Very energetic with fabulous guitar play ! So nice the song has many parts , never get bored . A Groovy fantastic tune !!

Daily Drops

PASACANA

(Free WAV Download available here under '••• More'; and eventually as part of my Foul Weather Friends album)

I bet I met Belial Pelegrim (https://soundcloud.com/belial-pelegrim, https://belialpelegrim.bandcamp.com/) within the first 3 months of discovering Soundcloud; and man did he set the bar high. If you have yet to encounter his music while exploring this community, I would be flabbergasted. He is most definitely located in the left ventricle of this great circle of friends. :)

One of the things I genuinely admire about him (besides being an off-the-scale musical genius) is his tremendously generous nature in supporting the people of this community. Back when the idea of collaborating scared the living shit out of me, he actually offered me the opportunity; we then made ‘Fog Drinker’ (that was back in August of 2017. Wow! Where has the time gone?)… and after that, I wasn’t so horrified by the idea of collabs any more. Frankly, you survive the wild ride that is a Belial collab, and you’re pretty much fully acclimatized to the idea. Haha.

And here we are, almost 7 years to the day… and I have the great privilege of hosting our 8th musical soundscape… and this thing is superb if I do say so myself. 

Honestly, everything I’ve created with this guy is awe-inspiring. Here's a link to the playlist so you can check them out when you’re done here (https://soundcloud.com/justin_mackay/sets/the-belial-pelegrim-grevusanjl). You’ll thank me for this. I promise. 

Oh, and while you're on his page, check out any one of his Taffeta series. A new chapter is released every weekend. Needless to say, it has been a massive stretch just to reach song 200 (of 266) this weekend. And it is a labor of love we can all benefit from. It truly boggles the mind.

In the meantime, we hope you enjoy, ‘Trading My Doomsday Clock For A Sundial’. :)

F.W. Friends

Trading My Doomsday Clock For A Sundial | Belial Pelegrim & GrevusAnjl

J.J. Terrell-- @j-j-terrell—JJ-- organ, electric piano, drums, bass, composition, and arrangement 
Llanpsych-- @llanpsych -- Tez – guitar
TexMex Shaman– @texmex-shaman –Stephen– guitar, production, mix, and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–ehru 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – lap steel

This ripe piece of funk started with JJ essentially composing it on the e. Piano, organ, drums, and bass. He had the Eclectic Collective in mind when he did so, though. JJ actually is playing his drum kit on this one, so funkily that we decided to keep his drums in there. That didn't leave a whole lot of room for Ken to get in on it, but he managed to add a really cool ehru part. The ehru is a two stringed asian violin with a distinct high percussive sound. JJ's bass line was so well played and solid, we decided to keep it in there, too, which also left Josh searching for a place in the mix. He decided to go last with the lap slide to anchor the foundation of the blues idiom. But he did that after Stephen and Tez cast their spells on the song with their magical guitars. Tez can be heard with the trippy, delay-heavy staccato lines, and Stephen with the silky smooth crying blues lines throughout. 
  Of course, every great song needs a great mixer and producer, and we're lucky enough to have Stephen to do the honors on this one for us.
  This song represents The Eclectic Collective at our funky finest, and we always enjoy and appreciate when JJ starts a song for us. We hope you enjoy listening to this as much as we enjoyed making it. 
  If you really dig it, and have read the whole way to the bottom, please consider sharing this, too. We all appreciate your ears and support.

Sly Willy Blues  - The Eclectic Collective

Never Say Goodbye

Midnight

NIGHT FLOWER

Songwriters : Richard Carpenter & John Bettis \ ISWC : T-070.161.059-4
Released : March 14th 1975
Publishers : Almo Music Corporation \ Universal Music
__________________________________________________________

The Carpenters are the Favourite band of all my celebrities.

Their songs have been a part of my childhood, my teenage years and even
now. Especially Karen's voice.
She had a fairly deep, medium-range voice, warm and colorful,
with an exceptional tone.
She was not only a singer, but also a very talented drummer.
Her brother Richard also has an extraordinary voice and does a lot of
backing vocals.

Their two voices alone amply cover the harmony of their tracks.
They're Unique.
-------------------------------------------------------------------------------------------------

I love this song; it's well-paced, as well as the bass and especially the drums.
For me, this song is very hard to sing, 
because the key starts off very low and rises quite high,
and the tempo also increases.

Honestly, I struggled to keep up with the rhythm in both choruses.
As I was saying, my voice isn't what it was 20-30 years ago. 🙂
__________________________________________________________

Arrangement (Yamaha PSR SX900) : Phong
Vocal : Anh
Recorded : May 31st 2025
__________________________________________________________

Only Yesterday - Cover (Carpenters)

After a little creative break ....... :-) all done with VST, a breath controller brass & tenor sax solo !
In fantasy literature, the world is clear, black or white :-) the good guys go to the dark tower, defeat evil and flowers grow everywhere again. It would be nice if it were that simple ;-)

The Dark Tower

On se cherche à travers les mains 
On se regarde et puis tourne la tête 
A s'épuiser et entendre ta voix 
Pour me donner l'envie d'avancer 
Ou juste de s'arrêter 
A ne plus croire et continuer à s'essouffler 
Pour retrouver la couleur du ciel 

Mais quand j'te vois à quoi ça sert 
Et quand dit moi être dans les bras 
Au fond c'est toi 
"Et si l'on prenait l'air"
Mais quand dit moi ce retrouvé à terre 

Tu me perds et traverse la pièce 
Je te regarde au loin disparaître 
Tourné la tête plusieurs fois 
A t'épuiser à entendre ma voix 
J'avance mais tu recule 
On se retrouve à chaque pat 
Pour effacer la couleur du ciel 
On se retrouve à chaque pat 

Mais quand j'te vois à quoi ça sert 
Et quand dit moi être dans les bras 
Au fond c'est toi 
"Et si l'on prenait l'air"
Mais quand dit moi ce retrouvé à terre

Pourquoi je cherche et pourquoi tu ris 
A quoi ça mène toutes ces folies 
Même sans te voir viens avec moi 
Arrache et toute la rage en toi
Sort vite de là 
Laisse le feu s'éteindre
Et Sert moi dans tes bras 
Image juste la couleur du ciel 

Mais quand j'te vois à quoi ça sert 
Et quand dit moi être dans les bras 
Au fond c'est toi 

Mais quand dit moi ce retrouvé à terre

Plus rien à attendre ni entendre 
Je pars de cet endroit un peu étroit 
Pardonne-moi si tu étais bien là 
Je t'embrasse malgré le froid 
Je te laisse un étrange souvenir de moi 

Qui te blesse au plus profond de toi
Je te laisse un étrange souvenir de moi 
Qui te blesse au plus profond de toi 

Mais quand j'te vois à quoi ça sert 
Et quand dit moi être dans les bras 
Au fond c'est toi 
"Et si l'on prenait l'air"
Mais quand dit moi ce retrouvé à terre

Mais quand j'te vois à quoi ça sert 
Et quand dit moi être dans les bras 
Au fond c'est toi 
"Et si l'on prenait l'air"
Mais quand dit moi ce retrouvé à terre



À terre

À  terre

Pues ahí está una cover muy bestia de la canción.

Regular John (QUEENS AND THE STONE AGE) Cover by DELAFLOR

Emergency

https://www.youtube.com/watch?v=7m92Fy09FEA

noxpox - pangruel

The Herald From Other Realm

Slow Down Day

A Blessing Or A Curse

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

Never Say Goodbye

The Smokin'Headlights

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