Make a joyful noise unto the LORD, all the earth: Make a loud noise, and rejoice, and sing praise.

There Goes My Hero (Jesus) Alt

LYRICS:

[Intro]
バカみたいな顔して
…どこまで嘘つけるの？

[Verse 1]
いいよ、またその口で飾って
「大丈夫」って顔、よくできるね
目が泳いでる　震えてる
だけどまだ　続けるの？ほんとウケる

電話のログも　目線のズレも
全部メモってるよ、ほら証拠だよ？
「君しかいない」って　はあ？笑わせんな
まるでゲームみたいなセリフだな

[Pre-Chorus]
言い訳の天才ぶるなよ
“傷つけたくなかった”って、誰のため？
こっちの心は？ねえ、見えないの？
都合のいい正義に　うんざりだよ！

[Chorus]
バカなウソで　塗りつぶして
白も黒もグレーになる
綺麗ごとのナイフで　切り裂いて
信じた私がバカだった

笑えばいいじゃん　どうせ壊れた
あなたの愛は偽物
全部バレてるよ
さよなら、今さら遅い

[Verse 2]
「ほんとは違うんだ」って、はいはい次〜
脚本通りの涙も飽きた
悪者になれば満足？
じゃあその役、もう返すわ

あたしはモブじゃない、ヒロインでもない
ただの背景には収まらない
ナメんなっての、勘違いすんな
嘘で操るには　手遅れだよ

[Pre-Chorus]
あんたの“優しさ”ってナイフ
包んだリボンが笑えるわ
切ったのはこっちの心
それで何が守れたの？

[Chorus]
バカなウソで　飾らないで
どうせ全部見透かしてた
冷めた笑い、投げ返すだけ
もう泣く価値もないや

壊してよ　壊しなよ
中途半端が一番ムカつく
あたしはもう止まらない
バカな嘘に　引きずられない！

[Bridge]
「好きだったよ」…うるさいな
それが嘘でも本当でも
今さら　どうでもいいし
あたしの叫び、聞こえてる？

[Final Chorus]
バカなウソで　終わらせよう
最後くらい本音でどう？
綺麗な言葉はいらない
その顔すら見たくない

笑ってよ　泣いてみなよ
その偽善ごと焼き尽くすから
あたしは自由になる
バカな嘘よ、さよなら！！

バカなウソで (With Your Stupid Lies)

[Verse]
She walks in bold like she owns the night
Eyes like fire but her heart’s airtight
Taking names with a smirk so sly
A storm in heels beneath the sky

[Verse 2]
Oblivious to ripples her chaos spins
Her game of havoc she always wins
She talks in riddles that spark like flame
Untouchable girl without a name

[Chorus]
Queen of chaos reigning wild
Breaking rules since she was a child
She doesn’t care what’s left behind
She’s the hurricane messing with your mind

[Verse 3]
Fingers trace through the smoke she makes
Her laughter roars in her storm of fakes
The room’s alive and it’s hers to claim
She’s here to rule she won’t explain

[Bridge]
Lines she crosses are invisible threads
Written in stories that are never read
She struts like thunder with a heart unchecked
Ignorant to damage she’ll surely collect

[Chorus]
Queen of chaos reigning wild
Breaking rules since she was a child
She doesn’t care what’s left behind
She’s the hurricane messing with your mind

Queen of Chaos

[Інтро – повільне піано, легкі струнні]
Захоплююся жалем…
Ти не прийшов…
Рука тремтить, мов пташка на вітру…
Учора ти цілував…
А нині – лиш тінь…

[Куплет 1 – ніжний спів]
Навчи мене мріяти,
Бо світ цей гасне без світла.
Бажання вчепились у серце,
А щастя зникло, як дим.
Ти кинув мене, зв’язав мої крила,
Все згасло, нема вже нічого…
Та голос мій ще бринить,
Мов осінній вітер в полі.

[Приспів – емоційно, з надривом]
Навчи мене мріяти, прошу!
Навчи відчувати жагу й весну!
Бо серце моє, як скло, тріскає,
Але ще вірить, ще співає…

[Інструментал – гітара, скрипка, 20 сек.]

