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oh, i'd cross our worlds
i'd cross the seas
trade away all the things i own
to hold you in a dream

--------------
[hook] (2x)
i'm all right when you,
you're right here with me
the night is young and long,
but we are hunters

and you are home to me
you light the fire
--------------

and i'll ride with you
if you'll ride with me
the night is young and long,
but we are hunters

i. the monk and the fox spirit

call him mr raider
call him mr wrong
call him mr vain

call him mr raider
call him mr wrong
call him insane

he said: "I KNOW WHAT I WANT
AND I WANT IT NOW
I WANT YOU
'CAUSE I'M MR. VAIN"

SHOW ME THE WAY TO THE SCREEN /
COME BE THE SHOULDER I NEED /
TELL ME THE THINGS THAT I WANT
TO HEAR, TO FEEL LIKE I'M NOT
AS EMPTY AS I'VE BEEN TOLD /
BABY, EXCITE ME; I'M SURE
THE DAMAGE WON'T BE THAT BOLD /
I CAST 'THEM' OFF AS THEY'RE BROKEN.

so mr. silver lenticular, what'll it be?
i've got a hole in my pride
can you fill it for me?
hey, yeah, ms. superstar tinselfuck,
what do you say?
leave your man at the door
because i want you to play

he said: "I KNOW WHAT I WANT
AND I WANT IT NOW
I WANT YOU
'CAUSE I'M MR. VAIN"

o.g. @ https://www.youtube.com/watch?v=mfWb_60lhw0

onmyōji ([culture beat - mr vain] shitgaze cover)

(this is momentary
it's only just for now.)

Remix / preview of the upcoming album.

momentary (if only, just for a moment - derelict's remix)

stay and brave the night
searching for the light

[hook]
eyes on each wave and its weightless threats
oh, to loosen this heavy self from my mind x2

siaer / the shutter gate effect - satipatthana



satipatthana (instrumental mix)

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AIRSTRIP ONE. UNDATE, UNTIME.
i. 1623
J. ▓▓▓▓▓ - FORMER MEMBER, J.A.S.L.; PRESENT STATUS UNKNOWN.
the water’s on but no one’s breathing
a tired waltz of fluorescent hues
accompanied by wind and downy flake

the stones cracked, and the mortar crumbled;
and pillars flashed upon the grounds they stormed
with scarcely time enough to trace your pall
a final time

ii. and isn't it pretty?
W. ▓▓▓▓▓ - FORMER CLERK, RECDEP (MINITRUE); PRESENT STATUS UNKNOWN.
and, when the fires burned cold and the tenth sign crowed
the versifiers spoke from out their heart-stained throats
the lyres played to meter; every note rang fair
to part the silent, salt-stained air:

“under the trees,
I loved you and you loved me”
oh lord, and all the lies that i’ll tell
to keep myself from you

and, “under the trees,
i sold you and you sold me”
old love, all the lies that i’ll tell
to keep myself from you.

and isn't it pretty, this little mess we made?
befitting our parts in the stories we've told.

in dead of night

sixteen, twenty-three / and isn't it pretty?

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NEW YORK. 1834.
THE PROCESSION:
he brings love; he brings Love
now we are love; we are Love

He wore His black. cap. pilot cloth.
white. gloved. sword in bend.
said, "the kingdom is at hand
in albany."

He wore His gold. braid. sable ruff.
fitted with the chain and key.
of Abaddon. to burn the land
and dry out the seas.

R. MATTH▓▓▓S:
I CAST A LINE OFF THEIR SINKING SHIP.
THE HULL'S DESIGNER, BABY. YOU COULD ASK FOR IT BY NAME.
RIGGED AND FEATHERED UNDER SILICON SHROUDS--
SPUN TO SPREAD. BORN TO BREED. BUILT TO FADE.

THIS APPARATUS HAS A THIRST FOR THIRSTING.
THE MORNING COMES, WHEN THE MORNING COMES.
UNTIL THEN: "A LITTLE MORE BLOOD FOR A SECOND HARVEST."
A LITTLE MORE BLOOD
AND I'M HARD, HARD, HARD.

