sounds like the jesus and mary chain. so cool!

new single from new Dick Diver album Melbourne Florida. Album will be released on vinyl, CD and digital by Chapter Music on March 6, 2015 for Australia, New Zealand and Japan.

Pre-order Melbourne, Florida and get Waste The Alphabet via

itunes.apple.com/au/album/melbour…rida/id947586646
http://chaptermusic.com/store/dick-diver/melbourne-florida/
chaptermusic.bandcamp.com/album/melbourne-florida

Listeners outside Aus, NZ & Japan head to troubleinmindrecs.com/ for your copy.

www.facebook.com/dickdiverband
www.twitter.com/dick_diver

Buy from Chapter

Dick Diver - Tearing The Posters Down

Bleeding through (sped up)

New CD single «Your Boyfriend's Girlfriend» out on April, 8th.
Pre-order available at: palespectres.bandcamp.com/album/your-boyfriends-girlfriend


Your Boyfriend's Girlfriend

Deep One Perfect Morning

'Let's Talk About Me' is the debut single from Brighton/London/York trio Johnny Kills.

Produced by Alex Greaves at The Nave studio in Leeds.

Mastered by Pete Maher

Let's Talk About Me

taken from the upcoming album Singularity. Watch the video

https://youtu.be/Fd5zpfl3IoI

Singularity

The Cure

Taken from the album, Stains on Silence, out 15th June on Tough Love. Pre-order here - smarturl.it/StainsOnSilence

Formats:
LP - black vinyl, with cream sleeve
LPX - orange vinyl, with black sleeve (indie stores-only - 300 copies)
LPXX - ultra clear vinyl, with black sleeve, poster and hand-numbered (Bandcamp only - 200 copies)
CD & digital

Biog

It stands to reason that many vital albums come critically close to never being made. The eight-track upshot of doubt, upheaval and financial strain, Stains on Silence by Girls Names is one such release.

Following 2015’s blitzing Arms Around a Vision, and the parting of drummer Gib Cassidy just over a year later, the Belfast band suddenly found themselves facing down a looming void. “There was a finished – and then aborted – mix of the album, which was shelved for six months,” reveals Girls Names frontman Cathal Cully. “We then took a break from all music and went back to full-time work. We chilled out from the stress of rushing the record and not being happy with it, as well as being skint with no impending touring on the cards and constantly having to worry about rent.”

The stumbling blocks that proved a strain became the album’s defining breakthrough. Recorded in various locations including Belfast’s Start Together Studio with Ben McAuley, Cully’s home and the band’s practice space, spontaneous creation, cut-up techniques and self-editing took centre-stage for the first time. "We started tearing the material apart and rebuilding, re-editing and re-recording different parts in my home in early Autumn last year,” says Cully. “When we got them to a place we were happier with we went back into Start Together Studio with Ben McAuley to finalise the mixes to what they are now."

Where AAAV proved a brazen statement of intent, Stains on Silence bounds forth as its feature-length comedown. What could have seen the band buckle became an opportunity for approaching things tabula rasa. During its two-year transmutation, Cully, bassist Claire Miskimmin and guitarist Philip Quinn had a single aim for their fourth album: to make an old-fashioned record clocking in around 30 to 35 minutes in length that made the listener reach straight for repeat. From the Bang Bang bar-summoning swoon of opener '25’ and the submerged disco doom of ‘Haus Proud’ to the rapt, dub-leaning ‘Fragments of a Portrait’, Girls Names have excelled in their goal by forging an LP of synchronous nuance and defiance.

