing

amen

Stockholm

Good Luck

End Of July

Sleepwalkers

31.7.2022

SUMMERTİME played with Saz  by Zulfikar Semiz
Chet Baker trompet solo

Summertime

Too Woman

C-Ing U

🎧 The New Of The Tower
Welcome to a new, underground, dark world...

🎭 Musical Style & Artistic Evolution

🚀 Avant-Garde Dance Music Without Borders
The New Of The Tower is an independent, self-taught project that fearlessly pushes the limits of dance music with a unique fusion of genres. Officially described as a mix of dark techno, tech-house, electro, and experimental pop, it also incorporates elements of trap, punk, and even classical music.

In practice, each track oscillates between club anthems and conceptual sonic experiences. For instance, “Velvet Guillotine” (2025) is a hypnotic techno hymn built on heavy percussion and distorted vocals—a true “surreal sonic ritual” under neon lights.

The sound is always matched by a cinematic, underground aesthetic: strobe lights, cyberpunk visuals, and immersive atmospheres define every release.

🌍 Eclectic Influences & Genre Alchemy

The New Of The Tower draws from a wide range of sonic traditions:

🏴‍☠️ Dark techno and industrial groove infused with gothic textures and anarchic punk (e.g., “BRUTAL!!” — a chaotic journey of distortion and rebellion).

🌍 Afro-Tech House meets rock guitars à la AC/DC in “Love Letters” (124–126 BPM).

👺 “Masquerade of Bass” blends melodic techno, dark psytrance, and retro synth-pop.

💃 Spanish-language tracks like “Marionetas” and “Vidas Rotas” fuse flamenco sorrow with trap beats and deep 808s.

🎷 “2:59 AM” evokes Amy Winehouse-inspired jazzy cloud-rap, while “She Danced Through Storms” travels through deep house and jazz fusion with a cinematic touch.

🧊 “Still Echoing” merges melodic trance with nostalgic 80s synth-pop.

🧬 Each track is a bold cross-genre experiment: from industrial club bangers to dark electronic ballads, always rich in texture and emotion.

🎛️ Sonic Palette: Instruments & Effects

🎹 Synths & Melodies
Analog pads & leads (often vocoder-enhanced) create retrofuturistic atmospheres.
Punk-style distorted guitars and 80s synthwave textures bring cinematic depth.

🥁 Percussion & Rhythms
Hard techno kicks, metallic hi-hats, tribal drums, and trap-style 808s.
Layered acoustic and electronic elements make for dynamic and precise beats.

🌀 FX & Processing
Rich in glitchy clips, VHS noise, deep delays, and reverb-soaked vocals.

Examples: “Love Letters” is drenched in lo-fi and VHS textures; “4 Malos Polvos” features glitchy ambient layers and emotional auto-tune.

🎨 Each sound is carefully crafted to contribute to a vivid, cinematic soundscape.

🎤 Vocal Treatments: A Sonic Chameleon

Vocals range from:
🎙️ Melodic singing (English & Spanish)
🔥 Punk shouting & spoken rap
🤖 Vocoded retro textures (“Still Echoing”)
💔 Melancholic auto-tuned lines (“4 Malos Polvos”)
💣 Confessional, emotionally intense deliveries
🗣️ The voice becomes another instrument of emotion, soaked in effects like reverb, delay, filters—ranging from ghostly whispers to ecstatic screams.

🌑 Emotional Climate & Storytelling

The overall emotional tone is dark, introspective, and visceral.

Themes revolve around:
💘 Passion, heartbreak, rebellion
🧠 Subconscious states & urban alienation
🕯️ Ritualistic, trance-like experiences (e.g., “Velvet Guillotine”)
🌆 Social suffering (“Marionetas”, “Vidas Rotas”)
😈 Raw eroticism & shame (“4 Malos Polvos”: “each drop is a stab disguised as a caress”)
🎞️ Romantic melancholy in cinematic settings (“2:59 AM”, “She Danced Through Storms”)
🎬 Each track unfolds like an emotional chapter, offering catharsis, vulnerability, and mystery.

📽️ Conceptual Artistry & Vision

The New Of The Tower is not just music—it's an immersive audiovisual concept.

💀 Explores themes of dystopia, poverty, guilt, rebellion
🏙️ Brutalist club visuals, cyberpunk aesthetics
🕯️ Emotional depth with non-commercial intent
🎭 “4 Malos Polvos” = a “dark confession for love sinners,” cinematic and raw
🌀 Each release = a journey through shadow and rhythm
🕺💀 Dance meets darkness—a kind of electronic film noir where each beat tells a deeper truth.

📈 Style Evolution: From EDM to Darkness

🟢 2019–2022: EDM & electro-pop beginnings (Feel EP, “You And Me” — catchy and bright)

🟡 2024: Transition into melodic techno (“Not Living Without You”)

🔴 2025–Present: Shift to dark techno, darkwave, flamenco-trap, and experimental storytelling (“Velvet Guillotine”, “Marionetas”)

🎭 From mainstream dance-pop to raw, conceptual electronic music—always evolving, always fearless.

🎼 Comparable Artists & Influences

🧩 The New Of The Tower resonates with:

🧨 Brutalismus 3000 (techno-punk dystopia)
👾 Perturbator (dark synthwave)
🌘 Mind Against / Recondite (melodic techno & melancholia)
🎤 Boy Harsher, Massive Attack (dark vocals, trip-hop moods)
🔥 Anyma (techno emotion), Latin trap/fusion for its flamenco-trap leanings
🌌 But ultimately, it defines its own world—one built from dark techno, darkwave, nu-jazz, and trap-rock fusion.

🔍 Sources
All analysis is based on official content from:
📻 SoundCloud & YouTube, where each track’s genre, BPM, and atmosphere are detailed, along with the project’s self-described tags and narratives.

📎 Verified by direct observation of mixes like:

“Velvet Guillotine”

“Marionetas”

“4 Malos Polvos”

“Still Echoing”

“Love Letters”

“2:59 AM”

and more.

🎧 The New Of The Tower: Not just a sound, but a dark, immersive, and emotional experience.
Let the beats confess what words cannot.

Good Luck

The New Of The Tower - Official

Recent comments

Ruth

Eričko Bielčik

SpacedOut Studios Entertainment

PARA-NML

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