Dj Neongroover

Rebel Soul

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Gre.S - Heat

Imagine this: It’s Monday at 09:00 AM, and you’re immersed in the electrifying ambiance of DC10 Ibiza during the iconic Circoloco event. The venue pulsates with energy as you tune into the deep, sultry sound waves crafted by the skilled DJ SNAK3. His precise mixing techniques and thoughtful production elements create a rich auditory tapestry that transports you on a riveting journey through the nuances of time and space. SNAK3’s mastery in manipulating frequency ranges, layering sounds, and utilizing effects showcases his exceptional talent within the electronic music domain. Prepare to delve deep into this sonic exploration and appreciate the intricacies of his craft. Enjoy this immersive experience!

DYNASTY  - DJ SNAK3 CIRCOLOCO IBIZA 09_00AM  REMIX.wav

wheres yo head at ( barts. remix )

Happy b-day Abi.  His fave director is Stanely Kubrick. I asked him to rec me a film last year and he said “Happiness with Philip Seymour Hofman.” I thought it was creative and funny and sad. He has higher moral standards than me. Found his gf perverted.  I would have called it kinky. I was going to tell him to lower his standards but if someone said, “maybe you should cheat”to me I’d say “no” cos a)your gf is supposed to be one of your best friends and b)it’s disrespectful. If I treat one of my best friends with disrespect how can I treat my friends well?  So I think Abi should do Abi. Other than that Abi sent me a pic and I told him he looked a bit like Rami Malek. He wasn’t too fond of that but Rami Malek isn’t bad looking and Abi looks 16.

I thought the whole song was A Dorian but it’s actually A dorian b2 alternating with A dorian for the verses.  I came up with the riff and wanted to make it more complex so I used the same strumming technique for ‘Can’t Stop.’ First time I used hand clicks for a song and also first time I’ve kept an entire song all modal. Thought the vocal phrasing was quite ZZ Ward for the verse and I wanted to  make it more hard rock sounding like Soundgarden. So the verses sound quite ZZ Garden or Soundward (Squidward). The bass in the verses is playing a simplified version of the bass line in ‘Come Together.’ I do like the vocal phrasing for ‘yet in the mix I found joy’ for the chorus. First time I’m doing that much falsetto for lead which is inspired by QOTSA. Some counter melodies for the beginning of verse 2. Fave use of counter melody is probably the 2nd half of ‘Emotion Sickness’ from Silverchair. I added some congas and wanted the same rhythm as the percussion from ‘Roots Bloody Roots’ but I decided to keep things simple and accent the 2 vocal syllables.. Then, the last chorus I was going to copy paste my piano parts but accidentally copy pasted my lead guitar over and that improved the groove.

Lyrics: Written by SGOR. Some guy on reddit. Lost contact. If it sounds like it was written an angsty teen that’s cos’ it was written by an angsty teen. Terrific message about finding empathy. Not sure about how death fits into all this.  ‘There can be miracles when you believe’ is cheesy on paper but I don’t think it’s cheesy when you hear it. ‘If you squeeze my lizard I’ll put my snake on you’ is ridiculous on paper but badass when you hear it. Depends on vocal tone, phrasing, delivery, and melody.

Stranded on a desert planet, lost in my own curse,
As if I caused a cataclysm, but all I did was change.
I was Found in the mud, like a coin in ruin's dust,
Polished up, made to fake, like I hadn't seen the rust.
Hear a beating heart in the darkness,
I've been lost, I've been found, I've wandered so long,
I found myself in you, but in the end, it wasn't me I found.

