The Pimps of Joytime

Hotel California by The Cat Empire

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Thas The Way We Do

Blues Wit You

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Janxta Funk! Pimps Of Joytime

Preview Track of the New Moon album, Out NOw on ClareMoNt 56!!!

Almunia - Kissing Time

In partnership with Teranga beat, the current leading label for Senegalese music, Analog Africa proudly offer an insight into the musical adventures that were taking place in the major Senegalese cities during the 60s and 70s. 

It all started in 2009 when Adamantios Kafetzis travelled from Greece to Senegal with a brand new tape machine that he used to digitise the musical treasures he had discovered in the city of Thiés. These treasures took the form of reel tapes, and had been recorded by sound engineer Moussa Diallo, who had spent the previous four decades immortalising, onto magnetic tape, the bands that would later perform in his club, the legendary Sangomar. 

300 Senegalese songs that nobody had ever heard before were discovered - Five of them were selected for this compilation. 

Thanks to its history of outside influences, Senegal – the western point of Africa - had become a musical melting pot.  
Cuban and American sailors had brought Son Montuno from Cuba, Jazz from New Orleans and American soul tunes: sounds that were swiftly embraced and adopted by urban dance bands and intuitively merged with local music styles.

One band in particular excelled at this fusion. 1960 marks the formation of Le Star Band de Dakar, a milestone that left an indelible imprint on Dakar’s musical landscape. Indeed, the whole country was soon grooving to their intoxicating mixture of Afro Cuban rhythms and Wolof-language lyrics. 

The 1970s brought a new generation of stellar bands like Le Sahel, Orchestre Laye Thiam, Number One de Dakar, Orchestra Baobab, Dieuf Dieul de Thies, Xalam 1 who fused traditional Senegalese percussion instruments such Sabra, Tama and Bougarabou with organs and keyboards, giving birth to new hybrids. Merging the folkloric and the experimental, these sounds, embraced by the youth, took centre stage and gave the previously dominant Cuban music a run for its money.

With this burst of musical and artistic creativity, driven predominantly by the modern vision of President Senghor, Dakar began attracting international stars. The Jackson Five, James Brown, Tabou Combo (Haiti), Celia Cruz (Cuba) and an array of African stars like Tabu Ley Rochereau (Congo), Manu Dibango (Cameroon) and Bembeya Jazz (Guinée) joined in with the local scene, improvising jam sessions and bringing new flavours to a music scene that was always open to new inspirations and influences. Johnny Pacheco immortalised his passion for the city with a song called “Dakar, Punto Final”.

4 years in the making, this compilation, reflects the unique fusion of Funk, Mbalax, Cuban Son and Mandingue sounds that helped transform Dakar into West Africa´s most vibrant city. 

The comprehensive booklet that comes with the CD - 44 pages or with the 2xLP - 12 pages LP size booklet - are a precious document attesting to the decades of transformation that led to modern Senegalese music. Featuring biographies of music producers and a legendary record cover designer, as well as the life stories of all the groups represented here, the booklet also includes a fantastic selection of photos that have never seen before.


Mariama - Orchestre Fangóól (Leave a comment for Max Dia  - Singer/Composer - I will forward)

This Love

Bobby Oroza - This Love, Pt. 1

Bonita - Pimps Of Joytime

Workin All The Time

➞ The Mosaics by Moderator ∶ https://bit.ly/35uN63c
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Release date ∶ December 15, 2019

A Beats & Culture series

All Tracks Produced, Arranged and Mixed by Moderator
https://moderator.fanlink.to/mod

Artwork & Design by Jola818
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Mastered by Blanka at Kasablanka Studio
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Executive Producers ∶ Basilis Foteinos & Andreas Pallidis

In memory of our friend Antoine Manesse (DLoaw & Co.)

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Melting Records © 2019 
Contact us ∶ info[at]meltingrecords.com

The Mosaics

Africa's Calling

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Moderator - Africa's Calling

Composed of Paul Simon, Rosemary Clooney,  Classical Guitar, Djembe, Maracas, 
Akia XR20, and microKORG.

