awesome vocals and a delight of an instrumental, fabulous work

Good to hear this one again!! Real Jah Wobble vibe to the bass 😎👍

Love this track...super sounding reggae sounds...summer time vibes so strong...taking me to those special places once visited XOXOXO

SHOUT IT TO THE WIND

Published on SC 13 November 2021

Pic: Broadway Tower, Cotswolds, England, UK. By Geoff Descartes

In the comfort of your own mind

85% Dark Chocolate

tight jeans, wide hips, leather boots to her knees
still learnin how to back that SUV
got her little white beanie, hair cut to her shoulders
traded in her hands for cell for holders

combat jacket tailor fit to her waist
with some aviator glasses ridin loose on her face
always got the gas pedal pinned to the floor
pop music blaring on the radio

just watch her 10 seconds you'll see just what i mean
I'd be lyin if i said she didn't give me everything
PJ's on just chuggin on that wine
backed up against the kitchen counter lookin oh so fine
walkin out the room just shake'n that ass
girl you know you do it to me and  ya do it to me bad
lets lock the door and have have some fun
midwest woman

late nights huddled up close to me
she'll smoke a little weed and set her spirit free
with a little rock music with a southern twang
she'll be up dancin like the Peanut Gang

just watch her 10 seconds you'll see just what i mean
I'd be lyin if i said she didn't give me everything
PJ's on just chuggin on that wine
backed up against the kitchen counter lookin oh so fine
walkin out the room just shake'n that ass
girl you know you do it to me and ya do it to me bad
lets lock the door and have have some fun
midwest woman

has a full-time job, girls always workin
thank God he made her body so perky
and with a face of an angel gone wild and free
but still in every picture looks a little chinese

just watch her 10 seconds you'll see just what i mean
I'd be lyin if i said she didn't give me everything
PJ's on just chuggin on that wine
backed up against the kitchen counter lookin oh so fine
walkin out the room just shake'n that ass
girl you know you do it to me and  ya do it to me bad
lets lock the door and have have some fun
midwest woman

Stephen Malson's Albu

Midwest Woman

Barbaric Moments

Collaboration with "sonic structures and silent stretches"!!

<< Poetry >>
it‘s not like
she doesn‘t understand
what this silence
around her
is for

after all
there‘s this desire
feeding meditaton industries
monetizing inner calm
awareness

each human being
a kettle about to boil over
spill watery, bubbly, glittering marbles
sweet nothings kept for
nobody‘s sake

each mind‘s mouthpiece
a pressure valve, vibrating
under strain not to let off steam
verbosely explode
right nto her face

she still wouldn‘t mind
for this audience of roaring silences
to turn a listening ear
towards her artistic endeavours
every now and then

Poetry

The Silent Treatment (collab with sonic structures and silent stretches)

Lyrics:
Floating down, through the clouds
Memories come rushing up to meet me now
But in the space between the heavens
And the corner of some foreign field
I had a dream
I had a dream
Goodbye Max, goodbye Ma
After the service, when you're walking slowly to the car
And the silver in her hair shines in the cold November air
You hear the tolling bell and touch the silk in your lapel
And as the teardrops rise to meet the comfort of the band
You take her frail hand
And hold on to the dream
A place to stay, enough to eat
Somewhere, old heroes shuffle safely down the street
Where you can speak out loud about your doubts and fears
And what's more, no one ever disappears
You never hear their standard issue kicking in your door
You can relax on both sides of the tracks
And maniacs don't blow holes in bandsmen by remote control
And everyone has recourse to the law
And no one kills the children anymore
No one kills the children anymore
Night after night, going 'round and 'round my brain
His dream is driving me insane
In the corner of some foreign field
The gunner sleeps tonight
What's done is done
We cannot just write off his final scene
Take heed of the dream
Take heed

The Gunner's Dream (Pink Floyd Cover)

SixFour

An Easter message? Music against war?All wars are wrought with inhuman threads of unwarranted violence and destruction whether in Libya, Yemen, Lebanon, Afghanistan, Congo or... (place any name of any war at any time in history).
In this one, a special military pox upon Putin and his house and all those who abuse and terrorize innocents and rain destruction upon all those who simply want to live and to exist. Justice? Where? ICC - we hope you're leading the charge for justice, and NATO, EU, UN - don't look away!

