Love it. Reminds me of some of Diosca’s tracks.

really like the syncopated jazzy electronics. and the fusion of the acoustic with electronics.

LUCID DREAMER

Hyper-Dimensional Expansion Beam

PYRAMIDS

The Spoon

Hall of Mirrors (feat. Léa Sen)

Poeira Cosmica

Mr. Brew

Bully Ball

Kodak

black cat

WICKED SYMPHONY 3

Don't Waste My Time

https://stpanther.lnk.to/thesedays 
Written by Daniela Bojorges-Giraldo
Published by Big Deal Beats / Gold Room Special Music / St. Panther Publishing (BMI) (Administered by Words & Music)
Produced by St. Panther and Nate Mercereau
Drums, Percussion, Bass, Vocals by St. Panther
Synth by Nate Mercereau
Drum Programming, Effects Programming by St. Panther and Nate Mercereau
Recorded at Elysian Park and Lower Peter's Canyon
Engineered by St. Panther and Nate Mercereau
Mixed by David Nakaji at Slick Suze Sound in Los Angeles, California. 
Assisted by John Bruington.
Mastered by Daddy Kev at Cosmic Zoo

OKAY, HA HA HA
HA HA HA, HA HA
ALRIGHT, HA HA HA
HA HA HA, HA HA
(PLEASE DON’T TREAD ON ME, NO)

OKAY, HA HA HA
HA HA HA, HA HA
(SHOW ME SOME LOVE)
HA HA HA
HA HA HA, HA HA

IT’S UNBELIEVABLE
THIS SHIT IS PHYSICAL
AND I AIN’T TALKIN’ ‘BOUT SMOKING ON SOME SHIT

I’M BLASTING FROM MY HEAD TO MY BONES
NEVER THINK I’VE DONE THIS BEFORE
AND WHEN YOU LEAVE ME AT THE DOOR
TELL ME WHY YOU ALWAYS HANG BACK FOR MORE

IF YOU FUCK WITH ME, I’LL PUT MY HEART ON A PLATE
IN A VAN WHILE WE’RE TRAVELLING STATE TO STATE
SHOW LOVEON A MIC ALL AROUND THE WORLD
THAT’S RIGHT, THAT’S RIGHT, I’M YOUR GOLDEN GIRL

IF YOU FUCK WITH MY I’LL PROBABLY TAKE YOU TO THE TOP
CONVERSATIONS WITH THE CLOCK, NAH, THEY NEVER STOP
NO TIME LEFT TO SLEEP SO I RELAPSE, JUST NEED FEEDBACK
HEY, CAN YOU RUN MY BEAT BACK?

OKAY, HA HA HA
HA HA HA, HA HA
ALRIGHT, HA HA HA
HA HA HA, HA HA
(PLEASE DON’T TREAD ON ME, NO)

OKAY, HA HA HA
HA HA HA, HA HA
(SHOW ME SOME LOVE)HA HA HA
HA HA HA, HA HA

LIKE A CHRYSLER, BABY
I HOPPED IN YOUR SOUL, HELLO COROLLA
SEE THAT MOTOROLA DRIFTING ON SILENT A WHILE
LET’S TURN IT OVER

WISHING ON A FOUR LEAF CLOVER
THAT THEY NEVER KNOCK ME DOWN WHEN MY FEET LET UP
THEY ALWAYS TRY TO KNOCK YOU DOWN WHEN YOUR FEET LET UP
BUT I SAID NO, PLEASE DON’T LEAVE ME ON MY DRIVEWAY

I’VE BEEN BLEEDING THE TIME
WHY YOU THINK I’M SO GOOD WITH MY HANDS MOTHERFUCKER?
I CAN’T COME DOWN
EVEN WHEN I TRY, I’M FLOATING
SO YOU CAN’T EVEN PRETEND
THAT YOU CAN’T SEE ME COMING
BABY, THIS LIKE A HIGHWAY
SO MANY MILES I’M DRIVING, HEY

OKAY, HA HA HA
HA HA HA, HA HA
ALRIGHT, HA HA HA
HA HA HA, HA HA
(PLEASE DON’T TREAD ON ME, NO)

OKAY, HA HA HA
HA HA HA, HA HA
(SHOW ME SOME LOVE)
HA HA HA
HA HA HA, HA HA

Highway

The Comet Is Coming has possessed an air of inevitability almost from the word “Go”! Much like the trail-blazing name they originally lifted from a BBC Radio Workshop record, the trio has participated in a kind of Big Bang. Its immediately relentless sound demands a sense of being present in the moment yet lost within it, much like how visceral punk rock, interstellar jazz blasts, deepest dance-floor trances and real-time technological breakthroughs do. Octavia Butler once wrote that, “There is nothing newunder the sun, but there are new suns.” And on their third album, Hyper-Dimensional Expansion Beam, synthesist/studio-magician Danalogue, drummer-producer/intuitionist Betamax, and saxophonist/spiritual riffologist Shabaka bring her verses to life. They burn brightly, directly and confidently, soundtracking our epoch of change in ways their contemporaries simply aren’t trying to. Like great artists throughout the recorded century, they possess, in Shabaka’s words, “a sensitivity to the zeitgeist,” channeling their sound into both a mirror to our times and a potential healing process for it. If that seems like asking a lot, The Comet Is Coming is uniquely qualified. Because even by their own telling, that other-worldly power was almost instantaneous.

On Hyper-Dimensional Expansion Beam, they turn it back onto the listener. Wish us all luck!

PYRAMIDS

The Comet Is Coming

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