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Email: officialelisupreme@gmail.com

Fast (Feat. Tripp)

OPTICILL

made in 2014

beat by me....played by hand....cut from records.....its hip hop
rhymes by Zuice
and Xerious Gouge aka MC JE with a ONETAKE FREESTYLE
mix by us
pic by me



WE ALL IN.


OpticIll - All in All

After decades of technological obsession, humanity is seeing the results. Some frightening, some favorable. And Seattle’s own EMUH explores this dichotomy on his new EP, Dial Tones, out now on Feral One Records.

EMUH is a celebrated producer, musician, and vocalist with releases on Prime Society Records and Space Yacht, alongside remixes for Arnold & Lane and GAWP. He’s also an established engineer and producer under the name Hume Audio, working with clients like Casmalia, Longstocking, Mitch Dodge, Schade, Speaker Honey, and ZOF for some of the biggest labels in the world including majors like Universal, Insomniac, and Columbia.

So it’s safe to say that EMUH has channeled the advance of technology into something fulfilling for himself and beneficial to the world. Still, he is far from ignorant of what this technological integration has meant for society, and, on an individual level, much of this technological integration begins with one item in particular: the phone.

This truth makes it only fitting that the Dial Tones EP begins with its title track, which in turn begins with the sound of a lively conversation at a jovial gathering, one that the narrator is ignoring entirely as he waits for the phone to ring. 

EMUH’s vocals say as much with a smooth tone and light fluctuations in pitch, demonstrating that this person who is waiting for the call is still indeed human. In between the vocals, new bits of melody appear with almost every beat, like little pings to show what he (and everyone else who’s spent an entire party staring at their phone) is missing around them.

Next is “The End Of The World,” and even when the world is burning, the narrator is still staring at his phone, harnessing another frequent experience of the modern world: technological escapism. EMUH captures this naive and avoidant dynamic with musical prowess, honing in on an ascending guitar loop. Clangy and gliding, it’s just that alluring to where (like the endless scroll of social media) something worthwhile and entertaining could be on the other side of the screen, but overall, it’s always just more of the same social loop.

For the third track, “Frog Kiss,” EMUH shifts to alternative rhythms, a less structured approach, and beautiful, dulcet sound design. Dreamy, glittering arpeggios like a night sky unimpeded by clouds and light pollution. Shimmering sheens that envelop the soundscape like a warm summer breeze. Just as when a frog turns into a prince after he feels the love of human connection, when a human puts down their phone, these are the experiences humans can feel.

To close the EP is the party track, “G-Bounce.” In this case, the “G” stands for gangster (not unlike other applications of the letter), and EMUH proves he is all that and more through his version of bassline-driven house music. In a genre that is still in the midst of its heyday, EMUH applies subtlety and intelligence. On the drop, instead of a massive foghorn, he implements a descending tone, one that then slowly rises back in towards the end of the phrase, like a clue at the beginning of a mystery being the key to the solution at the end. This is just one of the mid-range sounds that is oh so groovy, but still carries with it a great deal of emotion. 

Original Art: Tara Hatzidakis (NY, US)
Mastering: Subvert Central Mastering (UK)

Feral One Records LLC
www.FeralOneRecords.com
linktr.ee/feralonerecords

Coming Dec. 29th

EMUH - Frog Kiss

Zuma Istanbul sunset mix

Don'tTextDontCall GMix by WizKhalif, d.Rich & SnoopDogg AkA WdS Produced by Ty Dolla $ign.  For Promotional use ONLY

The Virtual G/Remix With 2 of the West Best & 1 of East Coast best North Carolina's Own RnB Elites, d.Rich. All on 1 track banging on em together. Check Out the DontTextDontCall Virtual GMix... it's 🔥 🔥 🔥 Hit Snoop & Wiz up ASAP & let them know how much you love it, so we can do it again for y'all...

Wiz Khalif, d.Rich & Snoop Dogg  Don'tTextDon'tCall GMix

With this next track, I wanted to go for something a bit more...."heavy" and battle based, and what's better than a "Dance Battle"? Nothing, I tell you, NOTHING!!

Dance Battle

Make Or Break (Original Mix)

Here is the intro... Mastering the full track tonight!

Robotalk by K Tech (Intro)

Dead Rose

My Lady

No One Can Ever Tell

Stairway to Heaven

🎧 The New Of The Tower
Welcome to a new, underground, dark world...

🎭 Musical Style & Artistic Evolution

🚀 Avant-Garde Dance Music Without Borders
The New Of The Tower is an independent, self-taught project that fearlessly pushes the limits of dance music with a unique fusion of genres. Officially described as a mix of dark techno, tech-house, electro, and experimental pop, it also incorporates elements of trap, punk, and even classical music.

In practice, each track oscillates between club anthems and conceptual sonic experiences. For instance, “Velvet Guillotine” (2025) is a hypnotic techno hymn built on heavy percussion and distorted vocals—a true “surreal sonic ritual” under neon lights.

The sound is always matched by a cinematic, underground aesthetic: strobe lights, cyberpunk visuals, and immersive atmospheres define every release.