Ride with me through the storms of life, (it was fly with me originally and I am not singing that)
Let our hopes shine bright,  (it was light shine bright originally)
Like we've been struck by lightning, 
Revealed 
As something in the night.
I came to life when loss became real,
Felt pain and sympathy,
Yet in that mix, I found joy, found a way to be.
Am I cursed? I'll never know, but I'll embrace it all,
Life is its own limit, 
perfection in its sprawl.
The final goodbye, the chill of death, it comes for us all,

Running through the lost ruins of an apocalypse. (I wanted to give some more sensory elements to a song that was very much ‘in its feelings. So I matched the idea of a cataclysm. Took about 10 secs to type out)
Found myself with spears and arrows and feeling generous
Smeared my face in mud, like an Indian warchief
I’ve been dead, I’ve come to life, I’ve wandered so long
I found myself in you, but in the end it wasn’t me that I found



Ride With Me

5 BMW (Radio Edit)    Euratekno

🎭 Step into the darkness — “Behind the Mask” is a 10-track sonic ritual blending Afro Tech rhythms and dark melodic techno atmospheres.

🔊 Tribal energy meets cybernetic emotion, filtered through pulsating sub-bass, haunting vocals, and deep cinematic textures.

🎛️ Experience the full mix, from “Behind the Mask” to “Threshold”, designed for underground dancefloors, peak DJ sets, and immersive headphone sessions.

🔗 Hit like, comment, and share if you feel the frequency.
🎧 Plug in, go dark, and cross the threshold.

#BehindTheMask #DarkMelodicTechno #afrotechmix 

TIMELINE ⏰

🎧 00:00 🎭 **Behind the Mask**  
🎧 04:01 🔊 **Neural Trap**  
🎧 07:39 🧠 **Code Shift**  
🎧 10:49 🌕 **False Light**  
🎧 14:05 💭 **Echo Mind**  
🎧 17:49 🌀 **Phantom Memory**  
🎧 22:45 🕶️ **Remote Control**  
🎧 27:31 🤖 **Synthetic Emotion**  
🎧 30:57 🔒 **Wired for Fear**  
🎧 35:16 🚪 **Threshold**  

🎼 Composed & designed by Francisco Javier de la Torre Moreno
🎤 Performed by The New Of The Tower
🔒 All rights reserved. Unauthorized use prohibited. © 2025 Francisco Javier de la Torre Moreno.

📽 Official video: https://youtu.be/7AulxK1B5Nc

💬 What emotion did this mix evoke for you? Share your thoughts in the comments!
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🔔 Don’t forget to:
❤️ LIKE if the vibe resonates!
💬 COMMENT your favorite moment in the track below!

💥 Why You'll Love This Track:
👉 A MUST-ADD to your 2025 playlist 🎶
👉 Perfect for Viral Reels & Stories 📱
👉 Share with friends

🔗 Connect with Me :
👉 YouTube : www.youtube.com/channel/UC220nGnHhqUIJBAHK9dAURA
👉 Spotify : open.spotify.com/artist/2KIQuMc8R…NRqQ&dl_branch=1
👉 Twitter : twitter.com/TheNewOfTheTow1
👉 SoundCloud : @the-new-of-the-tower


🎶  Full Dark Afro Tech Experience | "Behind the Mask" | Into the Shadows

New track alert!😀
"Asteroids (The Original Was Better)" is the result of a spontaneous and fun collab between our friend and amazing musician Joe Stroffolino (https://soundcloud.com/joseph-stroffolino) and Beating Edge. Joe heard our chiptune track RND (https://soundcloud.com/beatingedge/rnd-instrumental-chiptune), got inspired by it, and wrote some lyrics based on the classic arcade game Asteroids. He added his voice and acoustic guitar over it, and sent it our way.
We loved it and decided to jump in too, building a second part with a more rock-driven vibe, using the same chiptune idea as inspiration. We stitched everything together into a single track, kicking things off with a fun spoken intro, a short vocal transition between the parts, and closing with a wild, over-the-top outro.
Hope you enjoy this crazy, hybrid ride as much as we enjoyed making it! Thanks so much to everyone who gives it a listen, sending lots of love your way!❤️‍🔥
Huge thanks, Joe, for this awesome collab! Can’t wait for the next one!😉

Music by: Beating Edge
Lyrics by: Tom (Beating Edge) and Joe Stroffolino
Performed by: Beating Edge and Joe Stroffolino
Acoustic guitar (Taylor 114ce) by: Joe Stroffolino
Vocals performed by: Joe Stroffolino and Tom (Beating Edge)
At the moment, this track is exclusively available on SoundCloud.
Released on June 6, 2025.
©2025 Beating Edge and Joe Stroffolino

Lyrics:

[Spoken Intro]
Joe: Wow! This is a really cool Arcade!
Tom: Yeah!
Joe: Hey, check it out! Is that an Asteroids game over there?
Tom: Oh, wow!
Joe: I haven't seen that in like that forever!
Tom: That's definitely Asteroids! Let's play a game!
Mary (with a sore throat 🤦🏻‍♀️🤣): Oh yeah! Let's play Asteroids!

