R$N Premieres: July 2016

DVRKINSLDE - raven armor ( ultra slowed )

sample : symmetry - tercian archive 

ib : https://soundcloud.com/user-12092007

dying

windmill | untitled project 001 sessions | ambient atmospheric psyche drone jungle horror WIP | skating 8 33 bpm take 1 82525

Spin, spin, spin, spinning, spin. Rotation, rotation, rotation. Dance, dance, dance. The wheel was in motion, the movement had begun and there was no turning back. It was perilous by nature, fascinating by design. A beautiful link, stunning, sublime. The world kept on moving, the dance was on, where it would land, who knew. 
Turbo are arguably one of the most prolific record labels to have emerged since the millenium. The output is vast, varied and emphatic. Up next is Autarkic who recently released on Disco Halal. He is remixed by none other than Red Axes.

PREMIERE: Autarkic - Rotation! Rotation! (Red Axes Remix)[Turbo]

A silence fell throughout the great tent. The lights darkened and a strange fear ushered its way through those who had gathered to watch. This was a cult, a celebration, a plan for the future. However, that did not mean that it did not strike fear into their very core, for it was supposed to, it was supposed to be unnerving. Abnormal, abhorrent, it was a thing of beauty. A large cry echoed throughout the space, it beckoned and bellowed against the walls of the tent. This was for my people. 
Deeply Cultured is a record label originating from the streets of London. Moda, based in Sweden provides their second release.

PREMIERE: Moda - 4 My People [Deeply Cultured]

Positive or negative, only time would tell. Life and death depended on the outcome but at present he remained calm, cool and collected. He had little choice. That plus or minus would determine the very course of his future, his existence, his soul. The hour would come, and soon he would know all. However, for now, he was happy to sit and wait, watching the wall, before an outcome was revealed. 
Flau is a record label of which you might be unfamiliar with. Based in Tokyo, Japan they have been operating since 2006 and have remained low key and under the radar of many. Mid June saw the release of 'Open Close Open' : a four track EP from Robert Lippok. And whilst we aren't in the habit of premiering music which is already out in the open, this seemed like a perfect opportunity to showcase something from the unknown.

PREMIERE: Robert Lippok - + [Flau]

The number six remains ever present, ever dark, ever monotonous. It was here now. With them. 
Ossia has remixed the work of Silver Waves on Howling Owl/ Portals Editions. He describes the process as follows. 
"All sounds, apart from the main hand-drum pattern, have been coaxed out of Silver Waves original recording, and skewed via an old Trident mixing desk, re-sampled & played / pitched / reversed / filtered / distorted and shot back through the Space-Echo, an old Copicat Delay + a few other bits and pieces. The track was made in two full days of aggressive meditation, with little sleep in between."

PREMIERE: Silver Waves - VI (Ossia Remix) [Howling Owl/ Portals Editions]

The tower loomed ominously from above. Grey brick and damp wood shrouded what lay inside its cavernous walls, you might never know of the true beuaty which existed beyond its prison. A room for babette was waiting somewhere within. It was enchanting, peaceful and still, almost as if part of some distant world. Not the world inhabited outside the brick of the tower.
Up next on Cosmic Pint Glass steps Toby Tobias. He unveils two tracks for the label accompanied by a Ptaki remix. The release follows a busy spell for the relatively new label who have previously released music from the likes of Ruf Dug and Tony G.

PREMIERE: Toby Tobias - A Room For Babette (Ptaki Remix)[Cosmic Pint Glass]

Pre-order 'Golden Times 1' on EP/DL here: http://phonofile.link/golden-times-1

Electronic producer Max Cooper and ambient master Tim Hecker rework Ben Lukas Boysen on his new EP 'Golden Times 1' – out on Erased Tapes, June 30th 2017.