🌍 Eclectic Influences & Genre Alchemy

The New Of The Tower draws from a wide range of sonic traditions:

🏴‍☠️ Dark techno and industrial groove infused with gothic textures and anarchic punk (e.g., “BRUTAL!!” — a chaotic journey of distortion and rebellion).

🌍 Afro-Tech House meets rock guitars à la AC/DC in “Love Letters” (124–126 BPM).

👺 “Masquerade of Bass” blends melodic techno, dark psytrance, and retro synth-pop.

💃 Spanish-language tracks like “Marionetas” and “Vidas Rotas” fuse flamenco sorrow with trap beats and deep 808s.

🎷 “2:59 AM” evokes Amy Winehouse-inspired jazzy cloud-rap, while “She Danced Through Storms” travels through deep house and jazz fusion with a cinematic touch.

🧊 “Still Echoing” merges melodic trance with nostalgic 80s synth-pop.

🧬 Each track is a bold cross-genre experiment: from industrial club bangers to dark electronic ballads, always rich in texture and emotion.

🎛️ Sonic Palette: Instruments & Effects

🎹 Synths & Melodies
Analog pads & leads (often vocoder-enhanced) create retrofuturistic atmospheres.
Punk-style distorted guitars and 80s synthwave textures bring cinematic depth.

🥁 Percussion & Rhythms
Hard techno kicks, metallic hi-hats, tribal drums, and trap-style 808s.
Layered acoustic and electronic elements make for dynamic and precise beats.

🌀 FX & Processing
Rich in glitchy clips, VHS noise, deep delays, and reverb-soaked vocals.

Examples: “Love Letters” is drenched in lo-fi and VHS textures; “4 Malos Polvos” features glitchy ambient layers and emotional auto-tune.

🎨 Each sound is carefully crafted to contribute to a vivid, cinematic soundscape.

🎤 Vocal Treatments: A Sonic Chameleon

Vocals range from:
🎙️ Melodic singing (English & Spanish)
🔥 Punk shouting & spoken rap
🤖 Vocoded retro textures (“Still Echoing”)
💔 Melancholic auto-tuned lines (“4 Malos Polvos”)
💣 Confessional, emotionally intense deliveries
🗣️ The voice becomes another instrument of emotion, soaked in effects like reverb, delay, filters—ranging from ghostly whispers to ecstatic screams.

🌑 Emotional Climate & Storytelling

The overall emotional tone is dark, introspective, and visceral.

Themes revolve around:
💘 Passion, heartbreak, rebellion
🧠 Subconscious states & urban alienation
🕯️ Ritualistic, trance-like experiences (e.g., “Velvet Guillotine”)
🌆 Social suffering (“Marionetas”, “Vidas Rotas”)
😈 Raw eroticism & shame (“4 Malos Polvos”: “each drop is a stab disguised as a caress”)
🎞️ Romantic melancholy in cinematic settings (“2:59 AM”, “She Danced Through Storms”)
🎬 Each track unfolds like an emotional chapter, offering catharsis, vulnerability, and mystery.

📽️ Conceptual Artistry & Vision

The New Of The Tower is not just music—it's an immersive audiovisual concept.

💀 Explores themes of dystopia, poverty, guilt, rebellion
🏙️ Brutalist club visuals, cyberpunk aesthetics
🕯️ Emotional depth with non-commercial intent
🎭 “4 Malos Polvos” = a “dark confession for love sinners,” cinematic and raw
🌀 Each release = a journey through shadow and rhythm
🕺💀 Dance meets darkness—a kind of electronic film noir where each beat tells a deeper truth.

📈 Style Evolution: From EDM to Darkness

🟢 2019–2022: EDM & electro-pop beginnings (Feel EP, “You And Me” — catchy and bright)

🟡 2024: Transition into melodic techno (“Not Living Without You”)

🔴 2025–Present: Shift to dark techno, darkwave, flamenco-trap, and experimental storytelling (“Velvet Guillotine”, “Marionetas”)

🎭 From mainstream dance-pop to raw, conceptual electronic music—always evolving, always fearless.

🎼 Comparable Artists & Influences

🧩 The New Of The Tower resonates with:

🧨 Brutalismus 3000 (techno-punk dystopia)
👾 Perturbator (dark synthwave)
🌘 Mind Against / Recondite (melodic techno & melancholia)
🎤 Boy Harsher, Massive Attack (dark vocals, trip-hop moods)
🔥 Anyma (techno emotion), Latin trap/fusion for its flamenco-trap leanings
🌌 But ultimately, it defines its own world—one built from dark techno, darkwave, nu-jazz, and trap-rock fusion.

🔍 Sources
All analysis is based on official content from:
📻 SoundCloud & YouTube, where each track’s genre, BPM, and atmosphere are detailed, along with the project’s self-described tags and narratives.

📎 Verified by direct observation of mixes like:

“Velvet Guillotine”

“Marionetas”

“4 Malos Polvos”

“Still Echoing”

“Love Letters”

“2:59 AM”

and more.

🎧 The New Of The Tower: Not just a sound, but a dark, immersive, and emotional experience.
Let the beats confess what words cannot.

Make Or Break (Original Mix)

The New Of The Tower - Official

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