This song gave me a pretty ballgown, elegant ahh opera gloves, a sparkly tiara, a castle with a big ballroom and chandeliers, magical powers and a fairy godmother

The beginning of that one guy in a suit edit

reminds of the little big planet song in a certain level.

The Classical Playlist

Claire De Lune

David Loebel conducts the New England Conservatory Symphony in a performance of Rossini: Overture to William Tell. Recorded live in Jordan Hall October 9, 2013.

Rossini: Overture to William Tell

This work and the drawing are in the public domain.
In the Hall of the Mountain King by Edvard Grieg, performed by the Czech National Symphony Orchestra as the Musopen Symphony Orchestra for the Musopen Kickstarter Project.
Source: https://commons.wikimedia.org/wiki/File:Musopen_-_In_the_Hall_Of_The_Mountain_King.ogg
Drawing: Peer Gynt i Dovregubbens Hall, ca. 1913, by Theodor Kittelsen.

In The Hall Of The Mountain King

Programmed using Vienna Symphonic Library tools

Edvard Grieg: Peer Gynt Suite No.1, Op. 46 / Morning Mood (performed using Vienna Symphonic Library)

Johann Strauss II - The Blue Danube Waltz

Beautiful reconstruction of this great but(not-too-famous)classical piece from  Camille Saint-Saéns. The virtual orhcestra is Kirk Hunter as usual.

Zig, zig, zig, Death in a cadence, Striking with his heel a tomb, Death at midnight plays a dance-tune, Zig, zig, zig, on his violin. The winter wind blows and the night is dark; Moans are heard in the linden trees. Through the gloom, white skeletons pass, Running and leaping in their shrouds. Zig, zig, zig, each one is frisking, The bones of the dancers are heard to crack— But hist! of a sudden they quit the round, They push forward, they fly; the cock has crowed.
(Based upon an old french superstition by Henri Cazalis)


Camille Saint-Saéns - Danse Macabre

Excerpted from a complete performance in collaboration with the Amherst College Choral Society, the exciting second movement of the Requiem by Giuseppe Verdi as performed by the Amherst Symphony Orchestra.

Verdi Requiem: "Dies Irae"

"Ghost of Love Past Waltz No.46 (Original Composition)” - A melancholic broken heart waltz that captures the essence of longing and nostalgia. Composed with a poignant melody that echoes the depths of my broken heart, this piece invites listeners to immerse themselves in its soothing yet sorrowful beauty. As a composer and countertenor, I’ve poured my emotions into this waltz, creating a hauntingly beautiful soundscape that resonates with the soul.

Detail: Bb Major, 6/8-time, 85 BPM 

Watch, listen, and feel the emotions.
If you enjoyed my Waltz, please press like, subscribe to my YouTube channel, and share with your friends!

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Bandcamp: Lost Love (Original Waltzes Composition Vol.3)

#melancholicwaltz #tearswaltz #composerlife #countertenor #instrumentalbeauty #heartfeltmusic #brokenheart #grief #classical #hope
#blindartist

Lost Love (Original Waltzes Composition Vol.3)

Ghost of Love Past Waltz No.46 (Original Composition)

Tchaikovsky - 1812 Overture (Full With Cannons)

The famous prelude to "Die Walküre" is the "Ride of the Valkyries". As an exceptional piece to unveil an opera about female Norse archetypes with powers to condemn the fate of war soldiers, "Ride of the Valkyries" is revered for its climatic and invigorating nature, deeming it popular and best suited among many films and TV productions.

Ride of the Valkyries from 'Die Walküre' - Richard Wagner

The Russian Souvenir

Waltz of The Flowers

Masquerade Waltz - Aram Khachaturian

Claude Debussy’s Clair de Lune is the third movement of his Suite Bergamasque, written for solo piano and completed in 1905. The title, meaning “Moonlight,” is inspired by Paul Verlaine’s poem, evoking a serene and reflective atmosphere. The piece epitomizes French Impressionism, focusing on mood and imagery over traditional form.
Structure and Atmosphere

The piece is in ternary form (ABA):

    Opening (A):
    A soft, flowing melody emerges over delicate arpeggios. The music feels weightless, like moonlight shimmering on water. Debussy uses rich harmonies and seventh chords to create a dreamlike quality, with a tender, introspective mood.

    Middle Section (B):
    The dynamics intensify, with fuller textures and soaring melodic lines. This section brings a sense of emotional depth and urgency, contrasting with the calm opening. Arpeggios cascade dramatically, giving the impression of moonlight suddenly brightening or revealing hidden beauty.

    Closing (A):
    The opening material returns, slightly varied, fading into a gentle, whisper-like conclusion. The piece ends as quietly as it began, leaving a sense of stillness and wonder.

Musical Features

    Harmonics: Debussy’s use of whole-tone scales, parallel chords, and non-functional harmony creates a suspended, ethereal soundscape.
    Melody: The lyrical melody floats effortlessly above the accompaniment, expressing both simplicity and emotional depth.
    Texture: Light, transparent textures alternate with moments of lush, resonant fullness, embodying the interplay of light and shadow.

Mood and Interpretation

Clair de Lune evokes the quiet magic of a moonlit night, combining serenity with subtle melancholy. Its poetic quality invites listeners to imagine moonlight reflecting on a calm lake, whispering through trees, or illuminating a tranquil landscape. The music feels timeless, blending stillness with fleeting moments of intensity.

Cultural Impact

This iconic piece has been widely used in films (Ocean’s Eleven, Twilight) and pop culture, often accompanying scenes of romance, nostalgia, or quiet reflection. Its universal appeal lies in its ability to evoke deep emotion while remaining understated.
Performance Notes

Expressive dynamics, fluid phrasing, and careful pedaling are essential to capturing its delicate atmosphere. A balance between freedom and control ensures its dreamlike flow remains intact.

Clair de Lune is a masterpiece of impressionistic music, celebrated for its ability to transport listeners into a realm of quiet beauty and introspection.

Claude Debussy - The Essential Collection

Clair de Lune

Clair de Lune - Debussy

Chopin - Waltz No. 19 in A Minor (B.150, op. posth.) (08.01.19)

Liszt - Liebestraum No. 3 (Love Dream)

A live recording from the Memphis Repertory Orchestra's debut CD release concert on March 2, 2013. The concert was given in the brand new Nancy Crosby Theater in the Salvation Army Kroc Center in Memphis, TN. 
Will Haapaniemi - Violin
William R. Langley - Music Director

http://memphisreporchestra.bandcamp.com
http://memphisreporchestra.com

Waltz of The Flowers

The Tchaikovsky Symphony Orchestra

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