 (Don't)Look Away

1)Another day, another day in this war. 
A family man asks - What’s it all for?
Have we forgotten what we came here for? Don’t run away.   

To kill a man, a woman or a child. 
There’s something wrong, wrong in their minds.   
They look to God, but he does what He does best. He looks away. Hey?   

There’s always war in a far distant land
and civilised man goes out to lend a hand.
Holy Lands? Are you having a laugh? 
Laugh away, hey…  laugh away….hey…

(CHORUS)
I CAN SEE THEM ALL - LAGGING BEHIND. 
THEY’RE NOT PART OF THIS - HUMAN KIND
THINGS GOT SLOW, SLOW IN THE HEAD. 
WHY DON’T YOU GO SHOOT YOURSELF INSTEAD?
WE’D LOOK AWAY…HEY…WE’D LOOK AWAY…HEY…YAAH

2) Armies are led by those who think they’re right. 
Tell us they want peace.    
To get it they must fight for… the love of God pray how is this right? 
Pray away. 
They say destruction is their means to an end. 
Aim their gun at what once was their friend.
Turn their back on humanitarian trends. Then look away, 
hey… they look away…

(CHORUS)     

(MID BREAK)   
Lay down on your pillow…sleep tight with your greed 
because your safe… you’ll dream… while others bleed…
and you tell me…that God is on your side…you don’t believe it…
and that’s what I despise….
then you look away…
nd then you look away…

3) They shake a fist with a gun in their hand. 
It’s an action only they understand. 
One step away… from a hellish end. 
Shake away… shake - away…  

If there’s a place I could send them all. 
Be deep space, on a hot fiery ball  
Where you can all…Happily annihilate yourselves!                                                                        Then fire away…fire away, fire away…hey…

(CHORUS)

4) One more day is too much in this war. 
The family man asks - What’s it all been for? 
His loved one’s buried with his heart in the floor. 
Please look away…

Wigmore - drums, synths, mixing, production, additional vocals
Allen - music, guitars, bass, vocals, lyrics
Gibbons - middle vocals and lyrics
* additional fem voc. from Anna Brag https://soundcloud.com/annabrag

Capo  2nd….G/C/Em/D     Chorus….Em/D     Break….G/E/G/E …Am/G/F/G/Am/G/F/G

Look Away

Vocals - Cass Dvorak
Electric Guitars - Rock Sinders
Bass and Acoustic - (@Mazeppa)

I have a place, a special place
down by the river, on a sunny bend

That is where I saw her, that day that we met
A bounce in her walk, so light on her step

I have a place, a special place
down by the river, on a sunny bend

Here comes my girl
Oh, she looks so cool i can hardly wait
Oh ya, i can hardly wait

I can hardly wait
Oh ya, i can hardly wait

I have a place, a special place
Down by the river, on a sunny bend

That is where I saw her, that day that we met
A bounce in her walk, so light on her step

Here comes my girl
Oh, she looks so cool i can hardly wait
Oh ya, i can hardly wait

V5.03

Light Step

Dark Matter is all around us.....recent evidence indicates that the Perseus Galaxy cluster (pictured) is held together by the stuff! 
Dark Matter's gravity effects may be responsible for many unexplained mysteries....who knows?
Track details: 
Flute ensemble with dark clarinets.
Tenor sax bursts (left channel)
Alto sax improvisation (right)
Soprano sax ensemble.. fanfares and themes.
Amalgamated dance beats throughout. 


Dark Matter Invasion

Photo by https://unsplash.com/@ammar_sab3?utm_content=creditCopyText&utm_medium=referral&utm_source=unsplash

Bad Place

The 1969 plays dub keys, stereo delay piano, electric fuzz and wah guitar, bass guitar, strings/ custom melodica plug-ins and mystical mantra chanting. Additional loops include tanpura, dub reggae sound fx and Hindi vocal samples. The awesome Billy Martin as always is the in-house loop drummer. 
Happy Summer Festivals 2019 to everyone, make it count... like Woodstock '69!

