visual soft

My Ugly Beautiful Void Where I Live Without You

The Lazy Jesus - Where

J. Albert X Person of Interest - Mans Got A Haircut (Blue Dream Tape Edit)

#DeepHouse
#HouseMusic
#ElectronicMusic
#TechHouse
#ProgressiveHouse
#DeepHouseVibes
#HouseNation
#UndergroundHouse
#EDM
#ClubMusic
#HouseLovers
#ChillHouse
#NightlifeVibes
#DJLife
#HouseBeats
#DeepHouseMusic
#DanceMusic
#ElectronicBeats
#FestivalMusic
#MusicForTheSoul

Tropical Chill Deep House Mix 2025-Relaxing Summer Mix 1325 Beats Vibes USA

FIND UR WAY

Reinterpretation of this beautiful track by Kyson:
https://soundcloud.com/kyson/you

Support me and get the high quality .wav from 0.5€
https://iamnarval.bandcamp.com/track/kyson-you-iqtoro-edit

Free Download

Kyson - You (edit)

Drunkenstein

TTT SHOP

Samo DJ & 5ive – End Call

Juju & Jordash - Sis-boom-bah! - Dekmantel (DKMNTL052) 

a1.	Juju & Jordash - Herkie
a2.	Juju & Jordash - Rah-Rah
b1.	Juju & Jordash - Back Tuck Basket Toss
b2.	Juju & Jordash - Deadman
c1.	Juju & Jordash - Paper Dolls
c2.	Juju & Jordash - Hanging Pyramid
c3.	Juju & Jordash - L-Motion
d1.	Juju & Jordash - Attack The Crowd
d2.	Juju & Jordash - One Armed Liberty

https://shop.dekmantel.com/release/5775/

Gal (Juju) and Jordan (Jordash) return home to the Dekmantel stable for their fourth LP. It’s their most complete record to date. A series of purpose-written compositions, that highlight their maturity as musicians, and adept dexterity in the studio.

Without the pairing of Juju & Jordash, there would be no Dekmantel. The duo are an integral part of the label’s history, dating back to 2009 when they where they were the first act to release on the imprint. The two vagabonds can often be found performing live at various outdoor festivals and renowned clubs around the globe, jamming away behind a tabletop of buttons, knobs, synths, and drum machines - like a retro, control-station from Star Trek - albeit one that hums along with the jazz-centric, discordant house, and techno whirrings played by the musicians.

Nowadays Juju & Jordash have evolved far beyond their ’oddball house’ moniker. Their freestyle approach to performance, and immaculate refined sounds have became somewhat more defined, in a style that’s unique, yet elaborate, with a sense of otherworldliness, not only befit for the dancefloor, but otherwise transcendental moments. Following on from their previous LP, 2014’s Clean-Cut, a record of primal, forward thinking, variations from the studio, Sis-boom-bah is an album steeped in studio traditionalism, with a direction towards composition. “We wanted the focus of this album to be the music and not necessarily the process, so we made sure to perfect the performances before shifting the focus on to the production,” states Jordash about the record. Recorded over the space of a few, intense weeks, and built upon years of improvised live shows in front of thousands of listeners, Sis-boom-bah was written around grooves written by Juju on the guitar, and Jordash on the Rhodes. It was the first album the duo have written using such an approach, and solely produced and mixed by Jordash in Amsterdam over the course of a year, making it their most authentic record to date. 

Sis-boom-bah’s diverse, spiritual nature is built around Juju & Jordash's use of polyrhythms. The percussive sequenced grooves, and rhythmic backbone was generated using the Yamaha DX7, along with the Roland TR606 drum machine. This approach to rhythm can be heard from the outset within the very first track ‘Herkie’, an ephemeral, yet tribal approach to minimalist funk. The spirituality flows throughout the record, where it sounds like the duo have brought along the nature with them from the foresty raves. In actually fact, the background noise comes courtesy of “noise generators from two separate synthesizers, each with its own filter slowly opening and closing so it kinda sounds like waves or wind.” There are also nods towards their acid influences, with some surefire slices of house music too. Sis-boom-bah is still very much a Juju & Jordash record, yet it's one with a greater depth, musically and stylistically. As electronic music albums go, you'll be hard pushed to find one more complete. "People should listen to this on a loud and clear sound-system," explains Jordash, "high on life, in their own special safe place."

