LITURGIA BEUYS  /  BEUYS-LITURGIE
flusso sonoro totalsistemico ecopoetico  / klanglicher flux totalsystemisch ökopoetisch

index

LITANIA  /  LITANEI  [0.00’00’’]

CERVI  /  HIRSCHE  [0.06’26’’]

IL CAMMINO DELL'ACQUA  /  DER WEG DES WASSERS  [0.09’45’’]

API  /  BIENEN  [0.12’00’’]

PIETRE (enclave celtica)  /  STEINE (keltische enklave)  [0.17’09’’]

RENANIA  /  RHEINLAND  [0.19’52’’]

CAPPELLO COME TEATRO  /  HUT ALS THEATER  [0.20’21’’]

NIDO  /  NEST  [0.21’32’’]

SIBILLE  /  SIBYLLEN  [0.22’53’’]

IL PASTORE  /  DER HIRTE  [0.24’12’’]

ANGELI  / ENGELN  [0.27’56’’]

CONCHIGLIE GUSCI D’UOVO CORNA  /  MUSCHELN EIERSCHALEN 
HÖRNER  [0.30’26’’]

IL CAMMINO DELL’ACQUA (calda)  /  DER WEG DES WASSERS (warm)  [0.32’50’’]

MUSICA POVERA (selig sind die armen)  [0.35’00’’]

COYOTE (un’idea del nord)  /  KOJOTE (eine idee des nordens)  [0.38’00’’]

SOTTOPASSAGGI  /  UNTERFÜHRUNGEN  [0.39’47’’]

FAGOPYRUM  [0.41’07’’]

ELEMENTA  [0.42’38’’]

IL CAMMINO DELL’ACQUA (fredda)  /  DER WEG DES WASSERS (kalt)  [0.45’53’’]

I CIGNI DI LOHENGRIN  /  DIE SCHWÄNE VON LOHENGRIN  [0.46’40’’]

CARNE DI MAIALE (BEETHOVEN)  /  SCHWEINEFLEISCH (BEETHOVEN)  [0.50’10’’]

INTUIZIONE  /  INTUITION  [0.53’00’’]

LA RUOTA  /  DAS RAD  [0.54’19’’]

LA FABBRICA POCO ILLUMINATA (pompa notturna)  /  DIE WENIG ERLEUCHTETE FABRIK (nachtspumpe)  [0.55’15’’]

MONUMENTO  /  MONUMENT  [0.56’59’’]

LA GOLA DEL LUPO MANNARO  /  WERWOLFSSCHLUCHT  [0.58’29’’]

LA LAVANDA DEI PIEDI (tiepida) /  DIE FUSSWASCHUNG (lauwarm)  [1h00’36’’]

AL-KHIMIYYA  [1h02’50’’]

CUCINA  /  KÜCHE  [1h07’58’’]

AMFORTAS! la FERITA!  /  AMFORTAS! die WUNDE!  [1h10’30’’]

NELLA TORRE DEL MINOTAURO (liberazione)  /  IM TURM DES MINOTAUROS (befreiung)  [1h12’04’’]

LA LAVANDA DEL PUBE  /  DIE WASCHUNG DES SCHAMBERGES  [1h13’43’’]

medicinicamente  /  medizinisch  [1h15’50’’]

NON STUDIARE!  /  NICHT ÜBEN!  [1h20’05’’]

SCOZIA (l’arte dei metalli)  /  SCHOTTLAND (die kunst der metalle)  [1h20’36’’]

STREAMING HOCHSPRACHE (orecchie verdi)  [1h22’12’’]
ogni uomo è un musicista  /  jeder mensch ist ein musiker  [1h23’05’’]

EURASIA  [1h24’42’’]

RITO DI PASSAGGIO  /  ÜBERGANGSRITUAL  [1h27’35’’]

GRASSO E METAFISICA  /  FETT UND METAPHYSIK  [1h31’05’’]

LA LAVANDA DEL VISO  /  WASCHUNG DES GESICHTES  [1h32’25’’]

MIELE (trasmutazione)  /  HONIG (transmutation)  [1h33’32’’]

IL COLORE DEL FELTRO  /  DIE FARBE DES FILZES  [1h38’50’’]

MEGALITHICA (anfore  /  amphoren)  [1h40’28’’]

CAVERNA (lete)  /  HÖHLE (lethe)  [1h42’08’’]

ORO  /  GOLD  [1h43’32’’]

Theatrum Phonosophicum
(© Leopoldo Siano & Shushan Hyusnunts)

21 giugno 2021  / 21. Juni 2021
[solstizio d'estate  /  sommersonnenwende]


Cover image:  Joseph Beuys, Palazzo Regale (detail)

LITURGIA BEUYS  /  BEUYS-LITURGIE

This audio track is based on the famous Italian song "Parlami d'amore" written for Vittorio De Sica in 1932. My reinterpretation is composed for an audio installation intervent aimed at highlighting an emotional relationship that can be established with the virtual Apple Inc. assistant Siri & with all the other similar ones. 