Produced and mixed by The 1969. Mastered by The 1969. Recorded April 2019.

Woodstock

The other side of night(Mix 1, December 6, 2019)

Written, performed, and mixed by Tim Griffis at Princeton Studio. This is the last song on my "Drive Time" project.
Hope you like the melodies and the sound ;-)
Photo by Adrian Danciu at Kinocut Pictures (visual.kinocut.com)

Technical Details
Recorded at Princeton Studio
Guitars: Fender Strat; Fender Squire Bass

Mics: Neumann TLM 67 
Drums: arranged by TG
Software: Pro Tools
Vocals: TG

Mixer: API 24 channel summing mixer (8200/7800)
Stereo Bus processing (API EQ and API compressor)
Eventide Eclipse effects

Lyrics
Verse 1
On the other side of night
We could take our chances there
It's a story to rewrite

Chorus
We could find our way
We could find our way
We could find our way tonight

Verse 2
Two spirits in the night
We're searching for daylight

Chorus
We could find our way
We could find our way
We could find our way tonight

Bridge
We're two spirits in the night
We're just searching for daylight
I thought I saw you there
I thought I saw you there
But you walked away in the night

outtro 
thought I saw you there
on the other side of night
thought I saw you there

The other side of night

I found this track in my archives recently was done a long time ago......I do not write many love songs, not a very good writer of love songs ..This song was  written by William Bell an American singer and songwriter , also covered by loads of artists globally  , however ,this my "own" version . ..This was "one of the 1st song" I posted on SC maybe 10 yrs ago or more but i took down all my songs in 2016  now obviously its uploaded again ......... Be safe !! Thank  y'all!!

Forgot To Be Your Lover By Jam York! (original verson )

Let Go of that Echo . 2019

Song, Vocals, Bass, Keys, Percussion, Piano:  Janine Levinson @janinelevinson
Keys: Jose Freitas
Mix: Doug Grean @terpsichords

Let Go of that Echo

Sing a song of sixpence, a pocket full of rye
My head’s full of blackbirds but they won’t fly

Gotta let go, let go  

Sang a song so quiet, nobody heard
Kept it in the cage with the sad blackbirds

Gotta say no, say no to that echo echo  
That just won’t let me be free
That just won’t let me let go  -- gotta say no, say no

Sing a pretty question, keep it in my clothes
Answer with a puzzle and weave my prose?  no!!   

I gotta let go, let go of that echo echo       
that just won’t let me be free
that won’t let me let go
Gotta say no, say no to the echo, echo   
Oh I gotta be free,
I don’t know If I can let go, let go 
And just be me!

Kiss me in a signal, tap me a song
Four and twenty codewords can’t be wrong. no!

Gotta let go, let go of that echo echo 
That just won’t let me be free
That just won’t let me let go -- gotta say no, say no

I’m gonna stand tall and speak up   
I gotta say yes to find love
I’m gonna be real and speak out   
I gotta say yes to find  out
I’ve gotta let go, let go, of that echo

Let Go of that Echo

This song first entered my mind while I was comparing translations of the poetry of the remarkable Song dynasty poet Li Qingzhao.

	The attraction I have to Li Qingzhao's work is twofold - firstly: the sheer power of her expression, which speaks to me through each and every translation (some translations being so different that I often fail to recognize them as being the same poem) - secondly: her “Ci” poetry, is, for all practical purposes, songwriting.   “Ci” poetry began as lyrics to be sung to tunes both popular and original, not unlike the “12 bar blues” or “rock and roll” songs of the modern world.

	The imagery used in this song largely comes from her Ci poem “Banana Trees”, but should in no way be thought of as a translation - I do not pretend to have that kind of scholarship or talent.   It is, at best, a re-working of theme and image for a contemporary context.