50 Ways to Leave Your Lover - Paul Simon and Rosemary Clooney conceived by  C.love

WHAT A DAY! - or maybe what a YEAR??? 
🙌🙌🙌🙌🙌🙌🙌
https://s1x-music.fanlink.to/whataday

Fab Beat got u at the end of the year an motivating instrumental beat that lifts up your soul and gonna make you forget all the troubles of 2020. 
Fab Beat produced some high quality motown sounds with dope hip-hop flavour and delicious guitar chords and soul vocal chops! 
Enjoy this beautiul production while you do sport- take a walk in the nature - go or come home from work - or just whenever the sun is shining in ur face! Life is Fab! #onelove

Producer Info:
Fab Beat is a talented music-producer from the south of Germany. 
His music is unique and he loves to combine different
styles and genres from all around the world to create new beautiful sounds and songs. 
Fab Beat takes you with his music on a journey and provides you wonderful instrumentals & lovely collaborations with upcoming international vocal artists. Enjoy!

Fab Beat is knowen for his creative and lovely projects. His beats and international productions are unique. 
Therefore he is  is travelling around the world, always looking for talented artists he can produce, support or connect. 

Guitar: Maris Botzenhart

fab.b.beatz@gmail.com	
https://web.facebook.com/fab.beat.official/?_rdc=1&_rdr	
https://soundcloud.com/fab-beat-official	
https://s1x-music.bandcamp.com/	
https://www.instagram.com/fab_beat/	
https://open.spotify.com/artist/4J9EaXhlfJgEEVaN4hPkE6?si=39D7_WZTSKqTVzUX2mDVEw	
https://itunes.apple.com/lu/artist/fab-beat/1258818958

WHAT A DAY!

Fab Beat - What A Day!

01 - Cy

« Soulectronic »

Our new album ‘Reachin’ Up’ is OUT NOW! Listen here 👇
https://fanlink.to/reachinup

Let’s take this thing it higher. 

Anyone familiar with the Pimps of Joytime live experience knows the feeling—it’s that moment when a deep bluesy groove morphs into a full-on EDM explosion, or the sensation when the wide-eyed audience collectively elevates in sync with the band’s irresistible energy.

On Jukestone Paradise, the Pimps of Joytime raise the bar with swagger to spare, crafting ten cohesive songs that ring out like the soundtrack for a ride through the diverse Brooklyn neighborhood where their sound materialized.  Pulling from lead guitarist and singer Brian J’s deep discography of influences, the creation of Jukestone Paradise began a decade ago, when he penned anthems like “Sky” and “Freedom Dancer,” all the way up to the album’s studio recording sessions.

You might accurately call the Pimps of Joytime a ‘post-genre’ band; they’re a group whose sound—even within a single song—mirrors the diversity of our era’s musical tastes. “It’s a sonic tapestry that’s representative of this time and place that we live in,” says Brian J. 

That’s where the Pimps excel, by mashing up ‘70s funk tones with modern dance beats, mixed with original samples creating their mosaic sound. For listeners weary of today’s DJ culture but eager to dance with abandon, the Pimps of Joytime are the antidote. 

“At our core, the Pimps of Joytime are not just dance music,” says Brian J of the band’s three-part harmony attack. “My first vocal mentor was a doo-wop singer, so I have a long-time love affair with vocal harmonies.”

With the release of Jukestone Paradise, the band makes official their solid touring lineup, featuring dual female vocalists and percussionists Mayteana Morales and Cole WilliamsX. And they’re hitting the road hard, continuing a constant touring schedule that’s already left prominent sets at festivals like Voodoo, Outside Lands, Bonnaroo and High Sierra in their wake.

Behind the frontlines are bassist/keyboardist David Bailis and drummer John Staten, forming the rhythmic backbone of the Pimps’ audible collage. And for Jukestone Paradise, they called in a few friends to lend their talents, including Ivan Neville, who lends New Orleans flavor to “Sky,” and Rubblebucket’s Alex Toth, who co-wrote the quirky and infectious “Dance Cardia.” 

Just as Brooklyn has changed since the Pimps started, so has the band’s sound. But as Williamsburg gentrifies, the Pimps of Joytime’s diverse evolution keeps the neighborhood’s spirit alive. That spirit goes into the Pimps’ pot, over a soulful roux of rhythm and groove.

Thas The Way We Do

Pimps of Joytime

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