Mood

Big Foot

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[Verse]

Streets spit venom, pavement a snake's skin

Curbside sermons, where the bass begins

Knuckles bruised, every scar tells a tale

Mailbox dreams but the checks all stale



Concrete jungle, vines made of power lines

Hustle on the corner, clock tickin' overtime

The cipher circles tight, no room for the fake

Tongue cut diamonds, sharp words that break



[Chorus]

Boom-bap stomp, boots hit the gravel

Every step a war, every rhyme a battle

Boom-bap stomp, echoes through the alley

Heartbeat drums, the rhythm of the rally



[Verse 2]

Soul full of hunger, ribs play percussion

Rats in the gutter, schemes in discussion

Moonlight the witness, shadows the jury

Barrel spins slow, patience or fury



Old heads preach, young bucks don't listen

Every block a scripture, every brick a mission

Graffiti on the walls, hieroglyphs of the street

Blueprints of survival, survival ain't sweet



[Bridge]

Knock-knock-knock, hear the kick drum knockin'

Locks get picked, now the safe's unlockin'

Heartbeats sync with the 808's pound

Footsteps heavy, we shake the whole town

Rapid Boom-Bap Stomp

Quality Control: Control The Streets Volume 1

Fu*k Dat Ni**a

SAWEETIE - FOCUS lyrics

PERIOD

How To Pimp A N**ga

TINA SNOW 

Freak Nasty

Tina Snow

Neva

https://www.icybysaweetie.com

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Queen of Da Souf (Extended Version)

Sex Lies (feat. Lil Baby)

Official City Girls. Booking - Info@CityGirlsBooking.com

Hailed by Rolling Stone as being “the hottest duo in rap,” the City Girls has successfully claimed their stake as being the most notorious power players in female Hip Hop. Yung Miami (Caresha Romeka Brownlee) and JT (Jatavia Shakara Johnson), known for being authentic, uncensored and unapologetic, took the world by storm with their first two projects Period and Girl Code, followed by their contribution on Drake’s number one pop hit “In My Feelings.” The first ladies of Quality Control Music, Yung Miami and JT’s knack for storytelling mixed with their infectious personalities are responsible for empowering a cult following of women who not only have something to say but aren’t afraid to say it. 

City Girls’ presence and ascent, as their lyrics suggest, are attributable to their resilience, pride and just a little bit of finesse. From “Take Yo Man,” “Pussy Talk,” multiplatinum and gold-selling single “Twerkulator,” their recent release “Top Notch,” and their latest release “Good Love ft Usher,” there’s no shortage of bravado, pleasures (both carnal and material), or pursuit of opportunities in their songs, which brim with a buoyant nonchalance, as if begging for someone to challenge them. This ownership over who they are—without shame or pause—that oozes from their music, carrying the proud, sex-positive hustler’s DNA of the Florida rap that preceded them.

Double CC's

City Girls

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