	I do not know the original source of the cover art I have used here, but I found it at http://www.chinesetimeschool.com/en-us/articles/li-qingzhao/.   There are no extent images of Li Qinqzhao from her own time.

Lyrics:
        looking from our door, I see the poplars that we planted
	their green shadows fill the lawn
	their green shadows fill the lawn, leaves a-flutter in the breeze,
	in the quiet of the moment, they seem to share my thoughts

	they seem to share my thoughts, I recall a last farewell
	at the gateway of our home
	at the gateway of our home I listen to the sound, 
	in the quiet of the moment, to the rustling of leaves

	the rustling of leaves, a sound you’ll never hear again
	it breaks my heart
	it breaks my heart we can no longer share our thoughts,
	in the quiet of the moment, looking from our door

Looking From Our Door

Download

Looking from Our Door

Firstly on easy listening 6/4 bars, I cut some notes out of the main theme so as to give it dynamism, and finally obtained a prime amalgam of 17 quarter notes. I hid any recognizable thing in the accompaniment, and for the organic lines (voice and guitars) I tried the strong rhythm would not fix too much the melodies, first paying a lot of attention, and finally ... just letting me go.

Translated lyrics:

Oídos sordos (17 negras)  /  Deaf ears (17 quarter notes)

Quiero gritar todo lo que siento, estando solo;  /   I want to shout out everything I feel, being alone;
pero gritándolo al viento y si no contesta,  /  but shouting it at the wind and if it doesn’t answer,
dime, ¿de qué me sirve? (bis)  /  tell me, how does that help me? (bis)

Todos los vientos conocen mi historia  /  All the winds know my story
pero no hacen nada.  /  but they don’t do anything.
¿Será que no me oyen? (bis)  /  Perhaps they don’t hear me? (bis)

He estado aquí y allí gritando como un loco,  /  I’ve been here and there screaming like a madman,
pero todo sigue igual.  /  but it’s all the same.
¿Será que no me oyen? (bis)  /  Perhaps they don’t hear me? (bis)

Quiero gritar…  /  I want to shout out…

Ahora sé que no sirve de nada;  /  Now I know it’s no use;
el viento sois todos que callais al verme,  /  all of you are the wind, silent when you see me,
y dejáis que hable y hable,  /  and letting me speak and speak,
y dejáis que hable y hable y hable.  /  and letting me speak and speak and speak.

No creo que vuelva mañana  /  I don’t think I’ll be back tomorrow
a escuchar vuestro silencio.  /  to listen to your silence.
Quiero encontrar a alguien. (bis)  /  I want to find someone. (bis)

Quiero gritar…  /  I want to shout out…

©1995 E-RUIZZO – ®2013 FRANCÉS RECORDS ;)
Image: "Red eared cactus", photo by Ruizzoidman

Oídos sordos (17 negras)

Welcome to the psychedelic time machine. 

Recorded with Garageband.

Guitars; Washburn HB35 semi acoustic, Fender Stratocaster, Eastwood Sidejack 12 string electric, Epiphone inspired by 1964 Texan and Encore Acoustic guitars, Sire V7 Bass guitar. 

Keyboard; Line 6 Mobile Keys.

Other instruments; mandolin, banjo, piano, bhodran.

Amps; Fender, Line 6. 

Drums; Ginger Baker and Mitch MItchell inspired loops, sounds and hits played by the awesome Dave Martin.

Gear; Behringer UB502 Eurorack, Behringer U-Control UCA202, Macbook Pro, Standard Garageband VST's and plug-ins, Catalinbread Echorec, Dunlop Cry Baby 535Q Multi-Wah.

Thanks for stopping by.
Peace and Love.

All lyrics and recordings copyright The 1969.

All material recorded, mixed and mastered by The 1969.

Chat and share all things retro, psych, prog, 1960's/70's cool on Facebook and Twitter...

New site after E-Ruizzo: https://soundcloud.com/esemanolain-ruizzo

Many thanks to Alex https://soundcloud.com/wouwouandthewormling
and Richal https://soundcloud.com/rickitansky for their fantastic pics !!

Woodstock

The 1969

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