DKMNTL052 // Juju & Jordash - Sis-boom-bah!

featured on MNKZT001.

Dowload: https://manikeizt.bandcamp.com/album/mnkzt001

videoclip: https://youtu.be/densBVIPxJk

follow QUASAR> @qs4r

fb: https://fb.me/manikeizt
youtube: https://www.youtube.com/c/manikeizt

Echoes from the Age of Doom

The most relaxing words (Whispered)

Download

QUASAR - The Most Relaxing Words (Whispered)

Pre-sale:

https://www.hhv.de/shop/de/artikel/dj-gaston-und-baba-stiltz-blast001-577558

https://www.redeyerecords.co.uk/vinyl/94808-blast001-baba-stiltz-dj-gaston

B1 DJ GASTON - SALO

Marvis Dee - Alpha E.P - (Orgue Electronique Remix) - 0A006 

( Organic Analogue Records )

⚡ OUT NOW ⚡

https://www.juno.co.uk/products/marvis-dee-alpha-orgue-electronique-mix/660669-01/


====================================================================

Tracklisting:
A1 : Alpha
A2 : Dipper
A3 : I Can See It In My Dreams
B1 : Intervention
B2 : Cygnus
B3 :  I Can See It In My Dreams (Orgue Electronique Remix) 
B4 : Outro 

===================================================================

Copies : 400 (limited edition) 
Vinyl : Transparent Yellow (140g)
Release date : 29th January  2018 (approximately) 
Distribution : Juno 
Mastered : Optimum (Bristol)

===================================================================


OA’s time-slipping journey into classic/future-gazing electronics continues with the arrival of Marvis Dee. This new 12” is in fact the brainchild of Jeremiah R, the Dutch electro maverick who kicked off the label back in 2013 with The New Wave, and who has since gone on to respected outposts such as Tabernacle, Enklav. and BAKK. As Marvis Dee he’s been equally busy over the past two years, springing up on In My Dreams and Lime Street Music with a spin on deep Chicago house that should strike a chord with fans of Larry Heard et al.

On the Alpha EP, Marvis Dee has ample space to explore the boundaries of his sound across six original productions that strike a unique, curious chord even as they display the comforting hallmarks of hardware house music. “Alpha” paints a vivid, noirish fantasy around the structure of jacking 707 drums, using fulsome bass swells and uneasy leads to create a sinister mood patched in the direction of the darkest basement dance. “Dipper” is no less deviant in its design, channeling a little of Dopplereffekt’s dystopian synth tones while managing to bridge further back to the heartwarming pop charm of Kraftwerk.

With “I Can See It In My Dreams” the true nature of Marvis Dee’s mission is revealed – the track rides on a pristine, punchy bassline as tumbling toms and soaring pads notes swirl in the romantic haze of synthetic sensuality. The emotional gauge is pitched squarely in that uncertain, melancholic headspace where the questions are as enticing as the answers – a feeling wholly carried through to the brooding twitch of “Intervention”. This is not house music to spell out how you should be feeling.

Cygnus  takes a lighter approach to melody, calling on the kind of sweet-natured harmonics that defined early B12 material while faithfully maintaining the straight-up thrum of the drum machines. The track’s beauty lies in its simplicity, using gentle pad refrains and deft dabs of bleep to intone a message of calm – a sentiment echoed on beatless EP closer “Outro”.

Orgue Electronique is the perfect match for the woozy tones of Marvis Dee, and so the Dutch mainstay takes to “I Can See It In My Dreams” and delivers a subtle revision, boosting the rhythm section and sprinkling some additional sparkle on top of the original production. It’s an understated, respectful approach to the remix tradition that aligns with the overall ethos of the Alpha EP.

To complement Dee’s homage to the spirit of Chi-town beatdowns, the record comes housed in a jacket indebted to the iconic designs of early house music, continuing OA’s fine tradition of on-point, concept-led visuals.

