This is strong use of minimalism. I like those fades in the strings?

@austinpettit: Thank you very much indeed!

What a gripping piece Cedric! It's almost picturesque. I love how it builds up to be followed by those short moments of silence followed by that haunting piano. Beautifully layered and excellent mastering. Congrats on the release, I am looking forward to more :)

very cinematic with great storytelling [via https://sc.repostexchange.com]

Stunning work. So beautifully orchestrated, and grabs tight hold of the listeners attention.

So beautiful and melancholic. Awesome work

Certainly evocative of the subject matter. Nice production.

Nice production and seamless synth and strings

Est-ce piègle ?

Tea Party at the Bottom of the Pool

MIK's Tape

Incredible To Me Now

The introduction to my new undertaking - VESTIGE : 

A Fallout, The Road, Metro etc. inspired post-apocalyptic soundtrack that is going to follow a loose "story" or travel through the described settings, with each track having some kind of situation, location or personality development of the main "character" in mind, which will be explained in more detail in each of these track's descriptions.
This piece functions as a kind of title theme, be that Ron Perlman speaking in monologue over slides of a desolate wasteland or a series opener for a show set in a nuclear aftermath.

I will try to keep this project as coherent and interwoven as I can, but still want to incorporate new elements here and there - it's going to be more versatile than this first track, I guarantee.

So. I'm finally back in the flow (I hope) and will release another project in the near future heavily inspired (and written for) by TES V : Skyrim on which I will work on at the same time to give myself two very different mindsets to work in.

Other than that,

Cheerio
Cedric

VESTIGE

Nothing But A Wasteland

VESTIGE - Nothing But A Wasteland

https://open.spotify.com/track/2uf5UHTyvyo9wi5k25x3Ee?si=098d7a195451417f
https://youtu.be/2y4qIkWiY_o

The scenery on a drizzling day and thought...

Here are the lyrics translated into English:

[Verse]
In the drizzling city
Walk without an umbrella
I saw Wyeth someday
I want to see that masterpiece again

[Pre-Chorus]
At a blinking intersection
Among those who pass each other
I felt like I saw a person
Who have I met before

[Chorus]
Connecting, connecting
From point to point, surface to surface
Far away, far away
Beyond the canvas Woo ...

[Verse2]
The movie I watched that day
I am looking for
Only nostalgic scenery

[Pre-Chorus2]
The rain will stop at night
It will change to the west wind
I rely on the weather forecast
Take a break at the bar on the corner

[Chorus 2]
Forever, forever
I want to believe in something
that doesn't change
A little more, A little more
Woo ...

[Ending]
Hesitating, confusing
Kindness and sadness
Smile and sadness
Memories and eternity

●Spotify

Berry for Bears - Drizzle Down Day

Seq58 Mk Mm  M Mm Morning Nightmare   From Dystopic Dances

Collaboration with The Fall of Saigon, all Alice and Wonderland-y. song was originally his, then I added some guitars and wrote the lyrics.
Check out his page here www.soundcloud.com/ulv-orn-bjornsson

Constantly Chasing and Charming The Rabbit [with The Fall of Saigon]

A Dream I Could Fly (Badly)

Marigold

Sarah's Tears (Tears of the Dune)" est une composition de musique du monde captivante qui traite de la sécheresse et du manque d'eau dans les déserts, mettant en valeur la voix de Donia Anis sous la forme d'un murmure. Cette œuvre musicale mêle habilement des instruments traditionnels et le saxophone, créant une ambiance envoûtante et émotionnelle.

Dès les premières notes, la musique nous transporte dans un paysage désertique où le sable et le vent dominent. Les rythmes des percussions traditionnelles se mêlent aux mélodies enchanteresses du saxophone, évoquant les dunes de sable mouvantes et les rares oasis qui ponctuent ces étendues arides. Les mélodies sont à la fois mélancoliques et fascinantes, reflétant la beauté austère de ces régions.

La voix de Donia Anis, bien que ne prononçant pas de paroles distinctes, apporte une dimension profondément émotionnelle à la pièce. Son murmure doux et évocateur contraste avec la sécheresse du désert, faisant écho à la souffrance et à la tristesse ressenties par ceux qui sont confrontés à la pénurie d'eau. Le murmure de Donia Anis devient un instrument en soi, se fondant harmonieusement avec le saxophone et les percussions pour symboliser les souffrances des habitants de ces régions inhospitalières.

À travers cette composition, les auditeurs sont invités à réfléchir sur les conséquences du changement climatique et de la surexploitation des ressources hydriques, et à prendre conscience de l'importance de l'eau pour la survie de notre planète.

"Dans le désert, l'eau est plus précieuse que l'or." - Proverbe touareg

Sarah's Tears -Donia anis, Antonio G and Mythmaker

Improvised music produced entirely on the iOS platform using an iPad Pro.

Requiem For A Lost Dream

I am me. Isn't that a surprise? I almost couldn't believe it myself when they first told me, but it is true. The Cyanist, Cyanisto or the Wurzelsepp Of The Ages, it doesn't matter. I am an ocean of fire and demonic rage, ready to be unleashed upon the surface of this very earth. Brace yourself - for I have arisen.

If you want me to make music for you, do let me know.

VESTIGE - Nothing But A Wasteland

The Cyanist

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