-->Joe

I used to play asteroids in the 1980’s
I liked to blow up rocks in outer space
The flying saucers would attack me
At an ever-increasing pace

I stumbled across an old vintage arcade the other day
I hadn’t played Asteroids in a long time
I popped a quarter into that old machine
And I watched my score start to climb

I watched my score start to climb
I watched my score start to climb
I watched my score start to climb

Time goes by so quickly 
and playing that game really took me back
To those days when my future was unwritten
And I hadn’t gone so far down my current track

Pushing those buttons so fast and furiously
Standing in front of that arcade machine
Blowing up all those asteroids 
On that black and white video screen

Blowing up all those asteroids 
On that video screen
Blowing up all those asteroids 
On that video screen

For a couple of minutes, I forgot about the present
I was back floating in outer space
Breaking big rocks into small rocks
I had a a big smile on my face

And then it was time for me to go
Cause I had errands that I needed to run
But that old video game
I sure had a lot of fun

It's not over yet

-->Tom 

Just a single screen, all black and white
The whole room's dark except the TV's light
Rotate and thrust, it wasn't much
No one had seen a thing like this before

Now there's a 3D holographic thing
That no one plays, 'cause nobody can afford
With a visor on, your body's gone
It's kinda fun, but the original was better

We used to play all day, late at night
For the high score, it was do or die
No one knew what a quarter was worth
No one knew what the future had in store

Now there's a 3D holographic thing
That no one plays, 'cause nobody can afford
With a visor on, your body's gone
It's kinda fun, but the original was better

The original was better
The original was better
The original was better
The original was better

Now there's a 3D holographic thing
That no one plays, 'cause nobody can afford
With a visor on, your body's gone
It's kinda fun, but the original was better

[Spoken Outro]
Someone who wants to stay anonymous 😂: That was a lot of fun!

Asteroids (The Original Was Better)

AboutIntenseChewing

Chasing the Wind Again is a soulful reflection on ambition, dreams, and the endless pursuit of something just out of reach. With atmospheric melodies and inspired lyrics, this track invites listeners into a world where hope and struggle dance together. Perfect for late-night drives and moments of deep thought, 'Chasing the Wind Again' captures the bittersweet beauty of chasing what we believe in — even when it feels impossible.
“Chasing the Wind” was my debut release—an introduction to a full catalog of music I’ll be unveiling piece by piece as each track is completed. "Chasing the Wind Again" is a more guitar-centric version designed to be accessible and emotionally resonant, while still maintaining a distinct edge that sets it apart. It blends melodic appeal with lyrical depth, offering listeners a pleasant and thought-provoking sound. The lyrics balance instruction and inspiration, inviting listeners to reflect, grow, and move forward. This is just the beginning of a larger artistic journey, and “Chasing the Wind Again” sets the tone for what’s to come.

[Verse 1]
Working, waiting, wasting time
Wanting what I cannot find
Water flowing to the sea
Seasons spinning endlessly
Same sun rising every day
Same stars fading far away

[Chorus]
I'm chasing the wind again
Round and round without an end
I'm chasing the wind again
Finding peace from within
I'm chasing the wind again
Round and round without an end
I'm chasing the wind again
Til I learn just to begin

[Verse 2]
Building towers made of sand
Counting coins in trembling hands
Time is turning, turning still
Like a wheel against my will
Everything I try to keep
Slips away while I sleep

[Chorus]
I'm chasing the wind again
Round and round without an end
I'm chasing the wind again
Finding peace from within
I'm chasing the wind again
Round and round without an end
I'm chasing the wind again
Til I learn to begin