Parlami d'amore Siri

Chaconne

Chaconne For Electronics

An original master of trance.

For more, visit Resident Advisor:
http://www.residentadvisor.net/podcast-episode.aspx?exchange=111

EX.111 Charlemagne Palestine

ANTICHRIST--FRESCO (2021)
This work was commissioned by Arash Yazdani and his Ensemble for New Music Talinn with funds provided by the Ernst von Siemens Foundation.It is an evocation in sound of the famous film by Lars von Trier, ANTICHRIST. Like the film that inspired it, ANTICHRIST--FRESCO follows the same form as described by Lars von Trier in the film's scenario: Opening (Prélude), Grief, Pain, Despair, The Three Beggars, and Closing (Postlude). This short musical work may be considered as a kind of prélude for the operatic adaptation of the film, based on Lars von Trier's film, that is being composed presently. In ANTICHRIST--FRESCO, the harmonium in 6ths of tone, designed by the composer, Alois Hàba, is a kind of sonic protagonist (played by Miroslav Beinhauer) who is accompanied by an ensemble of 8 instruments. The harmonium player and all 8 instrumentalists function as a kind of Greek chorus expressing the powerful emotions that the horrific human tragedy of ANTICHRIST evoke. Unlike the opera ANTICHRIST, ANTICHRIST--FRESCO relies on a combination of  instrumental and non-verbal sounds and phonemes, rather than words, to evoke the intense drama of Lars von Trier's scenario.

ANTICHRIST FRESCO - CD - 2022

AZIONI RADIOFONICHE
a series of sound artifacts by Leopoldo Siano and Shushan Hyusnunts (conception and realization)

DIE HARMONIE DER WELT. DER WEG VON HARTMUT WARM (part 2)
This podcast is been realized using the audio recordings of a conversation with Hartmut Warm (16th July 2022).

Musical quotations:

George Crumb, “Music of the Starry Night“ (aus “Makrokosmos III“)

Rued Langgaard, “Sfærernes musik“

Paul Hindemith, Symphonie “Die Harmonie der Welt“

Paul Hindemith, “Ludus Tonalis“

Brian Cranford, Tobias Krug, Hartmut Warm, “ac-century“ (aus der 
CD „Planetenmusik 2 / music of the planets“)

Michael Vetter, “Ancient Voices“

Willie Ruff, John Rodgers, “Mercury Outward“

Louis Dandrel, “Soleil“ (aus “Le chant des étoiles“)

Karlheinz Stockhausen, “Wassermann“, aus “Tierkreis“

Horatiu Radulescu, “Intimate Rituals XI”

Theatrum Phonosophicum
(© Leopoldo Siano & Shushan Hyusnunts)

Die Harmonie der Welt. Der Weg von Hartmut Warm, 2. Teil

AZIONI RADIOFONICHE
a series of sound artifacts by Leopoldo Siano and Shushan Hyusnunts (conception and realization)

KRISTALLEON IM GESPRÄCH
This sound collage is been realized using the audio recordings of a conversation with Kristalleon (born as Christoph Müller), Rösrath-Forsbach 13th September 2022.

© photo: Elsa Dorfmann, „Harvard Art Museum“

Theatrum Phonosophicum
(© Leopoldo Siano & Shushan Hyusnunts)

KRISTALLEON IM GESPRÄCH

TEXT:

Dödsängeln far i fordonet Syn för Sägen,
är klartänkt och kall och allestädes belägen,
är var och en bevågen,
kan inte slås ur hågen

Hos Dödsängeln slutar allmänna vägen,
för den soffsittarlate och den som är trägen,
för kompositören med sin ters,
liksom för den som sjunger sin sista vers,
ty pank eller rik,
destinationen är ett lik

Ja, visst blir man trött på det mesta,
helt utled på att glamma och festa,
på att låta sig väl smaka,
på frilla och på maka,
på himlarnas tordön,
på regnet som står som spön,
på gamla förvirrade vänner,
på nästan alla man känner,
på hyresrummet och villan,
på Elvis och självaste Dylan,
på pensionen och bankens konto,
på The Lone Ranger och Tonto,
lika så gott att dö pronto

Pronto!

