Name: Everyone does everything wrong Pt II by Screaming Parent in analog heart 2013
Duration: 4 min 53 s
Description: From the album 'Everyone Does Everything Wrong'

analog heart 2013

born in a Clapton aquarium and catapulted into the sun; found coughing sea on the safety of a beach.

http://www.facebook.com/jrsea

played/recorded/produced by J.R.C.
additional recording/production by Tom Morris
mixed by Tarek Musa

Out Of Body Auto-Reply

Taken from the forthcoming double A Side single Exploded View/Magpies Eyes out November 5th via CF. 7" is limited to 100 records and includes downloads of both songs plus 2 brand new tracks, also exclusive screen printed artwork by Lucy Jones. Pre-order here: http://cfrecords.bigcartel.com/product/sea-pinks-exploded-view-magpies-eyes-7-dl

Sea Pinks - An Exploded View

09. Desperado Feat GRACJAN, Rada Muz. Faust.mp3

Sunridden

viaje al centro de la verga

Part Of Me (Can’t Take This)

Original Song
by Phil Dutton & Les Corlett

Lyrics
She's been pulling at my strings,
She speaks the words that lay me low,
I'm been living on borrowed time,
She's the only love I've ever known,

So she tells me,
She doesn't love me anymore.

Au revoir, mon amour,
Au revoir, mon amour.

I went through, through the motions,
Forgot what, what was real,
I took her, took her for granted,
I lost my, my sex appeal.

So she told me,
She doesn't love me anymore.

Au revoir, mon amour,
Au revoir, mon amour.

For the rest of the night,
I'm broken and blue,
For the rest of my life,
There'll only be you.

So she told me,
She doesn't love me anymore.

Au revoir, mon amour,
Au revoir, mon amour.

You know when it's over,
It's finished and done.
You know you'll look back,
And smile, you're the lucky one

So she told me,
She doesn't love me anymore.

Au revoir, mon amour,
Au revoir, mon amour.

SNAGGLETOOTH

AU REVOIR, MON AMOUR

Original Song
by Phil Dutton & Les Corlett

Lyrics
I've never had sugar that,
Tasted as sweet,
As the tears that are rollin',
Down your cheeks.
Your tales filled with sorrow,
You've been sleepin' all day.
When the devil comes a knockin',
Will you run or stay?
To look him the eye,
With a smile on your face.
You're another number,
Just to savour the taste.

GUITAR BREAK

Your a man of easy virtue,
With your feelin's  growin' cold.
You'll bight the hand that feeds you,
And you sell your secrets whole.
You've been payin' off St Peter,
Since Paul he flew away.
Slipping even deeper,
Down on your knees you pray.

You fled The Big Easy,
With your tail between your legs.
Hopin' that tomorrow comes,
You'll lie, steal and beg.
For a promise of redemption,
When you might have a choice.
But you feel your heart grow heavy,
As you remember her voice.
She said that she loved you,
But you threw it all away.
Darkness falls upon you,
You've been sleepin' all day.

SUGAR

A perfect song for a couple. Sometimes, everything just lines up exactly right, and a whole new chapter can begin…

Perfectly Alligined

Arrival” is a personal rap story about ambition, self-belief, and chasing a dream bigger than your surroundings. It’s about trying to break through, inspire others, and turn music into a future — one verse at a time

Arrival

Reminiscence – The Gentle Return
Sometimes the heaviest moments are the quiet ones.
When a single piano speaks louder than any voice,
not with words, but with the aching stillness left behind.

Reminiscence is the sound of looking back,
of revisiting the empty chair, the quiet room,
the laughter that once filled it – now just an echo.
It’s not a cry for comfort, but a slow exhale of memory.

This piece doesn’t try to escape the sorrow.
It walks beside it – unafraid, tender, honest.
Because some things cannot be forgotten.
They live on in sound, in silence, in the spaces between the notes.

Performed entirely on the Bechstein  –
a grand piano from EastWest, known for its haunting intimacy.
Its velvety resonance and delicate detail bring life to the sadness,
like a whispered goodbye that lingers in the air.
Every nuance was shaped by human hands – with reverence, with grief.

Part of the album Tides of Melancholy.
No AI. No shortcuts. Just soul, sorrow, and sincerity.

Composed, played, and felt by myself –
for all those who carry someone in their heart but can no longer hold them.
Thank you for listening – and for making space for this gentle return.


Reminiscence – Die leise Rückkehr
Manchmal sind es die stillsten Augenblicke, die am schwersten wiegen.
Wenn ein einziges Piano lauter spricht als jede Stimme –
nicht mit Worten, sondern mit dem Schmerz,
den nur die Abwesenheit kennt.

Reminiscence ist ein Blick zurück.
Zu dem leeren Stuhl. Dem stillen Raum.
Dem Lachen, das einmal darin lebte –
nun nur noch Erinnerung, verhallt im Nichts.
Dieses Stück sucht keinen Trost.
Es atmet die Trauer – langsam, behutsam, aufrichtig.

