Nice bits

Live at Fabrik Hamburg 1980

You Gotta Have Freedom (Live)

Preview Track of the New Moon album, Out NOw on ClareMoNt 56!!!

Almunia - Kissing Time

Enjoy this music and join us on www.facebook.com/sunsetbmusic

Busta Rhymes ~ III Vibe (Tom Misch Remix)

An instrumental take on a laidback Bossa Nova classic released in 1964. The song celebrates the joyful and carefree spirit of summer.

Marcos Valle - So Nice (Summer Samba) Instrumental

New mashup de Pep's Show Boys & @sebastianroser featuing @Rosantique... Fever al estilo Summertime...

Download

Grant Lazlo - Summertime Fever (Pep's Show Boys & Sebastian Röser Ft. Rosantique MushUP) [FD]

In partnership with Teranga beat, the current leading label for Senegalese music, Analog Africa proudly offer an insight into the musical adventures that were taking place in the major Senegalese cities during the 60s and 70s. 

It all started in 2009 when Adamantios Kafetzis travelled from Greece to Senegal with a brand new tape machine that he used to digitise the musical treasures he had discovered in the city of Thiés. These treasures took the form of reel tapes, and had been recorded by sound engineer Moussa Diallo, who had spent the previous four decades immortalising, onto magnetic tape, the bands that would later perform in his club, the legendary Sangomar. 

300 Senegalese songs that nobody had ever heard before were discovered - Five of them were selected for this compilation. 

Thanks to its history of outside influences, Senegal – the western point of Africa - had become a musical melting pot.  
Cuban and American sailors had brought Son Montuno from Cuba, Jazz from New Orleans and American soul tunes: sounds that were swiftly embraced and adopted by urban dance bands and intuitively merged with local music styles.

One band in particular excelled at this fusion. 1960 marks the formation of Le Star Band de Dakar, a milestone that left an indelible imprint on Dakar’s musical landscape. Indeed, the whole country was soon grooving to their intoxicating mixture of Afro Cuban rhythms and Wolof-language lyrics. 

The 1970s brought a new generation of stellar bands like Le Sahel, Orchestre Laye Thiam, Number One de Dakar, Orchestra Baobab, Dieuf Dieul de Thies, Xalam 1 who fused traditional Senegalese percussion instruments such Sabra, Tama and Bougarabou with organs and keyboards, giving birth to new hybrids. Merging the folkloric and the experimental, these sounds, embraced by the youth, took centre stage and gave the previously dominant Cuban music a run for its money.

With this burst of musical and artistic creativity, driven predominantly by the modern vision of President Senghor, Dakar began attracting international stars. The Jackson Five, James Brown, Tabou Combo (Haiti), Celia Cruz (Cuba) and an array of African stars like Tabu Ley Rochereau (Congo), Manu Dibango (Cameroon) and Bembeya Jazz (Guinée) joined in with the local scene, improvising jam sessions and bringing new flavours to a music scene that was always open to new inspirations and influences. Johnny Pacheco immortalised his passion for the city with a song called “Dakar, Punto Final”.

4 years in the making, this compilation, reflects the unique fusion of Funk, Mbalax, Cuban Son and Mandingue sounds that helped transform Dakar into West Africa´s most vibrant city. 

The comprehensive booklet that comes with the CD - 44 pages or with the 2xLP - 12 pages LP size booklet - are a precious document attesting to the decades of transformation that led to modern Senegalese music. Featuring biographies of music producers and a legendary record cover designer, as well as the life stories of all the groups represented here, the booklet also includes a fantastic selection of photos that have never seen before.


Mariama - Orchestre Fangóól (Leave a comment for Max Dia  - Singer/Composer - I will forward)

GooMar viva la muerte beats hip hop instrumental new 2016 tour de manège 

GooMar - Viva La Muerte

We are so excited to present to your our next release! ☀️
Kalima - (Where Is The) Sunshine on 7"
Release date : June 6th
Pre-order yours on Bandcamp: https://chuwanaga.bandcamp.com/album/where-is-the-sunshine

For its third release, Chuwanaga goes back to the past with the reissue of “(Where Is The) Sunshine” by Kalima, a really rare 7” originally released in 1981 and produced in Baltimore (Maryland) by African-American pianist and producer Derrick Amin. Part I on the A side and part II on the B side form a real journey, a beauty in its own style fusing jazz, soul and spirituality as well as political values.

Back in the mid seventies Derrick Amin brought together young and talented musicians from his African-American Muslim community in Baltimore. He tells us: “all black music in America is a response to racism and slavery” and “(Where Is The) Sunshine” was their own answer, “a plaintiff query of one immerse in darkness. The darkness of lies, lies that deny the humanity, justice, and equality of people. It’s the impetus of this song”. He adds: “Kalima means « Word » or « Langage » in Arabic. The name was inspired by a quote from Imam W.D. Mohammad (the late Muslim American leader and erstwhile successor to Nation of Islam founder, Elijah Muhammad) who once said: “Words make people””.

With its splendid vocal parts - thanks to lead vocalist Sabreen Shareef, a unique major-to-minor chord progression, subtil synthetiser melodies in the chorus and amazing electric piano and sax solos, it really is a very special release. It’s been discovered in a @Motor Motor City Drum Ensemble jazz set with Gilles Peterson at the JAW Family Reunion in Berlin back in 2016 where he played it as the closing track of a wonderful musical journey through black music – which was the right occasion for a classic Gilles rewind and the occasion of a shared epiphany. Still, one must not forget its yet poetic still political message now shared once again with the world. The question asked by Kalima sadly still remains as relevant in 2018: Where is the sunshine ?

Don't miss!

