Our Techno box is a curation of killer techno releases with influences from the Berlin techno scene. If you like heavy bass and body shaking Techno, you're definitely in for a treat. This unique experience will make sure you receive a monthly selection of timeless 12" records from the world's leading techno innovators and pioneers. Building up a novel Techno collection has never been this easy. Learn more at http://traxnwax.com/techno-box

Techno Box

“Techno isn’t a sound, it’s a feeling.” That might not be quite how the saying goes, but after listening to Ulysses’ new record on The Bunker New York, you'll be inclined to agree. Feelings is his second release on The Bunker New York, and it's the kind of record only someone with his experience could produce: confident, coherent, and carefully arranged — it hits like a truck.

"I've found that I only make good music if I'm experimenting. Usually, if I try and make 'dance music' specifically, I end up doing something too conventional," says Ulysses, explaining his compositional process. Whatever he's doing, it's working: "How Does It Feel to Feel," the record's opener, features low-slung basslines and synthesizer blasts that sound like jets flying overhead — the other Doppler effect. A techno tune that isn't particularly concerned with techno's rules, it’s a slow 121 bpm — which, paradoxically, makes it feel heavier than faster-paced techno cuts — and spaced-out, barely-there vocals give it a ghostly (but human) touch. "Object of Interest," the record's second track, runs at a similarly slow pace but feels slightly less demented, intensifying the atmosphere created by "Feel to Feel" and priming it for peak-time. 

"The Mascara Snake” is the quintessential B-side sleeper: a moody, melodic synthpop slow-jam that sounds like Duran Duran on some very high quality psychedelics. On a record by a lesser producer, a track like this might feel out of place. On Feelings, it sounds completely natural — the perfect melancholy counterpoint to its primary techno energy. 

Ulysses goes on to explain: "I feel like the line between techno and 'experimental music' is a thin one. You can make the weirdest, most 'out there' sounds and as long as it has a pumping kick drum — you can call it techno." That philosophy has been part of The Bunker New York's ethos since day one, and it's precisely what makes this record so inspiring to us.

Pre-order vinyl and digital

Ulysses - Feelings EP (The Bunker New York 019) - CLIPS

Liit - Kurzstrecke EP [DEMO011]

Random Placement EP by  Jens Tozzberg incl. Mike Dehnert Remix/12" Fachwerk FW037
https://clone.nl/item38600.html
http://www.fachwerkrecords.de/jens-tozzberg/

Hailing from a small village near a mountainous place where the borders of three nations encounter, the machine loving Jens Tozzberg now arrived at Fachwerk Records. With his background as club and festival promoter and wih travels through different musical experiences in the wide range from Drum & Bass to Dubtechno his newest project at Fachwerk contains an eclectic live act with influences from Germanys earliest rave culture, chain reacting echoes and heavy bass techno. Also after many years as world traveling DJ he keeps on searching for new ways of DJing, channeling his approach as a producer into his peaktime nightclub performances. 

Random Placement EP by Jens Tozzberg incl. Mike Dehnert Remix /  Fachwerk 12" FW037

SKUDGE 009 
Out now!
http://www.rushhour.nl/store_detailed.php?item=89033
Solid mainstay Skudge has been pushing their unique mixture of house and techno for over half a decade now.

In a new direction of becoming a sole producer for now, Skudge 009 is the first mark of this new direction.

The intertwined beat structures of ’Waveless’ on the A-side takes us to charted Skudge territory. The small modulations and the pushing groove has become a trademark.

Flipping over to ’Motion’, a colder and haunting atmosphere binds this two tracker together, with a lot of focus and ambition for the future.

SKUDGE009

B. Skudge ''Motion'' (SKUDGE009)

Pre order

A. Skudge ''Waveless'' (SKUDGE009) OUT SOON!

A - How Does It Feel To Feel? - CLIP

B1 - Object Of Interest - CLIP

B2 - The Mascara Snake - CLIP

Field Records embarks on a new mini trilogy of EPs that will present a magical journey through modern-day trance. First up in the series is Artefakt with their three track effort The Final Theory. Dutch producers Robin Koek and Nick Lapien make up Artefakt, and between them they excel at moody voodoo music on labels like Delsin and Field. 

They open this latest EP with the title track, a deep, spacious house roller with subtle pads and gentle acid that perform slow motion acrobatics for nearly ten minutes. It is suspensory, dreamy music that works on the head as well as the heel. Moving Horizon is then less doleful and introspective but just as deep, with sweeping pads add a sense of scale, busy drums bring the dynamism and icy percussive sounds adding a sense of urgency. Last but not least, Solaris is a fatter, more physical groove with claps and gloopy bass, acid flashes and trancey pads all fleshing out a lush and deep electro workout. This is heavenly stuff that cannot fail to get inside your head and heart.

Bandcamp

Artefakt - The Final Theory

The Bunker New York has been producing live music events since 2003, operating a booking agency for many of our artists since 2006, and publishing their music on our two record labels since 2014. Operated by Beyond Booking, a 501(c)3 non-profit organization, The Bunker NY has grown into an established institution which is well known across the world.

WE ARE NOT ACCEPTING DEMOS

bookings: - michelle@thebunkerny.com