Name: Not the Time to Stop - Amphilium by The Unfinished in Amphilium: Synth Soundset Demonstration Tracks
Duration: 2 min 55 s
Description: A collection of demo tracks for Zebra Refrakt II.

A synthesizer demonstration soundset collection by Keith J. Hersch (aka Amphilium)

Clients: Sonic Underworld, Luthrum, The Unfinished

Synths: Spectrasonics Omnisphere, u-he Diva/Hive/Zebra/Zebra HZ,/Repro-1 & 5, NI Kontakt,  Xfer Serum, Synapse Obsession, Arturia Pigments and others.

Amphilium: Synth Soundset Demonstration Tracks

This is my entry for the FullContactCompetition organised by Orchestral Tools.
My track "Quest Of New Era" is talking about the quest for the army of darkness to take over all kingdoms. But the Knights of Light intervened to stop them. A terrible fight ensues and the Army of Darkness surrenders to the power of the Knights of Light.

All drums : Junkie XL percussions free library
Cymbals + Brass Crescendo : EastWest Orchestral Symphonic Orchestral
Hybrid Sounds Hits : Audio Imperia Multiverse and 8dio Hybridtools 2
Braams and PADS : Keepforest Devastator Full Edition
Strings ensemble, brass and multi : SYMPHOBIA 2
Brass ensemble and Trumpets : Hollywood brass
Action strings and Sonokinetic Vivace ( Strings runs )
Choirs : 8dio requiem Pro
Solo Vocal : 8dio The new Francesca

Mixed and Mastered on Nuendo 10 by Myself

#FullContactCompetition - Orchestral Tools - Quest Of New ERA by Maliki RAMIA

Tyst faller snön

Tyst faller snön (Einestad Remix)

A collection of demo tracks for Zebra Refrakt II.

TU Refrakt II HZ

Not the Time to Stop - Amphilium

https://zero-g.co.uk/products/crate-diving

Crate Diving

Gold Digga - The Unfinished

2025 audio demo of Enigma, produced by Amphilium. 

https://www.luftrum.com/enigma/

A total of 15 instances of Omnispere are used - here are the patch names:

Clear as Day
59 Hack
59 Hack 'B' (random computer code noise)
Apophis
Day One
Designated Target
Cubex
Tapped Out
Blueprints
Deal with Chaos
Access Granted
Trojan Horse
Divine Intervention
Garbled Code
Decoded Memories

Amphilium - 404 - Not Found (Enigma Revisited)

The Company You Keep - Amphilium

Amphilium - Splinter of Doubt

Collection of demo tracks for my Serum Alpha II synth soundset.

Easier When You’re Numb - Amphilium

Audio demo by Amphilium using patches from Avalon only. The demo is 100% naked.

Avalon: https://www.luftrum.com/repro5-patches/

Avalon features 140 meticulously crafted Repro-5 patches. It's a cinematic journey, designed for those who score stories in shadows and light, for soundtrack creators and film scoring. The soundset explores dark and experimental analog territories, and is fully NKS compatible.



Amphilium - Frequency Unknown

Arnos Grove

This bank is available soon on https://www.aiynzahev-sounds.com/products/prometheus-for-repro-1

Prometheus for Repro-1 features 120 presets exploring both vintage and modern sound. Over 90 of these presets come with programmed sequences to not only give you an inspiring sound, but also fresh musical ideas.  Repro-1 has superb filters and beefy oscillators, making it ideal for baselines, arpeggios and musical monophonic sequences, but you’ll also find some cinematic sounds and thanks to some programming trickery even some polyphonic pads. 

Any of the sounds of course can have their sequencer switched off and used normal patches, basses, leads, atmospheres and mono-phonic pad sounds, giving you a full 120 sounds to work with, all tagged for use in U-he’s new browser system.

Patches feature Modwheel assignments where possible and velocity where sensible. The effects section features heavily here, reverb and chorus accentuating atmospheric patches even further, while subtle distortion and EQ is used judiciously on patches that benefit from a dry and powerful sound, such as basses.

Drop these sounds in your DAW, save time on production!

120 sounds
90 programmed sequences
Velocity and Modwheel
Careful use of effects
Tagged presets for U-he’s new browser system

Repro-1 "Prometheus" Out now!

This track features only sounds from The Unfinished's (Matt Bowdler) soundset for Omnisphere 2 called "Gaikaiju"... briliant sound design (as always).

Every Wasted Moment

Hi-res version of my Breakbeat Science Podcast (Episode 1)

Subscribe here:  http://futurefunksquad.buzzsprout.com

BREAKBEAT SCIENCE Podcast [Season 1 Episode 1]

Breakbeat Science continues with some exclusives from Wrexx, The Crystal Method, The Unfinished, DJ30A. Slighter, Punt Guns and more!

BREAKBEAT SCIENCE Podcast [Season 1 Episode 2]

What do Hans Zimmer, Hybrid, Rufus Du Sol, Quivver & SURVIVE all have in common? 
Er, dur! they are all on this Episode of Breakbeat Science silly!!! Plus some slammers from Sketi, Peter Paul, DJ30A, Paul Bassrock and myself!

BREAKBEAT SCIENCE Podcast [Season 1 Episode 3]

Bloody Sunday 1920: 'Croke Park Shootings'

Keith’s calling as a musician began at the tender age of five, when he  was gifted a toy organ. He promptly began playing renditions of the commercial jingles heard on television, and from there progressed to studying movie soundtracks. Keith’s realization of the profound effect music had in connecting with an audience launched him on his journey as a  composer.


Keith's compositions thoughtfully blend orchestral and electronic elements to create an emotionally enticing soundscape, while his gift for creating thematic music with captivating melodies enables the listener to travel on a personal  journey through the ebb and flow of each piece.

A graduate of the UCLA Extension Film Scoring Program, Keith studied  under notable film and television composers and industry professionals.  After completing his studies, he was awarded an internship with The Society of Composers and Lyricists Annual Mentor Program and selected as one of only 15 participants in the annual ASCAP Annual Film Scoring Workshop. Keith was later featured in Music Connection magazine in an article focusing on the diverse backgrounds of the group.

His album of New Age music entitled, "Etc...", was released through Bay Area record label Noir Records, which led to a collaboration with the  composer for the independent film, Park Day, for which Keith provided additional music. This film went on to win the Audience Award at the Urbanworld Film Festival.

Keith also scored the short film, The Showdown, which received the inaugural Triple Play Award for Best Technical Integration – Original Score at the Long Island International Film Expo.

While still passionate about writing New Age compositions, Keith also continues to work with music publishers and trailer house companies, where his music can be heard in various mediums.

The Unfinished is me, Matt Bowdler. I am a composer and sound designer, producing synth soundsets and sample libraries - both commercial and bespoke.

My sounds can be heard in Hollywood feature films, hit US and UK television shows and also AAA game scores. If you are interested in using my sound design services, please get in touch.

Here you can listen to demo tracks for my products, little sound design experiments and a whole bunch of other stuff. If you are interested in my composing, please check out my other account at soundcloud.com/matt-bowdler-music

Not the Time to Stop - Amphilium

The Unfinished

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