Name: In Love With Rap by THEBESTIGUESS
Duration: 3 min 27 s
Description: Азома - In Love With Rap (Prod. by The Alchemist)

FOCUSED ON MY DREAMS, FATAL L.A. H-BLOCK, FT PROJECT KEV & YUNG A.D. FROM DA COV.

Азома - In Love With Rap (Prod. by The Alchemist)

In Love With Rap

BigRiva - monster

heem dream

On 'Finish Late', Bahri delivers a razor-sharp 4-track EP packed with grit, confidence, and late-night introspection. With slick bars, moody production, and a hunger that cuts through every verse, this project captures the grind-it-out mentality of chasing dreams with no shortcuts. From the first beat to the final fade, 'Finish Late' proves that showing up late doesn't mean showing up last.

Coulda Been Love

победа

uma dez vez

When everybody lets you down pick yourself up call those people out let em know it was a great try. Next time try harder if you really want to destroy my name, character, mind & spirit ❤️‍🩹

Hard To Break

Dead Presidents

money on my mind Asaki soldier

Check out the full lyrics here: https://docs.google.com/document/d/18F-qKY71GV71i2PxItkJnpDDbNYeHPxIUA8lXz25eqI/edit?usp=sharing

"Swipe Left on Love" is a biting, satirical critique of modern dating culture, framed through the lens of app-driven relationships. The song dismantles the illusions of connection, authenticity, and romance perpetuated by platforms like Tinder, Bumble, and Instagram, painting a picture of emotional detachment, performative identities, and algorithmic alienation. The lyrics juxtapose the superficiality of curated profiles ("Bio screams 'Thrill chaser', dude, you chase Wi-Fi bars") against the raw human desire for genuine intimacy, exposing the paradox of endless choice leading to existential loneliness. The song’s narrator navigates a digital wasteland where love is reduced to swipe gestures, filtered photos, and hollow interactions. Themes of deception—catfishing, ghosting, breadcrumbing—are weaponized as metaphors for emotional evasion. References to "Museum of Me" and "blockchain’s reign" critique how personal trauma and vulnerability are commodified into bite-sized quirks for consumption. The chorus ("Betting on dopamine, but the house owns the spark") frames dating apps as addictive casinos where users gamble fleeting validation for real emotional stakes, only to lose to algorithms designed to keep them hooked. The outro offers a glimmer of longing for pre-digital romance ("a 'You up?' that stays ’til breakfast") but ultimately resigns to the dystopian reality: love is a "dead app," and even the moon’s "pixelated grin" feels safer than human unpredictability. The song’s structure—chaotic, verbose, crammed with pop-culture nods and rapid-fire punchlines—mirrors the sensory overload of endless scrolling, where attention spans fracture and genuine connection feels impossible.

In Love With Rap

THEBESTIGUESS

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