Nice bits

Mavis Staples With the North Mississippi All-Stars - I've Been Buked

An accomplished juggler when it comes to play with styles, capable to invent modern structures, Nicola got us used to his ability to blend harmonically different musical worlds and create cooperation between great musicians. Deepness is the added value of his new album, something in between consciousness and spirituality. Nothing to share with futile trends, this record is a result of an urgent need to research in the depth of the soul and his musical influences.

The album features the talents of José James, Marvin Parks, Heidi Vogel, Melanie Charles, Tasha’s World and Bridgette Amofah, accompanied by a team of incredible jazzmen like Teppo Makynen, Magnus Lindgren, Greg Osby, Timo Lassy, Francesco Lento, Logan Richardson and Fabrizio Bosso.

Nicola Conte feat. Melanie Charles - Amhad's Blues

Gerardo Frisina has established himself throughout the years as one of the finest interpreters of the Latin-influenced Jazz club sound. Four years after the release of “Join the Dance”, he returns on Schema with a brand new album, “Movement”.

Gerardoʼs contribution to the history of Italian Jazz is remarkable: along with his activity as a producer, his work has been pivotal in uncovering rare Italian and European Jazz for international audiences, thus reviving this rich heritage. The studio is where he feels at home: his recent activity has been considerable, with a multitude of projects and single releases, and finally, a new album. Like a gifted movie director, he conducts with delicacy and mastery a fine ensemble of musicians, bringing into these recordings the outcome of lifelong research into sound. His fifth full-length album summarizes his experiences, his endless listening sessions and experiments with different music cultures.

Here are 12 pieces describing another amazing journey through Gerardoʼs rich and exotic influences: these are the adventures of a European Jazz man immersed in Afro-Cuban inspirations. Gerardoʼs love for Cuban music is well- known. Jazz had been influenced by Cuban music since its early days and Gerardoʼs blend of this tradition has become a trademark. His fans will not be disappointed by “Movement” and the uninitiated will discover the manifold nuances of his sound.

Tracklist available here: http://bit.ly/1sHMimC

Gerardo Frisina - Movement - Album Preview

South Sea Island Magic

GooMar viva la muerte beats hip hop instrumental new 2016 tour de manège 

GooMar - Viva La Muerte

27-25 Blues

Tour De Manège : Spécial Weed

Mounika. - Mango

iTunes

Workin All The Time

Hey Mr. J

13 H20 {w Cyril Neville}

Merry-Go-Round

Jaydee "Payback" Maceo Plex remix preview

<b>128kps mp3 stream for preview purposes only. Please support independent music!</b>

Wonderwheel Recordings is proud to present Karimba Diabolic Remixed, a brand new remix album from the Peruvian future roots collective Novalima.  Founded by four friends from Lima with a shared passion for both traditional Afro-Peruvian music and modern DJ culture, Novalima searches for the common ground between past and future, between tradition and innovation. Being one of their home countries hottest exports, (where they have gone platinum) their efforts have a helped bridge the divide between the Peruvian mainstream and the Afro-Peruvian community, a minority population that has struggled against discrimination and the threat of cultural dissolution for generations. Outside of Peru, Novalima has garnered critical acclaim from mainstream and underground media alike, a Latin Grammy nomination for Best Alternative Album, and a featured spot in cult filmmaker Robert Rodriguez’s hit Mexploitation movie Machete. 

Here on Karimba Diabolic Remixed, Novalima has hand selected some of their favorite remixers to re-interpret last year’s Karimba album to their own vision. The choice of remixers also reflects Novalima’s global appeal in the Latin diaspora worldwide. The UK is represented with well known West London producer Seiji’s heavy synth-based four-to-the-floor reworking of “Mamaye”, and UK / Brazilian supergroup Da Lata giving us a rootsy swinging version of “Malivio Son”.  As it’s recently become a hotbed of Latin infused dance music and culture, California is heavily represented with remixes from KCRW / AfroFunke DJ and Los Angeles mainstay Jeremy Sole fleshes out “Macaco” into a smooth call and response affair. SF based Acid Jazz legend DJ Smash delivers a squelchy, bouncy version of “Diablo”, while Bay Area veteran band Afrolicious freaks “Zarambe” into a dancefloor joint equally influenced by house music and Fela Kuti. LA/NYC DJ Sabo reinterprets “Diablo” with his signature deep and dirty Moombahton style, while Thievery Corporation’s Rob Garza takes “Festejo” into swirling, psychedelic house vibe. NYC DJ producer and Wonderwheel label head Nickodemus takes “Mamaye” into bass and percussion heavy dancefloor territory, while Novalima affiliated DJ collective Coba Soundsystem deliver varied takes on “Festejo” and “Malivio Son”. Also included are remixes from Barcelona’s AndyLoop and Los Chicos Altos and deep house producer Xacosa. As an added bonus, the album contains one brand new, unreleased Novalima tracks – “Payande”.


Karimba Diabolic Remixes

Macaco (Jeremy Sole Remix)

Our new album ‘Reachin’ Up’ is OUT NOW! Listen here 👇
https://fanlink.to/reachinup

Let’s take this thing it higher. 

Anyone familiar with the Pimps of Joytime live experience knows the feeling—it’s that moment when a deep bluesy groove morphs into a full-on EDM explosion, or the sensation when the wide-eyed audience collectively elevates in sync with the band’s irresistible energy.

On Jukestone Paradise, the Pimps of Joytime raise the bar with swagger to spare, crafting ten cohesive songs that ring out like the soundtrack for a ride through the diverse Brooklyn neighborhood where their sound materialized.  Pulling from lead guitarist and singer Brian J’s deep discography of influences, the creation of Jukestone Paradise began a decade ago, when he penned anthems like “Sky” and “Freedom Dancer,” all the way up to the album’s studio recording sessions.

You might accurately call the Pimps of Joytime a ‘post-genre’ band; they’re a group whose sound—even within a single song—mirrors the diversity of our era’s musical tastes. “It’s a sonic tapestry that’s representative of this time and place that we live in,” says Brian J. 

That’s where the Pimps excel, by mashing up ‘70s funk tones with modern dance beats, mixed with original samples creating their mosaic sound. For listeners weary of today’s DJ culture but eager to dance with abandon, the Pimps of Joytime are the antidote. 

“At our core, the Pimps of Joytime are not just dance music,” says Brian J of the band’s three-part harmony attack. “My first vocal mentor was a doo-wop singer, so I have a long-time love affair with vocal harmonies.”

With the release of Jukestone Paradise, the band makes official their solid touring lineup, featuring dual female vocalists and percussionists Mayteana Morales and Cole WilliamsX. And they’re hitting the road hard, continuing a constant touring schedule that’s already left prominent sets at festivals like Voodoo, Outside Lands, Bonnaroo and High Sierra in their wake.

Behind the frontlines are bassist/keyboardist David Bailis and drummer John Staten, forming the rhythmic backbone of the Pimps’ audible collage. And for Jukestone Paradise, they called in a few friends to lend their talents, including Ivan Neville, who lends New Orleans flavor to “Sky,” and Rubblebucket’s Alex Toth, who co-wrote the quirky and infectious “Dance Cardia.” 

Just as Brooklyn has changed since the Pimps started, so has the band’s sound. But as Williamsburg gentrifies, the Pimps of Joytime’s diverse evolution keeps the neighborhood’s spirit alive. That spirit goes into the Pimps’ pot, over a soulful roux of rhythm and groove.

Hey Mr. J

Pimps of Joytime

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