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Funk Fixes & Remixes

Street Sound (Remix By Nikodemus)

Intro By DJ Emskee

My Gold (Remix By Chico Mann)

Gosalo

Bonita (Remix By DJ Vadim)

Cabin / Reason

Reason

'Blame It All On Love', released 20 October 2023 on Counter Records: https://poolside.lnk.to/biaolSo

Rainy Daze – White Cliffs Remix

Who By Fire (feat. Beth Orton)

We are so excited to present to your our next release! ☀️
Kalima - (Where Is The) Sunshine on 7"
Release date : June 6th
Pre-order yours on Bandcamp: https://chuwanaga.bandcamp.com/album/where-is-the-sunshine

For its third release, Chuwanaga goes back to the past with the reissue of “(Where Is The) Sunshine” by Kalima, a really rare 7” originally released in 1981 and produced in Baltimore (Maryland) by African-American pianist and producer Derrick Amin. Part I on the A side and part II on the B side form a real journey, a beauty in its own style fusing jazz, soul and spirituality as well as political values.

Back in the mid seventies Derrick Amin brought together young and talented musicians from his African-American Muslim community in Baltimore. He tells us: “all black music in America is a response to racism and slavery” and “(Where Is The) Sunshine” was their own answer, “a plaintiff query of one immerse in darkness. The darkness of lies, lies that deny the humanity, justice, and equality of people. It’s the impetus of this song”. He adds: “Kalima means « Word » or « Langage » in Arabic. The name was inspired by a quote from Imam W.D. Mohammad (the late Muslim American leader and erstwhile successor to Nation of Islam founder, Elijah Muhammad) who once said: “Words make people””.

With its splendid vocal parts - thanks to lead vocalist Sabreen Shareef, a unique major-to-minor chord progression, subtil synthetiser melodies in the chorus and amazing electric piano and sax solos, it really is a very special release. It’s been discovered in a @Motor Motor City Drum Ensemble jazz set with Gilles Peterson at the JAW Family Reunion in Berlin back in 2016 where he played it as the closing track of a wonderful musical journey through black music – which was the right occasion for a classic Gilles rewind and the occasion of a shared epiphany. Still, one must not forget its yet poetic still political message now shared once again with the world. The question asked by Kalima sadly still remains as relevant in 2018: Where is the sunshine ?

Don't miss!

Kalima - (Where Is The) Sunshine Pt. I SNIPPET

Timmion Records
dapt.one/CarltonJumelSmith

Carlton Jumel Smith - This Is What Love Looks Like!

Have We Met

Kinda Dark

➞ The Mosaics by Moderator ∶ https://bit.ly/35uN63c
➞ Order vinyl 12" ∶ https://bit.ly/35vQBqe
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➞ Our Spotify playlist ∶ https://spoti.fi/2BaBKEh

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Release date ∶ December 15, 2019

A Beats & Culture series

All Tracks Produced, Arranged and Mixed by Moderator
https://moderator.fanlink.to/mod

Artwork & Design by Jola818
https://www.instagram.com/jola818

Mastered by Blanka at Kasablanka Studio
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Executive Producers ∶ Basilis Foteinos & Andreas Pallidis

In memory of our friend Antoine Manesse (DLoaw & Co.)

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Melting Records © 2019 
Contact us ∶ info[at]meltingrecords.com

The Mosaics

Africa's Calling

ORDER The Mosaics

Moderator - Africa's Calling

In Search of the Lost City of the Monkey God

Downriver

Our new album ‘Reachin’ Up’ is OUT NOW! Listen here 👇
https://fanlink.to/reachinup

Let’s take this thing it higher. 

Anyone familiar with the Pimps of Joytime live experience knows the feeling—it’s that moment when a deep bluesy groove morphs into a full-on EDM explosion, or the sensation when the wide-eyed audience collectively elevates in sync with the band’s irresistible energy.

On Jukestone Paradise, the Pimps of Joytime raise the bar with swagger to spare, crafting ten cohesive songs that ring out like the soundtrack for a ride through the diverse Brooklyn neighborhood where their sound materialized.  Pulling from lead guitarist and singer Brian J’s deep discography of influences, the creation of Jukestone Paradise began a decade ago, when he penned anthems like “Sky” and “Freedom Dancer,” all the way up to the album’s studio recording sessions.

You might accurately call the Pimps of Joytime a ‘post-genre’ band; they’re a group whose sound—even within a single song—mirrors the diversity of our era’s musical tastes. “It’s a sonic tapestry that’s representative of this time and place that we live in,” says Brian J. 

That’s where the Pimps excel, by mashing up ‘70s funk tones with modern dance beats, mixed with original samples creating their mosaic sound. For listeners weary of today’s DJ culture but eager to dance with abandon, the Pimps of Joytime are the antidote. 

“At our core, the Pimps of Joytime are not just dance music,” says Brian J of the band’s three-part harmony attack. “My first vocal mentor was a doo-wop singer, so I have a long-time love affair with vocal harmonies.”

With the release of Jukestone Paradise, the band makes official their solid touring lineup, featuring dual female vocalists and percussionists Mayteana Morales and Cole WilliamsX. And they’re hitting the road hard, continuing a constant touring schedule that’s already left prominent sets at festivals like Voodoo, Outside Lands, Bonnaroo and High Sierra in their wake.

Behind the frontlines are bassist/keyboardist David Bailis and drummer John Staten, forming the rhythmic backbone of the Pimps’ audible collage. And for Jukestone Paradise, they called in a few friends to lend their talents, including Ivan Neville, who lends New Orleans flavor to “Sky,” and Rubblebucket’s Alex Toth, who co-wrote the quirky and infectious “Dance Cardia.” 

Just as Brooklyn has changed since the Pimps started, so has the band’s sound. But as Williamsburg gentrifies, the Pimps of Joytime’s diverse evolution keeps the neighborhood’s spirit alive. That spirit goes into the Pimps’ pot, over a soulful roux of rhythm and groove.

Intro By DJ Emskee

Pimps of Joytime

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