[Bridge]
Stop - breathe - see
What's right in front of me
Stop - breathe - be
The truth has set me free
Stop - breathe - Heal
Finally I can feel
Stop reveal
What's simple can be real

[Final Verse]
Now I watch the birds in flight
Feel the breeze and hold it tight
See the flowers break and bend
As the morning starts again
In the simple, in the small
Find the meaning of it all

[Chorus]
I'm chasing the wind again
Round and round without an end
I'm chasing the wind again
Finding peace from within
I'm chasing the wind again
Round and round without an end
I'm chasing the wind again
Til I learn to begin
I'm chasing the wind again
Round and round without an end
I'm chasing the wind again
Finding peace that lives within
I'm chasing the wind again
Round and round without an end
Now I know how to begin

Chasing the Wind Again

Exploration of dealing with our own headspace. Blend of CSN and Peter Gabriel.

Vocals: Will Montgomery & Julie Lavery
Acoustic Guitar: Spencer Brochard
Keyboards: Will Montgomery
Written, Produced and Mixed by Will Montgomery

Barely

Body & Soul (CACS REMIX)

01. DJ Neongroover  - Sexmachine ( Italodisco Version )
02. Pablo Bozzi - Doctor's Cat - Feel the Drive (Pablo Bozzi edit)
03. Feinstoff - Hey Cabrera!, Freudenthal, saeuer - Do It (Extended Dub)
04. Laion - Kool & The Gang - Misled (Laion Edit)
05. PH Groove - Dinamico
06. Kanka Bodewell - Techno Club
07. Autumns - Eaten Inside
08. Ubre Blanca - GT9
09. ES23 - Now
10. Kanka Bodewell - Sisters & Brothers

Dj Neongroover - Future for the Vibes

The track is a mix of electronic music. It has an upbeat rhythm that creates a sense of energy and excitement throughout the song. The lyrics are simple yet powerful in nature with themes such as love and relationships being explored through relatable melodies. 

My Desire V1

Broken Boys are not my Way

Drifting (Has Remix)  [N.A.H Master]

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

🎧 The New Of The Tower
Welcome to a new, underground, dark world...

🎭 Musical Style & Artistic Evolution

🚀 Avant-Garde Dance Music Without Borders
The New Of The Tower is an independent, self-taught project that fearlessly pushes the limits of dance music with a unique fusion of genres. Officially described as a mix of dark techno, tech-house, electro, and experimental pop, it also incorporates elements of trap, punk, and even classical music.

In practice, each track oscillates between club anthems and conceptual sonic experiences. For instance, “Velvet Guillotine” (2025) is a hypnotic techno hymn built on heavy percussion and distorted vocals—a true “surreal sonic ritual” under neon lights.

The sound is always matched by a cinematic, underground aesthetic: strobe lights, cyberpunk visuals, and immersive atmospheres define every release.

🌍 Eclectic Influences & Genre Alchemy

The New Of The Tower draws from a wide range of sonic traditions:

🏴‍☠️ Dark techno and industrial groove infused with gothic textures and anarchic punk (e.g., “BRUTAL!!” — a chaotic journey of distortion and rebellion).

🌍 Afro-Tech House meets rock guitars à la AC/DC in “Love Letters” (124–126 BPM).

👺 “Masquerade of Bass” blends melodic techno, dark psytrance, and retro synth-pop.

💃 Spanish-language tracks like “Marionetas” and “Vidas Rotas” fuse flamenco sorrow with trap beats and deep 808s.

🎷 “2:59 AM” evokes Amy Winehouse-inspired jazzy cloud-rap, while “She Danced Through Storms” travels through deep house and jazz fusion with a cinematic touch.

🧊 “Still Echoing” merges melodic trance with nostalgic 80s synth-pop.

🧬 Each track is a bold cross-genre experiment: from industrial club bangers to dark electronic ballads, always rich in texture and emotion.

🎛️ Sonic Palette: Instruments & Effects

🎹 Synths & Melodies
Analog pads & leads (often vocoder-enhanced) create retrofuturistic atmospheres.
Punk-style distorted guitars and 80s synthwave textures bring cinematic depth.