Kalima - (Where Is The) Sunshine Pt. I SNIPPET

iTunes

Workin All The Time

Hey Mr. J

13 H20 {w Cyril Neville}

Excited to announce my work on The Outlaw Ocean Music Project, an innovative collaboration that melds music with journalism.

I’ve enjoyed being a part of this project with Ian Urbina

My release “The Last Untamed Frontier" inspired by his book
“The Outlaw Ocean” is out now everywhere:
- www.theoutlawoceanmusic.com
- rogermolls.bandcamp.com/album/the-last-untamed-frontier-inspired-from-the-book-the-outlaw-ocean-by-ian-urbina

The Last Untamed Frontier

Adelaide 's Voyage

Jaydee "Payback" Maceo Plex remix preview

<b>128kps mp3 stream for preview purposes only. Please support independent music!</b>

Wonderwheel Recordings is proud to present Karimba Diabolic Remixed, a brand new remix album from the Peruvian future roots collective Novalima.  Founded by four friends from Lima with a shared passion for both traditional Afro-Peruvian music and modern DJ culture, Novalima searches for the common ground between past and future, between tradition and innovation. Being one of their home countries hottest exports, (where they have gone platinum) their efforts have a helped bridge the divide between the Peruvian mainstream and the Afro-Peruvian community, a minority population that has struggled against discrimination and the threat of cultural dissolution for generations. Outside of Peru, Novalima has garnered critical acclaim from mainstream and underground media alike, a Latin Grammy nomination for Best Alternative Album, and a featured spot in cult filmmaker Robert Rodriguez’s hit Mexploitation movie Machete. 

Here on Karimba Diabolic Remixed, Novalima has hand selected some of their favorite remixers to re-interpret last year’s Karimba album to their own vision. The choice of remixers also reflects Novalima’s global appeal in the Latin diaspora worldwide. The UK is represented with well known West London producer Seiji’s heavy synth-based four-to-the-floor reworking of “Mamaye”, and UK / Brazilian supergroup Da Lata giving us a rootsy swinging version of “Malivio Son”.  As it’s recently become a hotbed of Latin infused dance music and culture, California is heavily represented with remixes from KCRW / AfroFunke DJ and Los Angeles mainstay Jeremy Sole fleshes out “Macaco” into a smooth call and response affair. SF based Acid Jazz legend DJ Smash delivers a squelchy, bouncy version of “Diablo”, while Bay Area veteran band Afrolicious freaks “Zarambe” into a dancefloor joint equally influenced by house music and Fela Kuti. LA/NYC DJ Sabo reinterprets “Diablo” with his signature deep and dirty Moombahton style, while Thievery Corporation’s Rob Garza takes “Festejo” into swirling, psychedelic house vibe. NYC DJ producer and Wonderwheel label head Nickodemus takes “Mamaye” into bass and percussion heavy dancefloor territory, while Novalima affiliated DJ collective Coba Soundsystem deliver varied takes on “Festejo” and “Malivio Son”. Also included are remixes from Barcelona’s AndyLoop and Los Chicos Altos and deep house producer Xacosa. As an added bonus, the album contains one brand new, unreleased Novalima tracks – “Payande”.


Karimba Diabolic Remixes

Macaco (Jeremy Sole Remix)

Our new album ‘Reachin’ Up’ is OUT NOW! Listen here 👇
https://fanlink.to/reachinup

Let’s take this thing it higher. 

Anyone familiar with the Pimps of Joytime live experience knows the feeling—it’s that moment when a deep bluesy groove morphs into a full-on EDM explosion, or the sensation when the wide-eyed audience collectively elevates in sync with the band’s irresistible energy.

On Jukestone Paradise, the Pimps of Joytime raise the bar with swagger to spare, crafting ten cohesive songs that ring out like the soundtrack for a ride through the diverse Brooklyn neighborhood where their sound materialized.  Pulling from lead guitarist and singer Brian J’s deep discography of influences, the creation of Jukestone Paradise began a decade ago, when he penned anthems like “Sky” and “Freedom Dancer,” all the way up to the album’s studio recording sessions.

You might accurately call the Pimps of Joytime a ‘post-genre’ band; they’re a group whose sound—even within a single song—mirrors the diversity of our era’s musical tastes. “It’s a sonic tapestry that’s representative of this time and place that we live in,” says Brian J. 

That’s where the Pimps excel, by mashing up ‘70s funk tones with modern dance beats, mixed with original samples creating their mosaic sound. For listeners weary of today’s DJ culture but eager to dance with abandon, the Pimps of Joytime are the antidote. 

“At our core, the Pimps of Joytime are not just dance music,” says Brian J of the band’s three-part harmony attack. “My first vocal mentor was a doo-wop singer, so I have a long-time love affair with vocal harmonies.”

With the release of Jukestone Paradise, the band makes official their solid touring lineup, featuring dual female vocalists and percussionists Mayteana Morales and Cole WilliamsX. And they’re hitting the road hard, continuing a constant touring schedule that’s already left prominent sets at festivals like Voodoo, Outside Lands, Bonnaroo and High Sierra in their wake.

Behind the frontlines are bassist/keyboardist David Bailis and drummer John Staten, forming the rhythmic backbone of the Pimps’ audible collage. And for Jukestone Paradise, they called in a few friends to lend their talents, including Ivan Neville, who lends New Orleans flavor to “Sky,” and Rubblebucket’s Alex Toth, who co-wrote the quirky and infectious “Dance Cardia.” 

Just as Brooklyn has changed since the Pimps started, so has the band’s sound. But as Williamsburg gentrifies, the Pimps of Joytime’s diverse evolution keeps the neighborhood’s spirit alive. That spirit goes into the Pimps’ pot, over a soulful roux of rhythm and groove.

Hey Mr. J

Pimps of Joytime

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