(words by Oliver Warwick journalist for iDJ mag / RA / Fact / Ransom Note)

Buy @ Juno

Marvis Dee - Alpha EP - (Orgue Electronique Remix)

Label: Aroma Pitch Recordings
Cat. no: APR 005
Artist: Aroma Pitch
Title: Phase 27 EP
Format: 12" maxi vinyl / digital
Release date: July 2018

aromapitch@googlemail.com
www.aromapitch.com

A1. Stray and Converge
A2. Blackout
B1. Latin Lover
B2. Aquasphere

Written and produced by Jesse Scherwitz, Julius Richter and Magnus von Welck 
Mastering by Helmut Erler at Dubplates & Mastering, Berlin
Design and Art Direction by Hugo Hoppmann
Distribution by Lobster Theremin, London

Aroma Pitch - Phase 27 EP (Preview)

Earth Licker EP contains music recorded between mid to late 2016 and features tracks which either ended up being removed from my Vinyl releases and replaced with newer more current tracks or remained stagnant on labels which never came to be released. 

Enjoy some of the earlier Lou Karsh tracks which may not have seen the light of day otherwise.

1. Life Loop
2. Night Driver
3. Earth Licker
4. Cased

Digitals available now on Bandcamp.
https://loukarsh.bandcamp.com/album/earth-licker-ep

Bandcamp

Lou Karsh - Earth Licker Ep // Digital Previews

A sub-heavy, early morning dream house motivator from the Russian producer @lipelismusic.

Part of our 2018 charity Advent Calendar in aid of Julie's Bicycle, a non-profit that supports the creative industry to take action on climate change.

Download & Donate: http://bit.ly/Day11_Lipelis

All money raised through Bandcamp sales goes directly to the Green Riders campaign, so please give generously.

Day 11: Lipelis - Science & Art

Традиційна музика карпатських пастухів

Запис здійснено в Карпатському регіоні, в полонині Крами (Верховинський район, Івано-Франківська область), в полонині Ледескул Космацький, селах Космач та Шепіт (Косівський район. Івано-Франківська область)

Виконавці:
Микола Словак - трембіта, воловий ріг, дримба, фуярка (1, 7, 10, 15, 27)
Володимир Хромейчук - фуярка (3, 8, 16, 20, 22, 26)
Богдан Костюк - дримба, телинка, джоломіза, денцівка (4, 9, 14, 19, 21)
Василь Сіреджук - фуярка, фуярка з гудінням, спів (5, 13)
Микола Варцаб'юк - фуярка, фуярка з гудінням(6, 11, 18)
Петро Мохнатчук - фуярка (23)
Микола Мосорук - дримба (25)
Василь Габорак - спів (29)
Запис звуку, фотографії, мастеринг - Геннадій Мельник
Продюсер - Влад Роглев, Геннадій Мельник

Мелодії Карпатських полонин

Музика полонини (калатала та дзвіночки корів)

Robotiko Rejekto - Pure Control (Body Cut EOE Edit)

As dusk creeped in they swilled back their drinks and made for the woodlands on the far side of the lake, joining the swathes of people heading towards the trees. As they followed the excited chatter, it led towards the subtle thud of a kick drum in the distance. The music grew louder and the trees dissipated leading to an opening filled with bodies dancing in the last sliver of the sun's light. Only smiles and welcoming faces...

The next instalment from Seoul's Honey Badger Records calls on the talents of two previous label mates for a collaborative EP. Titled 90 Broke, the four tracker matches The Pony guitarist and Cumeo Project member Sojeso, who released his first long player SPEND in 2018, and Mignon, a musician, producer and DJ who contributed a track on Honey Badger's last V/A. Following a conversation about working together on an album, the EP acts a prelude to this and sees them hark back to the 90s, particularly on our pick, closer '90' which draws from their experiences during this time.

PREMIERE: Sojeso & Mignon - 90 [Honey Badger Records]

MUSIC,POSTMODERN VIDEOART, SOMETHING ELSE

Samo DJ & 5ive – End Call

The Trilogy Tapes

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