🥁 Percussion & Rhythms
Hard techno kicks, metallic hi-hats, tribal drums, and trap-style 808s.
Layered acoustic and electronic elements make for dynamic and precise beats.

🌀 FX & Processing
Rich in glitchy clips, VHS noise, deep delays, and reverb-soaked vocals.

Examples: “Love Letters” is drenched in lo-fi and VHS textures; “4 Malos Polvos” features glitchy ambient layers and emotional auto-tune.

🎨 Each sound is carefully crafted to contribute to a vivid, cinematic soundscape.

🎤 Vocal Treatments: A Sonic Chameleon

Vocals range from:
🎙️ Melodic singing (English & Spanish)
🔥 Punk shouting & spoken rap
🤖 Vocoded retro textures (“Still Echoing”)
💔 Melancholic auto-tuned lines (“4 Malos Polvos”)
💣 Confessional, emotionally intense deliveries
🗣️ The voice becomes another instrument of emotion, soaked in effects like reverb, delay, filters—ranging from ghostly whispers to ecstatic screams.

🌑 Emotional Climate & Storytelling

The overall emotional tone is dark, introspective, and visceral.

Themes revolve around:
💘 Passion, heartbreak, rebellion
🧠 Subconscious states & urban alienation
🕯️ Ritualistic, trance-like experiences (e.g., “Velvet Guillotine”)
🌆 Social suffering (“Marionetas”, “Vidas Rotas”)
😈 Raw eroticism & shame (“4 Malos Polvos”: “each drop is a stab disguised as a caress”)
🎞️ Romantic melancholy in cinematic settings (“2:59 AM”, “She Danced Through Storms”)
🎬 Each track unfolds like an emotional chapter, offering catharsis, vulnerability, and mystery.

📽️ Conceptual Artistry & Vision

The New Of The Tower is not just music—it's an immersive audiovisual concept.

💀 Explores themes of dystopia, poverty, guilt, rebellion
🏙️ Brutalist club visuals, cyberpunk aesthetics
🕯️ Emotional depth with non-commercial intent
🎭 “4 Malos Polvos” = a “dark confession for love sinners,” cinematic and raw
🌀 Each release = a journey through shadow and rhythm
🕺💀 Dance meets darkness—a kind of electronic film noir where each beat tells a deeper truth.

📈 Style Evolution: From EDM to Darkness

🟢 2019–2022: EDM & electro-pop beginnings (Feel EP, “You And Me” — catchy and bright)

🟡 2024: Transition into melodic techno (“Not Living Without You”)

🔴 2025–Present: Shift to dark techno, darkwave, flamenco-trap, and experimental storytelling (“Velvet Guillotine”, “Marionetas”)

🎭 From mainstream dance-pop to raw, conceptual electronic music—always evolving, always fearless.

🎼 Comparable Artists & Influences

🧩 The New Of The Tower resonates with:

🧨 Brutalismus 3000 (techno-punk dystopia)
👾 Perturbator (dark synthwave)
🌘 Mind Against / Recondite (melodic techno & melancholia)
🎤 Boy Harsher, Massive Attack (dark vocals, trip-hop moods)
🔥 Anyma (techno emotion), Latin trap/fusion for its flamenco-trap leanings
🌌 But ultimately, it defines its own world—one built from dark techno, darkwave, nu-jazz, and trap-rock fusion.

🔍 Sources
All analysis is based on official content from:
📻 SoundCloud & YouTube, where each track’s genre, BPM, and atmosphere are detailed, along with the project’s self-described tags and narratives.

📎 Verified by direct observation of mixes like:

“Velvet Guillotine”

“Marionetas”

“4 Malos Polvos”

“Still Echoing”

“Love Letters”

“2:59 AM”

and more.

🎧 The New Of The Tower: Not just a sound, but a dark, immersive, and emotional experience.
Let the beats confess what words cannot.

🎶 Full Dark Afro Tech Experience | "Behind the Mask" | Into the Shadows

The New Of The Tower - Official

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