Looks and sounds a little bit like the little brother of John Talabot

Berlin-based vocalist and producer J. Wiltshire crafts his own enchanting brand of ambient, electro and breakbeat techno which has come through on releases for Hypercolour, Musar Recordings and Black Orpheus.

He's also one of the minds behind Super Hexagon, the Leeds-based label that was spawned out of the club night of the same name. Now their focus is firmly on releases, and since its inception four years ago it's been a platform for both J. Wiltshire and fellow co-founder Alma Construct to share their own music, as well as instalments from the likes of Aldrich, FFT and Lårry.

Following a return to Musar earlier this year with his Resa EP, he steps up for this week's Ransom Note mix, bringing a taste of the influences that steer his own production...

J. Wiltshire: The 'Ransom Note' Mix

Ransom Note is an online music, arts and culture magazine. We provide a home for readers and writers with boundless enthusiasm, esoteric knowledge, fierce opinions and impeccable taste.

With our core team immersed in all aspects of dance music, we publish news, articles, and interviews covering the greatest in innovative, underground culture from across the globe. We offer regular, exclusive music and mixtapes from our favourite artists, and publish features shining a light on everything from the freshest new artists to the untold tales from rave history.

Alongside this we offer musings on film, books, life, and art, generating some context and controversy as an antidote to the reheated PR that clogs up the internet. Our office is fuelled by Tunnock’s Bars, cat memes, hangovers and a ridiculous, never ending love for our culture.

We're always interested in getting new writers on board – feel free to get in touch if you’ve got a story to tell.

With love until the grave.

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