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San Francisco Bound (Remix By DJ OBaH)

This is us masquerading as Randy maverick. We still live in hope that Tom Jones will do a cover :/

Randy Maverick - Pure Love

The New Mastersounds - Hey Fela!

We're stoked with our new record. We wanted to channel the energy of French disco on “Can’t Fight The Feeling”, pairing crisp bass-lines and airy synths with Alison Fontaine’s effortlessly cool vocal. The result is a glossy, feel-good anthem that nods to Daft Punk and Pharrell while carving out its own space on today’s dancefloor. Drop us a comment and heart if you like it as much as we do.

Can't Fight The Feeling

Summer Died

MOONBEAMS & CHOCOLATE

VANT NIELSEN - MOONBEAMS & CHOCOLATE (Instrumental Version )

Manuel Bundy remix of OMD album track. Also featured on Sugarlicks vinyl - Ultrasound Part One EP.

Energy State

Sugarcd005

One Million Dollars - Get Off (Manuel Bundy remix)

KOI may not be the fastest fish in his pond, but when it comes to music, he definitely is the biggest and he had to do something about it. He had to transcend the shores, he had to find a better future. And the means for that are his beats ranging from electro to dubstep, empowered by strong vocals coming all the way from the States and Sweden. Koi stands tall and firm over his tools, while dropping his beats heavily on the dancefloor, pointing to a place in the foreseeable future where colours are bright and melancholy is a thing of the past.

FULL ALBUM DOWNLOAD

Abur (with Raina Bee)

New Album Third Wall Chronicles drops March 24th on Sugar Road Records worldwide.

Third Wall Chronicles

Mud (feat. Ivan Neville)

Musical Style: Haunting Vocal Soul

Musical Influences: Marvin Gaye, Tony Joe White

Track Description: 

Eddie Roberts (guitarist and bandleader of The New Mastersounds/founder of Color Red) first met Lamar Williams Jr. at a benefit show in Denver, CO in early 2018 coordinated by Peter Levin (keyboardist in The Gregg Allman Band). They connected instantly, both musically and interpersonally and when The New Mastersounds passed through Atlanta 3 months later, Williams enthusiastically joined the quartet for 3 songs and cultivated seeds of a long-lasting musical relationship.

“Trouble” is a testament to this fortified musical bond. Recorded in November 2018, The New Mastersounds laid a silky pad rhythmic precision allowing Williams to float on top with his assured, yet demure vocals and John Macy’s hypnotic pedal steel lines. The group will be following up with a socially-charged video to be released at the end of the month. Collaborations like this epitomize Roberts’ vision when founding Color Red as a platform for musical compatriots to document all-original music.

“In general, the song inspiration came from how I think people perceive each other without giving love a chance for them to learn and lend their abilities to each unique situation,” Williams explains.

Produce by Eddie Roberts
Color Red

Tracking Engineers - Eddie Roberts, Mike Tallman & Dan Cohn
Color Red Studios

Mixing Engineer - Eddie Roberts
Color Red Studios

Mastering Engineer - Doug Krebs
Doug Krebs Mastering

Trouble

Color Red Music

Lamar Williams Jr & The New Mastersounds - 'Trouble' | Color Red Music

Come Out at Night

Lucas de Mulder & the New Mastersounds - "Come Out at Night" | Color Red Music

Our new album ‘Reachin’ Up’ is OUT NOW! Listen here 👇
https://fanlink.to/reachinup

Let’s take this thing it higher. 

Anyone familiar with the Pimps of Joytime live experience knows the feeling—it’s that moment when a deep bluesy groove morphs into a full-on EDM explosion, or the sensation when the wide-eyed audience collectively elevates in sync with the band’s irresistible energy.

On Jukestone Paradise, the Pimps of Joytime raise the bar with swagger to spare, crafting ten cohesive songs that ring out like the soundtrack for a ride through the diverse Brooklyn neighborhood where their sound materialized.  Pulling from lead guitarist and singer Brian J’s deep discography of influences, the creation of Jukestone Paradise began a decade ago, when he penned anthems like “Sky” and “Freedom Dancer,” all the way up to the album’s studio recording sessions.

You might accurately call the Pimps of Joytime a ‘post-genre’ band; they’re a group whose sound—even within a single song—mirrors the diversity of our era’s musical tastes. “It’s a sonic tapestry that’s representative of this time and place that we live in,” says Brian J. 

That’s where the Pimps excel, by mashing up ‘70s funk tones with modern dance beats, mixed with original samples creating their mosaic sound. For listeners weary of today’s DJ culture but eager to dance with abandon, the Pimps of Joytime are the antidote. 

“At our core, the Pimps of Joytime are not just dance music,” says Brian J of the band’s three-part harmony attack. “My first vocal mentor was a doo-wop singer, so I have a long-time love affair with vocal harmonies.”

With the release of Jukestone Paradise, the band makes official their solid touring lineup, featuring dual female vocalists and percussionists Mayteana Morales and Cole WilliamsX. And they’re hitting the road hard, continuing a constant touring schedule that’s already left prominent sets at festivals like Voodoo, Outside Lands, Bonnaroo and High Sierra in their wake.

Behind the frontlines are bassist/keyboardist David Bailis and drummer John Staten, forming the rhythmic backbone of the Pimps’ audible collage. And for Jukestone Paradise, they called in a few friends to lend their talents, including Ivan Neville, who lends New Orleans flavor to “Sky,” and Rubblebucket’s Alex Toth, who co-wrote the quirky and infectious “Dance Cardia.” 

Just as Brooklyn has changed since the Pimps started, so has the band’s sound. But as Williamsburg gentrifies, the Pimps of Joytime’s diverse evolution keeps the neighborhood’s spirit alive. That spirit goes into the Pimps’ pot, over a soulful roux of rhythm and groove.

San Francisco Bound (Remix By DJ OBaH)

Pimps of Joytime

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