Now this one is new - very new in fact, which is why it is a bit thin and rough! Very much a WIP for the band to tighten up.
Fully produced, recorded, mixed and vocal versions of a lot of these songs coming soon!

Blood Sweat N Cider

The Sands Of Time DEMO

The first experimental track ~ raw sounds

Thunderous Destiny

Letterz (ft. RVZE)

I think this has a more optimistic, traditional house vibe than most of my tracks, primarily through the melody - which for once I played in via the keyboard. As before I enjoyed throwing the vocals in quite late as a little surprise gift. You're welcome.

Everything you don't Say

Everything you don't say

“Pacem Meam Do Vobis” closes the album with a paradox: a promise of peace wrapped in the shadow of death. Borrowing its title from the words of Christ in John 14:27 — “Peace I leave with you; my peace I give unto you” — the song meditates on the tension between divine assurance and mortal finality. It’s a farewell not just in scripture, but in sound.

The track begins with apocalyptic brass — evoking the trumpet blasts of Revelation, heralds of both judgment and transcendence. From this dramatic opening, the song unfolds slowly, building with orchestral weight and sacred texts. But just when peace seems within reach, it arrives in the form of a flatline. A heartbeat stops. The listener is left with the chilling realization: in this world, the only peace we can be certain of may come with death.

Yet even here, a deeper meaning flickers beneath the surface. The text drawn from the Secreta for All Saints’ Day reminds us: “The souls of the righteous... seem in the eyes of the foolish to be dead, but they are at peace.” The concluding “Alleluia” — “Praise the Lord” — is not naïve joy, but a stubborn, defiant hope. It echoes the album’s recurring theme, first spoken by Virgin Black: “All is lost but hope.”

Pacem Meam Do Vobis is the sound of finality — and what might lie beyond.

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PACEM MEAM DO VOBIS

Justorum animae in manu Dei sunt, 
et non tanget illos tormentum malitiæ:
Visi sunt oculis insipientium mori: 
illi autem sunt in pace. Alleluia!

(The souls of the righteous are in the hands of God, 
and the torment of malice shall not touch them:
They seem in the eyes of the foolish to be dead, 
but they are at peace. Alleluia!)

Horror Sacri

Pacem Meam Do Vobis

Dies Irae — "The Day of Wrath" — draws its name and inspiration from the iconic medieval Latin hymn that envisions the Last Judgment: a cataclysmic reckoning where the trumpet sounds, the dead rise, and every soul stands trial before an all-powerful Judge. Traditionally sung at Catholic Requiem Masses, this ancient text has haunted Western music and imagination for centuries, inspiring giants like Mozart and Verdi to transform it into timeless works of art.

This reinterpretation takes a more critical and personal path. Rather than presenting the full, fire-and-brimstone narrative, the track distills the original into select verses — fragments that echo through the music like distant voices from a troubled past. The piece challenges the deeply rooted notion of God as a merciless arbiter, replacing fear with reflection. In doing so, it questions how such doctrines have shaped our inner world — replacing love with dread, grace with guilt.

The composition opens and closes with solemn church organ passages, framing the piece like the arches of a ruined cathedral. The final organ reprise, however, carries a subtle shift — a glimmer of hope, as if the weight of centuries-old judgment might finally give way to something more compassionate.

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DIES IRAE 

Dies irae, dies illa
Solvet sæclum in favilla.

Quantus tremor est futurus
Quando iudex est venturus.

Liber scriptus proferetur,
in quo totum continetur.

Iudex ergo cum sedebit,
quidquid latet apparebit.

(The day of wrath, that day,
will dissolve the world in ashes.

How great will be the quaking,
when the Judge is about to come!

The written book will be brought forth,
in which all is contained.

When therefore the Judge will sit,
whatever lies hidden, will appear.)

Dies Irae

The celestial Tree of Life roots itself in lunar dust, drawing energy from distant stars and reflecting the blue jewel of Earth. Guardians of the universe, ethereal and ancient, gather in quiet reverence, reminding us that myth transcends all realms, even those beyond our own.

Ankh

Let the moon be your guide and fall leaves set the vibe. A Lo-Fi/HipHop track about valley rides underneath the moon and the stars with not a care in the world besides the vibes the moon and stars and alittle bit of romance... your go to song to just destimulate with someone special and just drive to the middle of nowhere and see where the night takes you..Beat Credz: RamaLow

Autumn Vibes and Moonlight Drives

This is the first track of my second album Six Years In Hell. It’s where the story of my possession begins. Ahead lie 16 chronologically sequential tracks about my six-year training away from civilization.

It's a very intense track with aggressive bassline and fast synth lines. The morale is simple: cruelty only breeds cruelty.

Six Years In Hell

The Night of Initiation

This is one of my old tracks created in 2005. I tried myself at Dream Dance and that's what came. It's not a part of my The Moonblooded project, and I don't plan to publish it on other digital platforms.

Eliandra

The Moonblooded - Eliandra

PARTAKE IN A BEVERAGE SIR

Synthpop/Eurodance indie artist featuring forever young woman possessed by a demon-goddess

The Night of Initiation

The Moonblooded

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