Championed by many including BBC Radio DJ Mary Anne Hobbs as the standout track from his most recent album 'Spells', Boysen’s 'Golden Times 1' forms the very heart of his new EP with the same name. Boysen entrusted none other than Max Cooper and Tim Hecker to meticulously shape and lure the title track plus second single 'Nocturne 4' into two entirely separate territories, yet never drifting too far away from their original soundscapes. With 'Evensong' the composer himself contributes a previously unreleased piece. It is yet another example that Boysen is still opening new and unexplored doors in a bid to challenge the existing realm of contemporary music he is very much a part of.

Words from Ben and Max, May 2017:

“Spells was somewhat of a conceptual release for me, so the choice of the remixing artists and where the original material could be taken was very important. Max and Tim, both being role models for me ever since I began listening to their work and who delivered this incredible abstraction, I felt were spot on for this release and were dream candidates to work with. Their ability to re-direct and even re-invent the original material, partially subtle, and with an almost brutish sense of imagination, honors the originals deeply.” — Ben Lukas Boysen

“Ben has been one of my most listened to artists of the past year or so. His last two albums in particular, have meant a lot to me, and provided me with focus when I needed it. So I was excited to have a chance to remix his work. I felt like I couldn't improve on his idea, but what I could do was take what was the core for me, and expand it. It was just a matter of running with the feeling I got from his original, sticking with his melodic forms and original instrumentation, and letting the growing intensity continue along it's established path to the only possible end point of total annihilation in chaos and distortion. My version is almost a continuation of his original if it was allowed to blossom into percussive format, rather than a traditional remix.” — Max Cooper

The golden EP cover art was created by Torsten Posselt at FELD as an extension from the initial album artwork he also created for 'Spells'.

TRACK LISTING

1. Golden Times 1	
2. Evensong 
3. Golden Times 1 (Max Cooper Remix)
4. Nocturne 4 (Tim Hecker Remix)

Ben Lukas Boysen - Nocturne 4 (Tim Hecker Remix)

R Porter - Sint Laurenskerk

Exclusive track by Rime Trails taken from the upcoming album 'Sacred Groves' released through Shimmering Moods Records.

"Music for springtime in eight parts. Recorded between April and September, 2016, using various instruments, synthesizers, and a microphone that is now retired. A big thanks goes out to the many birds who were kind enough to lend their voices throughout, wherever they might be now."

Release Date: 9/03/18

Available as a white Limited Edition CD, Professionally manufactured high quality CDr's, limited to 50 copies. Handmade artwork, each hand numbered.
White editions handmade wallets with envelopes, small and large sizes. Photo's, transparent bag...

Pre order: 

www.shimmeringmoodsrecords.bandcamp.com/album/sacred-groves

Sacred Groves

Pre-order

Rime Trails - Sanctum III

Coming in mid September is an absolutely lovely, pastorally infused, first album from Enofa (Ross Baker), entitled, “Arboretum”. Ross had released a collaborative album with us a few years back under the name, Middlemarch. His partner on that “Wolf Hall” release, Dimitris Avramidis, also contributes to this new effort as well.

For Ross, nature, and the inspiration derived from walking among the trees in the park and nature preserve near his home, plays a large part in the overall tone of this one long beautiful track. Like the Arboreta, which are regularly crafted to contain a range of contrasting shapes and colours, which gives them a very unique look and atmosphere,  this wondrous soundscape of sorts, incorporating field recordings, moody guitars and synth, and electronic treatments perfectly reflects the calming and mysterious feel of the long and languid  glorious English days of the moment. Wind chimes…the crackle of leaves underfoot….the light, swirling wind in the treetops…the sun breaking through the clouds…put this album on and you will find yourself strolling there as well!

TRS078 will come in two very limited, physical versions. The first, deluxe handmade version comes in an edition of just 50 copies. Each of these comes in the form of a collaged, stamped and hand worked vintage art deco, tri-fold photo folder, w/original photograph. Within each are collaged, vintage arboreal prints, dried leaves, and other arboreal ephemera. Each folder is extensively hand artified, and comes strung with a stamped tag made from an antique British cigarette card. Each comes with an attached, stamped black envelope containing a factory pressed CD, held on with an obi strip.

