Name: Слепой Часовщик - Танцую by C4 | Слепой Часовщик
Duration: 3 min 23 s
Description: Микстейп одного отлета

The night port hangs in overload, like a system no one ever told to shut down. Cranes are frozen over the water like burned-out skeletons, barrels of waste stretch into the distance, and instead of a sunset there’s an acid red noise spilling across the horizon. You can’t just breathe this air, so in this reality people appear only in masks — lone figures still searching for something among the overworked metal.

The protagonist of Overcapacity walks through this graveyard of infrastructure like through their own archives. Every step on a rusty drum is another bit that once felt important and has now turned into a toxic background. The bass in t0ku1-t3n’s tracks rumbles like the low hum of this port, pumping not cargo but consequences. The breaks flash like alarm beacons that no longer warn anyone, just blink out of habit into the void.

This release is a soundtrack to the moment when the world neither collapses nor cleanses itself, but keeps existing in a mode of “too late to slow down.” Overcapacity captures this saturated zone: a space where everything is exceeded — limits, norms, human durability — and where someone still keeps moving forward until the red noise drowns out the last signal.



t0ku1-t3n - Overcapacity

Our Neuropunk Academy graduate — sineed — put together two mixes made entirely of tracks from the Prototypes compilation series.
Part 1 is out today, December 9.
Part 2 drops on Thursday, December 11.

This isn’t just a collection of bangers — it’s a snapshot of how our scene is growing from the inside. All these artists are people we’ve nurtured: they went through Neuropunk Academy courses, developed here, refined their sound, and ultimately landed in Prototypes exactly the way we’d hoped.

Hit play on Part 1, catch the spirit of the series, and support the Academy crew — your listens genuinely help power their next step.

Prototypes  vol.1 mixed by sineed

Our artist Deviloper recorded a special mix ahead of his first solo release, First Protocol — a way to set the mood and hint at the code that’s about to drop.

Press play, catch the vibe, and get ready for protocol launch.

Deviloper - PPRFNK Live M2

Here comes Part 2.
The Prototypes story continues with sineed: a second mix made entirely of tracks from the series, featuring only artists who grew out of the Academy. Hit play.

Prototypes mix v2 mixed by sineed

First Protocol
When familiar communication systems collapse, one channel always remains — the emergency one.
Deviloper calls it First Protocol. It’s not a document or a rule, but a sequence of impulses designed to reboot an entire world. There is no “human–machine interface” here — only a data stream you’re thrown into with no manual for getting out.

Each track on this release is a separate command in a low-level language: syncopated rhythm as a sync signal, bass as voltage on the bus, cold synths as diagnostic packets testing whether the system can survive a new mode. Drum & bass turns into infrastructure — tunnels for packets to rush through, noise repurposed as a cipher.

Paperfunk Recordings captures the exact moment when First Protocol is launched for the first time. After this there is no way back to “before”: every future release will be just another layer over this core. If, while listening, you feel the frequency of your inner noise shifting, it means the protocol is live, the connection is established — and backward compatibility no longer exists.

Deviloper - Micelium

PPRFNK WINTER MIX

Even the brightest people carry a corner inside where the light doesn’t quite reach. Not monsters, not drama — just neatly folded anger, fatigue, swallowed insults and unsent messages. Frosta – Furious, out on Paperfunk Recordings, is about that inner room: the moment when you stop being “nice” for everyone else and, for one release, become honest with yourself.

These tracks sound like a controlled leak of darkness. The sub doesn’t just hit — it drags up all the tension you’ve been stacking for months. Drums are built from restrained reactions and broken brakes; synths snake along the spine and quietly remind you: the part of you that’s furious also has the right to exist. This isn’t destruction, it’s self-defence through sound.

Furious is for those who have spent years being “the good one” and are quietly suffocating in that role. It’s not an explosion, but a planned pressure release: turn it up, give your inner shadow the dancefloor it deserves, let it scream in kicks and snares instead of your throat. And when the last track fades, you don’t shut this darkness back in as an enemy — you take it with you as a part of your strength.

Frosta - Furious

Микстейп одного отлета

Слепой Часовщик - Танцую

C4 | Слепой Часовщик

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