TEXT:

I couldn't foresee,
didn't plan
- but like breathing,
I accept;
like heartbeats,
I come on;
like the succession of days
I find a good rhythm
and let life happen,
in amazement and orderly manners
in the speechless realm
between here and now,
accepting gifts, casting shadows,
stacking numberless versions
of myself
in diaries and undeniables,
feeling myself approach in fullness
and entirety,
cleansing myself thoroughly of dust and dirt
and thoughts
to become acceptable
to whoever I am
when I meet

I find that what I misinterpreted
as being half-lifed
indeed reveals a double-life;
blessings x 2,
keeping my gaze undisturbed,
mind ajar, attention attentive,
all nuances exciting on all wavelengths,
when waging peace
in ruthless acts of refrains and abstains,
language languishing into unexpectations
at time o'clock sharp;
mainstream cafés fully lit and peopled;
the forests out in winter silent,
with shoulders down,
experiencing everything at a distance,
knowing not what to expect next

Between here & Now

Between Here & Now

TEXT:

Religionen var för henne ett tillhygge
att slå folk i huvudet med;
utlösa någons överraskning,
vräka förväntningar över ända;
att lysa sig en särskildhet ur flockens disighet,
etteretsad i en bitterljuv surpris,
medan påfundet dock förtärde henne
ur ätstörningar och högspänningsanledningar;
karvade i innanmätet och åt på henne
som en tropisk malignitet,
medan förnuftet klädde om 
i dåraktighetens heliga carte blanche
i den statsstödda bortomvärldslighet
vari dåren aldrig håller några försvarstal
och dubbelmoralisternas maktmän,
i bisarra utstyrslar och goda inkomster,
hävdar ljuv oförklarlighets utvaldhet

Hon går spökaktig i gudshuset,
van vid var allt finns;
var fastan står som en gammal kommod;
var påsken briserar
i gulor smetiga som hjärnsubstans;
var pingstens mareldar flackar
i tungomålstalandets sexuella fanatism,
och inte behöver hon gå bort sig i nyfikenhet
eller tvivel;
aldrig tveka eller rannsaka,
där hon går stelögd
i vansinnets välstrukturerade maktordningar
genom kyrkoåret, låst i liturgiletargi 
längs ritualers och formalias förledande stänger,
bort från sig, långt långt bort från sig

Där pingstens mareldar flackar

"Giacinto Scelsi and the Inner Mongolia. A spiritual cartography".
A series of podcasts by Leopoldo Siano e Shushan Hyusnunts (conception and realization).

Musical qutations
Sibizgi (Mongolian music, Carole Pegg)
Rituel de Divination Nanaj (Sibérie, Chamanes et possédés)
Shamanesse calling spirits (Mongolian music, Carole Pegg)
Gérard Grisey, Prologue
Giacinto Scelsi, Chukrum
Nasl chest and hargiraa hoomii (Mongolian music, Carole Pegg)
Prima Materia (Roberto Laneri), Roma, January 17, 1976, [The Tail of the Tiger]
Giacinto Scelsi, Bot-Ba, II
Rituel Chamanique Nganasan (Sibérie, Chamanes et possédés)
Joseph Beuys, Ja Ja Ja Ja Ja, Nee Nee Nee Nee Nee
Giacinto Scelsi, Canti del Capricorno, I
Erik Satie, Messe des pauvres
Joseph Beuys and Nam June Paik, In Memoriam George Maciunas
Nicola Cisternino, PIANOpiano. Omaggio a Joseph Beuys (performed by Silvia Belfiore)

Cover image: Joseph Beuys, Schamane, 1963

Giacinto Scelsi e la Mongolia interiore.  Puntata VI, Sciamani (Beuys)

Theatrum Phonosophicum
(© Leopoldo Siano & Shushan Hyusnunts)
https://theatrumphonosophicum.art/
Theater of the Knowledge through the Sound
Sound Actionism
Gesamtkunstwerk
The Magic of Collage (fragments of Infinity combined with other fragments of Infinity)
The Art of Listening

Inspirers
Giacinto Scelsi,  Giuseppe Sinopoli, Marius Schneider, John Cage, Athanasius Kircher, R. Murray Schafer, Mary Bauermeister, Giordano Bruno, Hermann Nitsch, La Monte Young,  Karlheinz Stockhausen, Anselm Kiefer, Joseph Beuys, Kurt Schwitters, Sergei Paradjanov, Gabriele D'Annunzio...

"L'arte, come la magia, è una metafisica pratica".
(Gabriele D'Annunzio, Il fuoco, Arnoldo Mondadori Editore: Verona 1949, p. 823)

LITURGIA BEUYS / BEUYS-LITURGIE

Theatrum Phonosophicum

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