Denn manche Verluste verblassen nicht.
Sie bleiben – in einem Klang, in der Stille,
in dem, was zwischen den Tönen unausgesprochen bleibt.

Eingespielt auf dem Bechstein Sus Rep Lite DYN –
ein Konzertflügel aus der EastWest-Piano-Serie,
geschätzt für seine emotionale Tiefe und intime Klangcharakteristik.
Sein samtiger Ton und seine fragile Präsenz
verleihen dem Schmerz eine Stimme,
wie ein leiser Abschied, der in der Luft stehen bleibt.
Jede Note wurde mit Sorgfalt und Gefühl geformt – von echten Händen.

Teil des Albums Tides of Melancholy.
Keine KI. Kein Trick. Nur Seele. Nur Trauer. Nur Wahrheit.

Komponiert, gespielt und empfunden von mir –
für all jene, die jemanden im Herzen tragen, den sie nicht mehr in den Armen halten können.
Danke fürs Zuhören – und dafür, dieser leisen Rückkehr einen Platz zu geben.

℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
Unauthorized use, reproduction, modification or distribution of this track is strictly prohibited and will be prosecuted under applicable law.
℗ 2025 DestKorn | © 2025 DestKorn. Alle Rechte vorbehalten.
Jegliche unautorisierte Nutzung, Vervielfältigung, Bearbeitung oder Verbreitung dieses Tracks ist untersagt und wird rechtlich verfolgt.
Artist & Publisher: Matthias K. / DestKorn
SenneRecord – established 2012

Reminiscence

Just a song that came about after sitting and thinking for a while. It’s about everything and nothing really, when you stand back and look at it….

Sometimes

Phone recording 10.8.25

It's a good job that I don't have any pride
'Cause we're being taken for a hell of a ride
They take our freedom they may take our homes
Throw me in a well I wouldn't be alone 
I have always got the light
I have always got the light
The sins of us adults do the children harm
Old McDonald's got to sell the farm
Sweet indifference causes cancer too
I've got no time to loose I don't know about you
I have always got the light
I have always got the light
Mercy mercy mercy please have mercy on me 
Sweet Lord have mercy on me
I have always got the light
I have always got the light

Always Got the Light

Buy Hypnotic Regression on iTunes - https://itunes.apple.com/ie/album/hypnotic-regression-single/id583187872

Belfast-based four-piece Girls Names are a singular proposition, both geographically and psychically removed from their contemporaries at home and abroad. Released on 18th February, their second album The New Life is the sound of a band on the fringes striving to forge their own path, purposefully out of step - and time - with their surroundings. Weighed heavy with the grey landscapes of their hometown, The New Life is isolation laid bare, shot through with an undeterred sense of purpose and individuality.

The band’s performance at Primavera festival 2012 provided them with their first real opportunity to showcase the songs that were to comprise The New Life. The sunshine backdrop of the Spanish coastline offered a somewhat incongruous setting to the eerie dissonance of the new material, a kind of trial by fire metamorphosis rapturously received. Following a tour of Europe, the band returned home to record the album over a series of months. Having been produced by singer and songwriter, Cathal Cully, they’ve managed to capture that sense of otherness the performances at Primavera hinted at. The expansion to a four piece means the garage-clatter of the spritely pop songs of their debut have been replaced by a deeper, shadowy exercise in catharsis, driven by repetition, psychedelia and Dionysian crisis. And the record was born of a weighty concept too, as Cully explains:

“The New Life is not an over night change for Girls Names - just over two years in fact. Dead to Me literally was dead to us by the time it was committed to wax. But it's a learning curve. We started moving on as artists the moment we finished that recording session, maybe even before. Not to dwell on the past, The New Life is what happens when you reset everything back to zero and start again, but try to perfect. It starts back at zero the minute the needle hits the groove but we're also starting back from zero once the needle lifts at the end of the record. Ad infinitum. The New Life is what follows now.”

The album’s title track, and the first single to be taken from the album, is an ideal entry point. Just shy of 8 minutes long, it rotates around a hypnotic bass line, and in Cully’s evocation of renaissance, offers a perfect metaphor for the album as a whole. New single ‘Hypnotic Regression’ - available to stream here - reflects another side to the record. The reverb-heavy guitars and compelling melody are immediately memorable, but there are signs of experimentation, too; the white squall of the lead break; the uneasiness in the vocal echoes that furnish the verses. As such, The New Life, stands as a brave statement; the mark of the band untying themselves from the past and easing forth into the unknown.

The New Life will be released on February 18th on Tough Love (UK) and Slumberland (US).

Girls Names - Hypnotic Regression

Dirt

From the album 'Everyone Does Everything Wrong'

Everyone does everything wrong Pt II

Screaming Parent

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