I'm just looking for that hand that understands I used to dance with mercury in my hands before I froze a dove up and erupted... (anywhere geopolitically, geologically, txtbk simple McNally Rally's... sociobiological astro-"POLE-LIT" I KA LL 🤲

six colored tile block

_True love is a shadow, .mp3

LDR - Old Money (lofi remix)

From the opera Carmen by Georges Bizet. Arrangement and singing by Naomi Elizabeth

Carmen - Choeur Des Gamins

Pablo Honey

Blow Out

Once upon a time, I woke up from my slumber and decided, "Hmm, maybe I'll make a Super Mario Kart styled cover of a random Pac-Man song from a random Pac-Man game that not a lot of people care about."


This is the result, I guess. Uhm, enjoy?
(Btw, this isn't really SPC700. I actually did this on OpenMPT lel)

Pac-Man Arrangement - Toy Box World (Super Mario Kart style)

Last Splash

Divine Hammer

Cowgirl Clue's debut album 'Icebreaker' featuring 14 original tracks by Ashley Clue.

Tracklist:
A Figure 8
Icebreaker
Buzzz Out
Twin Flame
Thee Dreams Wilt
Clue Core
Tainted
Hella Faerie
All Up 2 U
Vocaloid
An Accessory
Give It Up
A.D.H.D.
Cloud Nine (ft. Coco & Clair Clair)


All songs written and produced by Ashley Clue
Guitar parts played by Wyatt Shears
Mixed by Ashley Clue
Mastered by Sean Campos

A Figure 8

So Alive

Perhaps the first alternative rock supergroup, The Breeders’ genesis came during the Pixies’ 1988 European tour alongside 4AD labelmates Throwing Muses – when Pixies bassist Kim Deal and Throwing Muses guitarist Tanya Donelly opted to team up for an extracurricular side project. Dubbing the new band “The Breeders” – after the mid-1970s folk-rock group that Dayton-based Deal had earlier formed with her sister Kelley – they recorded a demo that promptly got them signed by 4AD chief Ivo Watts-Russell. The Breeders – now including The Perfect Disaster’s Josephine Wiggs on bass – spent December 1989 in Edinburgh, Scotland, recording their debut album, Pod, with renowned recording engineer Steve Albini behind the board. Released initially on 4AD/Rough Trade, Pod was a critically acclaimed college-rock milestone famously namechecked by Nirvana’s Kurt Cobain as among his very favorites.
Deal, increasingly frustrated by her inability to have her songs included on Pixies albums, restarted The Breeders in late 1991, enlisting her sister Kelley as third guitarist. The band made its 4AD/Elektra debut with 1992’s four-song Safari EP, though Donelly had by that point left the line-up to start her own successful alt-pop band, Belly. Upon the Pixies’ dissolution later that same year, Deal recruited drummer Jim MacPherson and The Breeders became a full-fledged musical concern, kicking things off with a bang by supporting Nirvana on their 1992 European tour.

The Breeders’ second 4AD/Elektra release, Last Splash, arrived in 1993 to universal praise and seemingly constant college-rock radio airplay. “Cannonball,” the album’s first single, proved a surprise Top 40 hit while also reaching #2 at Modern Rock radio. What’s more, the song’s rollicking video – directed by Sonic Youth’s Kim Gordon and award-winning filmmaker Spike Jonze – virtually defined MTV’s alternative programming of the period. As a result, Last Splash received RIAA platinum certification for sales in excess of 1 million.

The Breeders and Elektra ultimately parted ways in 2004, but the band remains a potent and productive force, with additional albums and EPs released though the 2000’s.

Divine Hammer

The Breeders

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