There is also a hand made standard version of Arboretum in an edition of 50 copies. These come in hand worked and altered, black digipaks, also with factory pressed discs.

This release is also available physically at our website, or digitally and physically at our Bandcamp page here…and here…

http://timereleasedsound.com/

https://timereleasedsound.bandcamp.com/

Enofa..."Arboretum"  Track II

track 4 from “Autumn Sky” by @Eternell & endlesstrains

https://eternell.bandcamp.com/album/autumn-sky

Autumn Sky

Eternell & endlesstrains - Over the Mountains

Lapis Lazuli (Tomonari Nozaki / 2019)

Track title: I Caught A Glimps Of The Sea Trough The Leafy Boughs Of The Pines (excerpt)

Kim Myhr & Australian Art Orchestra announce new album due for release on April 17: Vesper 

Recorded live as part of the Melbourne International Jazz Festival in June 2018, 'Vesper' is guitarist/composer Kim Myhr’s collaboration with the world-renowned Australian Art Orchestra, led by Peter Knight. A long-form, immersive work consisting of three movements that add up to a combined running time of just under one hour, it further demonstrates Myhr’s masterly command of complex musical resources and extended duration. ‘Vesper’ - which means “evening” in classical Latin - also reunites Myhr with drummer and percussionist Tony Buck, of Australia’s legendary improv trio The Necks. Buck was one of the three guest drummers featured on Myhr’s acclaimed Hubro recording ‘You | me’, shortlisted for the 2018 Nordic Music Prize alongside Bjørk and Susanne Sundfør.

"I had been thinking for a while to do a night piece”, Kim Myhr says about the genesis of ‘Vesper'. "The music I’ve listened to the most, and which is perhaps the closest to me, is the music that I listen to in the hour before going to bed, when the tempo is a bit slower, and the expectations of the day are fading. Daniel Lanois talked about how they recorded Bob Dylan’s 'Oh Mercy' only in the night-time, because musicians tend to be more patient and relaxed then, and even play a few bpms slower. Although this is a nice idea, I was more focused on the music itself rather than the methodology. What interested me was the private spaces of night time, when the listener knows that nothing more will happen for the rest of the day. It’s an embracing and immersive space, where we can be at our most private and intimate.”

The music for ‘Vesper’ is embracing and immersive too, with an associative, dream-like quality that fits the night-time context to perfection. While each of the three movements could be said to follow its own internal logic and sense of development, capable of functioning as stand alone pieces if required, the overall span of the composition as a whole is suitably epic. The range of sounds is equally vast, from Kim Myhr’s own electric 12-string guitar with its special tunings, to the incredibly versatile resources of the ensemble - actually a septet for this date, but sounding far larger. Live instrumental parts for brass, woodwind, strings and percussion are complemented by re-processing from Joe Talia on Revox tape deck and electronics, with Peter Knight covering electronics and hammered dulcimer as well as trumpet. Combined with Tony Buck’s maelstrom of percussion, the overall effect is thrillingly intense, with each mounting climax coming close to a sensory overload, while quieter stretches can seem to roll by timelessly in a somnambulant haze.

Kim Myhr & Australian Art Orchestra: I Caught A Glimpse Of The Sea Through The... (Excerpt)

Ransom Note is an online music, arts and culture magazine. We provide a home for readers and writers with boundless enthusiasm, esoteric knowledge, fierce opinions and impeccable taste.

With our core team immersed in all aspects of dance music, we publish news, articles, and interviews covering the greatest in innovative, underground culture from across the globe. We offer regular, exclusive music and mixtapes from our favourite artists, and publish features shining a light on everything from the freshest new artists to the untold tales from rave history.

Alongside this we offer musings on film, books, life, and art, generating some context and controversy as an antidote to the reheated PR that clogs up the internet. Our office is fuelled by Tunnock’s Bars, cat memes, hangovers and a ridiculous, never ending love for our culture.

We're always interested in getting new writers on board – feel free to get in touch if you’ve got a story to tell.

With love until the grave.

PREMIERE: Robert Lippok - + [Flau]

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