Marked by the presence of drum machines and programming throughout, these eight masterfully-woven tales are once again commandeered by founder Cully, whose words, understated yet defiant, mine purpose and meaning from the mire ("I want to bathe again, I want to swim again / In a pool of twisting bodies, blackened gold." — ‘25’). But while Stains on Silence came critically close to never being made, having lived with it, reconfigured it, and guided its metamorphosis from flickers of inspiration and half-formed schemes, it’s both a statement of pure perseverance, and a head-on confrontation with ambivalence that couldn’t be more assured. (Brian Coney, March 2018)

www.facebook.com/GirlsNames
twitter.com/Girls_Names
www.instagram.com/girls_names/
girlsnamesbelfast.bandcamp.com

Girls Names - The Impaled Mystique

'Energy' is the second song on The Willo/Energy 12" single by Toy. Limited to 500 copies -  200 will be on transparent vinyl available from the Tough Love official store, and 300 black vinyl will be available in indie stores from the 14th of September. Pre-order here -  http://smarturl.it/Toy12

The Willo/Energy 12" - MP3s

Toy - Energy

Lake Ruth was formed in 2015 by multi-instrumentalist Hewson Chen of The New Lines, drummer Matt Schulz (Holy Fuck, Enon, SAVAK) and vocalist Allison Brice (The Eighteenth Day of May, The Silver Abduction). Their expanded live line-up includes René Dennis (The New Lines), James Canty (The Make-up, Ted Leo & The Pharmacists), and David Mason (Listening Center).
 
Inspired by 1960's sonic experimentation, baroque psychedelia, library obscurities, vintage pop noir, Giallo soundtracks, kraut and jazz, Lake Ruth creates intriguing and unique music rich with multilayered instrumentation, propulsive rhythms and atmospheric vocals.

Following up two excellent albums and several singles, "Extended Leave" is their latest music and perhaps the sharpest, most incisive example of their deep, thought-provoking pop yet. Mysterious and melodic, both sides of this double-A side single ably demonstrate why Lake Ruth are one of the most interesting bands out there today. Part of the SLR30 Singles Series.

Extended Leave

Lake Ruth - Strange Interiors

For more info about the SLR30 Singles Series:
https://slumberlandrecords.com/slr30singles

Lake Ruth was formed in 2015 by multi-instrumentalist Hewson Chen of The New Lines, drummer Matt Schulz (Holy Fuck, Enon, SAVAK) and vocalist Allison Brice (The Eighteenth Day of May, The Silver Abduction). Their expanded live line-up includes René Dennis (The New Lines), James Canty (The Make-up, Ted Leo & The Pharmacists), and David Mason (Listening Center).
 
Inspired by 1960's sonic experimentation, baroque psychedelia, library obscurities, vintage pop noir, Giallo soundtracks, kraut and jazz, Lake Ruth creates intriguing and unique music rich with multilayered instrumentation, propulsive rhythms and atmospheric vocals.

Following up two excellent albums and several singles, "Extended Leave" is their latest music and perhaps the sharpest, most incisive example of their deep, thought-provoking pop yet. Mysterious and melodic, both sides of this double-A side single ably demonstrate why Lake Ruth are one of the most interesting bands out there today.

Lake Ruth - Extended Leave

Lunchbox's Tim Brown and Donna McKean have been making records in their Oakland, California basement for two decades, inspired by 1960s/70s AM-radio pop and TV show theme music, punk, C86, and mod à la the Creation and the Jam. From the sonically-inventive indiepop of "The Magic of Sound" (1999) to the dub-influenced psychedelia of "Evolver" (2001) to the critically-acclaimed bubblegum of "Lunchbox Loves You" (2013), the couple have established a sound all their own.

Their new album for Slumberland, "After School Special," finds them at the height of their powers of songcraft and performance. Donna's bass playing stakes out stylistic territory somewhere between Carol Kaye and John Entwhistle while Tim's guitar is equal parts 12-string jangle and clipped Orange Juice-esque funk. Horns by Gary Olson (Ladybug Transistor) and longtime collaborator Jeremy Goody drive the record from beginning to end. Evelyn Davis' delay-drenched keyboards combine with whispers of analog tape feedback to give the record an otherworldly vibe in keeping with its lyrical themes.

There, favorite seasons (autumn) and animals (cats), appear alongside love and death, ghosts and reincarnation. From the shimmering opener "Dream Parade" to the horn-driven mod-pop of "Hide and Seek," the groovy sixties R&B vibe of "I Really Wanna Know" and the haunting male-female vocal stylings of the  album-closing title track, the textures shift while the unity of artistic vision remains. Catchy as hell and beautifully packaged, "After School Special" is Lunchbox at their very best.

Deep One Perfect Morning

The Proper Ornaments

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