[Куплет 2 – більш ритмічно]
Уві сні я бачу тебе знову,
Мій хлопчику, ніжний і далекий.
Сто поцілунків горять на губах,
І тіло моє, мов квітка, тремтить.
Та сон – то надія, лиш сон.
А день приходить, немов злодій,
І краде мої ночі кохання,
І лишає пустоту…

[Приспів – гучніше, з барабанами]
Навчи мене мріяти, прошу!
Навчи відчувати жагу й весну!
Бо серце моє, як скло, тріскає,
Але ще вірить, ще співає…

[Брідж – напівшепіт, електронний фон]
Мовчання твоє, мов крижаний струмок…
Тече з гори, ламає квітку…
Я – полонянка твого кохання,
А ти лише грав у втіху.
Мовчанням вбивав серця,
Залишав кладовище душ…
І я серед них…

[Приспів – тихий, майже акапельний]
Навчи мене мріяти, прошу…
Навчи відчувати жагу й весну…

[Кульмінація – потужний вокал, барабани, електрогітара]
У мріях я іду до тебе,
Хай шлях мій буде тернистим!
Полину дзвінким птахом в небо,
Забуду самотність і жаль навіки!

Хай грози наді мною гримлять,
Хай блискавки серце розріжуть,
Я пізнаю, любий, як кохають,
Як щастя крізь труднощі кують!

[Фінальний приспів – повільніше, з наростанням хору]
Навчи мене мріяти, прошу…
Навчи відчувати жагу й весну…
Серце моє, як скло, тріскає,
Але ще вірить… ще співає…

[Аутро – тільки піаніно, голос затихає]
Захоплююся жалем…
Ти не прийшов…
Але я ще мрію…
Ще мрію…

А нині – лиш тінь…

In the near future.

In this album Beaten Hills gets the bands and the electric guitar back and into the spaceship. It's sounds for Oceania with the usual autistic lyrics slightly tuned down. Soft enough for a road trip or a weird mood.

Mū is about an ancient civilization in another time trajectory that crosses into our world. The anomalous dimensional activity brings a handful of Mū's leaders into the world by awakening forgotten memories in everyday people.

[Verse]
Backwards through the pages
Disappearin' stages
Feelin' caged in (Oh)
It's just a little off
Don't get involved
Is that what a good (vvv) is
Is that how my (zzz) should 
Is that what a good (yyy) is

[Chorus]
It's just a little off
It's just a little off
It's just a little off
But don't get involved
It's just a little off
It's just a little off
It's just a little off
But don't get involved

[Verse 2]
As it is in the body
Beat runners by me
Muscle up
Make it online
Large Language model
I'm as worthless as I am
Should be in my bed (Oh)
I hear them callin' me
City's hauntin' me
I'm as worthless as I am
Oh
But somethin' ain't right

[Y]
(Can I remember you into fullness of being)
(Can I remember you all aligned)
(Can I remember you into flawlessness)
(Can I remember you in God divine)

[Chorus]
It's just a little off
It's just a little off
It's just a little off
But don't get involved
It's just a little off
It's just a little off
It's just a little off
But won't get involved

Paranoid

Overall, the song is a rebellion against the suffocating influence of digital culture, social media, and external validation. It champions the importance of finding one’s authentic voice through moments of quiet introspection, emphasizing that true freedom and identity come from within, not from conforming to the "hive" of collective trends.

Silence Between Signals

She takes one step — and centuries collapse.
Sand, smoke, and starlight whirl beneath her feet.
A barefoot goddess made of paper and laughter,
leaping from Rome to disco to the neon dawn.

The world tears open like an old poster,
and she slips through —
grinning, fearless, free.

What they say about this song:
"A time-travel anthem for the absurdly alive."

She Dances Through Time is a psychedelic collage of rhythm and rebellion —
a sonic leap through eras, genres, and selves.
It’s KETA.KALI at her most cinematic:
half myth, half mischief, fully eternal.

All music, lyrics, and visual artwork created in collaboration between human artistry and AI technology. © 2025 MIRAGE – All rights reserved.

