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In The Car

Ride For A Nigga feat. Dj Chose

DON'T DO ME

Actin Brand New

Cigarillo

Repsect Me

Grown Ups

Independent Bitches (Remix)

Wow Okay

Hit It Out The Park

Owe Me

Up Hill Battle feat. Sydnee Jane

Act A Azz

Lol Ha Ha!

The Break Up Song

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Whateva Chick feat. Webbie & E-Class

I Need That

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reverbnation: candiredd

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Money On My Mind

Bitch Stop Hatin

Leave Em On feat. Jaytel

Big Girl Shit

Move When I Come Thru

Coming To itunes 11/27/14 <<< Thanksgiving Day!!!


Shawty Da Dayum Dj - Same Shxt You On Feat. Candi Redd

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reverbnation: candiredd
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Silent Treatment Feat. Killa Kyleon

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SAFE SEX & REEFER

Virgin Freak is not a jab at religion — it’s a mirror held up to the way religion is often twisted against women. This song exposes the comedy and the cruelty behind a standard women can never win: men preach purity from the pulpit, then turn around and demand performance in the bedroom. They want a woman untouched like a relic, yet experienced like a veteran — a “holy freak” who somehow arrives fully trained without ever having been touched.

It calls out the spiritual gaslighting where women are told to be virtuous, modest, and obedient “good girls,” only to be judged later for being “too boring,” “too innocent,” or “not freaky enough.” And when women reject the purity box and embrace their sexuality, they’re judged for that too. Virgin Freak highlights the hypocrisy that no matter who a woman chooses to be — saint, siren, or something in between — someone will use religion, righteousness, or “high standards” to shame her for it.

Through satire, contradiction, and exaggerated imagery, the song sheds light on the impossible archetype men try to force onto women: a virgin with experience, a saint with skills, a modest woman who still performs like a fantasy. Rather than mocking faith, it mocks the way faith is weaponized — the way scripture becomes a leash while desire becomes a double standard. Virgin Freak turns those contradictions into comedy and commentary, exposing how women are policed, judged, and spiritually manipulated in the name of ideals no man himself could ever live up to.

In the world of Pick Me Music, this track is the loudest, funniest reminder that women can’t win in a system built on contradictions — so the only way to survive it is to call it out, laugh at it, and reclaim the narrative.

Virgin Freak

The intro opens with a satirical “red pill” podcast clip where a male host lays out the most unrealistic, contradictory standards for women — demanding they be pure, untouched, inexperienced… yet somehow a full-blown freak on command. The men cheer him on as he describes needing a “virgin that can make it clap,” exposing the comedy and delusion behind these expectations.

This intro sets the tone for the entire song and the Pick Me Music album: a sharp, comedic call-out of how men create impossible fantasies, then judge women for not fitting them. It’s the exaggeration that reveals the truth.

Virgin Freak Intro

“Proverbs 31 Woman” is not a mockery of scripture — it is a satire of how modern culture misuses scripture to pressure women.

The song doesn’t attack God, faith, or the Bible; instead, it exposes the contradictions and expectations placed on women who are told to be “Proverbs 31,” while being asked to overwork, over-give, and over-sacrifice for men who give far less in return.

The real Proverbs 31 woman is a whole, empowered, wise, financially strong leader — not a maid, a mule, or a woman carrying a relationship by herself.

This song highlights the gap between what the Bible actually teaches and how some men selectively quote scripture to demand submission without providing leadership, commitment, or responsibility.

Through humor, choir harmonies, and exaggerated “church culture” moments, the song holds up a mirror. It’s not the Bible being mocked — it’s the misuse of the Bible being exposed.

Proverbs 31 Woman fits into the Pick Me Music theme of revealing how women shrink themselves to fit into unhealthy expectations. The satire is the tool — the message is empowerment. The goal isn’t to disrespect faith, but to start a conversation about how faith can be weaponized, and how women can reclaim their God-given dignity, strength, and balance.

Proverbs 31 Woman

He’s The Prize is a satirical anthem that flips red-pill rhetoric inside out, exposing how women are expected to over-give, over-love, and over-sacrifice for men who offer the bare minimum in return. Through humor and exaggerated devotion, the song spotlights a woman proudly treating her boyfriend like “the prize” — even though he’s broke, inconsistent, unfaithful, and sometimes harmful.

She bends over backwards to prove she’s a “good woman”: cooking, paying, staying loyal, excusing bad behavior, and even celebrating a prenup he doesn’t need. Every bar mocks the contradictions in male-centered dating logic — praising men for their “wisdom” despite no achievements, romanticizing struggle-love, ignoring red flags, and rewarding mediocrity as if it’s masculinity.

At its core, He’s The Prize exposes how women in pick-me culture shrink themselves to uplift men who haven’t earned the pedestal. Beneath the comedy lies the truth: when women treat men like the prize, they often lose themselves in the process.

He’s The Prize.mp3

The Men Were Right” is a bold, comedic, and brutally satirical anthem that flips male-driven logic on its head. Through exaggerated obedience and over-the-top devotion, she repeats every cliché men love to preach as if it were gospel—blindly defending them, ignoring her own voice, and proudly fighting other women armed with “receipts” she barely understands. Each verse exposes how far the pick-me mentality can go when a woman chooses validation over reality. By mimicking the most extreme talking points—gym expectations, natural beauty demands, cooking pressures, and moral double standards—the song highlights not only the absurdity of these ideas, but also how easily women are blamed for everything. Beneath the humor is a sharp commentary: even when women bend over backward, it’s still never enough. “The Men Were Right” is both a parody and a mirror—hilarious, dramatic, uncomfortable, and painfully honest.

The Men Were Right

GOOD DAYS / GOOD NIGHTS / GOOD VIBES
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DO IT AGAIN

Candi Redd is a Houston-bred artist, writer, producer and cultural disruptor known for her bold voice, sharp wit, and fearless take on womanhood. She first made her mark with the Billboard-charting anthem “Independent Bitches,” championing female empowerment long before it was a trend.

After years of evolving her sound and message, she returns with Pick Me Music — a satirical, truth-telling spin on modern dating, gender politics, and the chaos of today’s relationship culture. Blending humor, commentary, and southern grit, Candi delivers music that entertains, provokes, and empowers all at once.

Still raw, still outspoken, and still unapologetically herself — Candi Redd is back, redefining the conversation one track at a time.

Booking / Inquiries: 
booking@candiredd.com

Candi Redd

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