E. PIERSON:
every time, i think: "i couldn't possibly be taken any lower."
well, every surface here is rotten.
every pale veneer betrays nowhere to go.

THE PROCESSION:
he who marvels shall reign;
he who reigned shall rest.

E. P▓▓RSO▓:
the less there is of me,
the less there is of you,
the less there is for you.

(i just might make it.)

▓▓▓▓▓▓▓▓▓▓:
I HAVE BECOME
THE AGENT AND THE ANGEL
OF YOUR VIOLENT INSURRECTION
THE MASTER'S HOUSE
WITH THE MASTER'S OWN

CAPTIVATE AND ACTUATE THE BOLT FOR THE CULL
I AM THE TWELFTH SHOT DELIVERED AT THE EDGE OF YOUR TEMPLE

A HIT FOR YOUR FIX; SCRATCH THE ITCH IN YOUR SKULL
SYSTEM OVERWRITTEN AT THE ENTRANCE POLLS

g-23 paxilon hydrochlorate

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V.M. - "DUNSBORO. 1734.":
desecration exchanged under the table
you're my intravenous, intravenous drip
so stain me, baby, at the edge of aggression
asphyxiated by your antiseptic
ana-phylacti-claustrophobic grip

and it feels like you wouldn't believe:

you take me by the hand, stigmata by stiletto
you rend me ecstatic in twos
i'd run away, but my hands are tied
and i would die were i deprived of the touch of your glow

i can't pretend ▓▓▓
i'm indifferent to your love
to your taste
your devil's kiss
and to you

and now that i've been compromised
i'm taken by the way you move
crux decussata over bended knee
I found God and I choked, choked, choked

my heart is stupid, and my soul is sick, sick, sick

ersatz

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THE DREAMING. THE TEMPEST.
THE PRINCE OF STORIES (LVII - LXIX):
in dead of night, she chased me:
the spectre of "love" and her silver tongue.
but tides that rise will empty—
and, the breath of Love ebbs and falls.

it was the slip of dusk—
and your restless heart—
that sent and fed the lone gun
that preyed on our watch and ward.

(hmm)

we'll be the death of us.

so, desert me in the fray;
what a fine piece for the trade!
I won't assume your masquerade
over this nothing that remains.

so, go on.

CAN’T SLEEP. / YOUR EYES▓ / TELL ME EVERYTHING.
CROWS SPEAK. / PLUMBLINES. / YOUR EXCURSUS, OH.
COLD BLOOD. / ROTE LINES. / LOW FIDELITY
RATIONALIZED.

cynics wander and rove.

oh, and darling,
the way you're pulling me away.

at the walls (act i - the abdicant's hymn)

THE BARONY OF MEJIS. NIGHT.
R. DESCHAIN, GUNSLINGER:
we cannot tell, cannot s▓▓
where we are, where we are going
we can▓not tell, cannot s▓▓
where we are

and it's no surprise at all: they'll find me on your person

in the light of the red moon
hushed by the brush of the covert, in bloom
the rush of her touch and our quickening pulses
aflutter as we flew under cover
we retreated through the shelter of night, compelled by our heights to
unveil, to ignite, loose the cells of our senses.
and i tried to find the words to recite that'd describe every essence…
but my thoughts went missing.

see, she told me oaths were made to be broken
against the sounds of the laughter: Jove's mirth in the court of disaster
said, "the sentiments of poets and masters of the letter
are but tokens of the craft they've been taught to take after”

so words need not be spoken. if only for a moment. feel it stirring in your soul: the whirlwind.
it surges like the current at world's end. the breath to spark up Anahata's furnace;
to burn in divine purpose: that's Love.

from higher up, the ground threatens everything.
the circles on the stage hide away our surfaces, but
from higher up, the ground
exposes every card
reveals our every fault

if only, just for a moment

the shutter gate effect is the solo experimental music project of an anonymous Californian.

drawing upon a diverse array of influences--including hip-hop, IDM, minimal tech, noise, shoegaze, and industrial metal--the project is simultaneously an exploration and celebration of the painful and wonderful contradictions that make us human.

the shutter gate effect

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