She Dances Through Time (Rock)

"Blood and betrayal turned Rome from republic to empire." - National Geographic
"A cinematic metal epic about Power, Betrayal & Legacy - Caesar's Rome told as thunder, choir and truth" -  AxAxC

IMPERIVM: Blood of Rome is AxAxC’s cinematic war-saga: a 13-track ascent from Veni, Vidi, Vici to the Ides and beyond. Built like a documentary set to blades and choirs, this record fuses Christian Rock • Deathcore • Nu-Metal • Symphonic/Cinematic metal with trap-core pulses, Latin chants, and battlefield drums. It’s Caesar’s story told in real dates, real battles, real consequences — and the mirror it holds to our present.

Across Italy, Greece, Egypt, and Hispania, the album follows the rise, the civil war (49–45 BC), the dictatorship (46–44 BC), the Ides of March (44 BC), the vengeance at Philippi (42 BC), and the legacy that crowns Augustus. This is historical metal, just blood, law, and destiny.

Personal note from AxAxC: this project carries the nostalgia of a father’s films and the reality that ambition invites knives. IMPERIVM is for anyone who builds; who believes anyway.

- VENI. VIDI. VICI. — 47 BC; Zela (Pontus)
Caesar’s famed dispatch after defeating Pharnaces II (“I came, I saw, I conquered”). Opens the saga with the certainty that defines his rise.

- CAESAR’S THRONE (Remastered) — 59–50 BC; Rome & Gaul
From his consulship (59 BC) to the Gallic command (58–50 BC), triumphs, and the cult of persona that made him inevitable.

- The Die Is Cast (Alea Iacta Est) — Jan 49 BC; Rubicon, near Ariminum (Rimini)
Defies the Senate’s order; crosses with a legion and triggers civil war. No return.

- BLOOD OF ROME — 49–45 BC; Italy, Greece, Egypt, Africa, Hispania
Civil-war arc in hard dates: Dyrrhachium (48, Pompeian edge) → Pharsalus (48, Caesar wins) → Pompey assassinated in Egypt (48) → Thapsus (46) → Munda (45). Republic broken.

- JUDAS IN THE SENATE (Remastered) — 50–44 BC; Rome
Hostility in the Curia: indictments, intrigues, and the moral panic around “king” that seeds the conspiracy.

- FIFTEENTH OF MARCH (IDES) — 15 March 44 BC; Theatre of Pompey, Rome
Assassination: Brutus, Cassius, over twenty conspirators; 23 wounds; the act meant to “save” the Republic.

- SENATE OF SERPENTS — 46–44 BC; Rome (flashback dossier)
Dictatorship and reforms: Julian calendar, land/provincial reforms, public works (Temple of Venus Genetrix), then the move to dictator perpetuo (44 BC) that precipitates the knife.

- Idus Martiae! Caesar mortuus est! (feat. Pure Addiction) — Alt cut of 44 BC scene
Choral/trap dirge of the Ides—same day, different lens; grief, shock, and the crowd’s turning tide.

- I AM JULIUS (POST IDUS) — 44–42 BC; aftershock
The revenant speech: legacy claims (calendar, laws, roads), propaganda wars, and the truth that “they killed the man, not the movement.”

- MARCH OF THE LEGIONS — 44–42 BC; Macedon & Greece
Antony and Octavian avenge Caesar; the two Battles of Philippi (Oct 3 & 23, 42 BC); suicides of Cassius and Brutus. The conspirators’ end.

- LEGION (Remastered) — Timeless creed
Eagles, standards, formations; the soldier’s oath that outlives politics.

- THE FALL OF ROME — 44–27 BC → 27 BC
From chaos to order: Octavian consolidates, and in 27 BC becomes Augustus; the Republic’s ghost yields to the Empire.

- IMPERIVM — Epilogue/Credo
The price of will. Empires fall; purpose endures. Title motif that binds our personal thesis to Caesar’s arc.

Drop your thoughts, quote your favorite line, and tell us which track hit hardest. Share with a friend who loves history and heavy music.

Credits:
AxAxC — vocals, guitars, bass, orchestration, programming, choir design.
Feat. Pure Addiction on Track 8.
All songs written & produced by AxAxC Studios.

© AxAxCStudios™ — All rights reserved. Distort. Distrust. Destroy.

Look in the Mirror

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