But i do not like the end. maybe there is a version like the 2 first minutes?

does anybody knows sounds like this? what type of techno is it?

very nice sound but has to be at least 3 mins longer

Available online:
http://www.beatport.com/track/hale-bopp-der-dritte-raum-ison-adaption/4791440

Der Dritte Raum - Hale Bopp (Der Dritte Raum Ison Adaption)

CLOUDED prod t

Dirty Kidd - Aurores Boréales (Original Mix)

Cryptic - Radiance

Artist: Benjamin Damage
Label: 50Weapons

Buy: https://pro.beatport.com/track/monolith-original-mix/7002761

Benjamin Damage - Monolith

Mutter

Ben Klock & Marcel Dettmann - Dawning (revisited)

Laurent Garnier - From The Crypt To The Astrofloor

Artist : @johannes-heil-official
Label @Odd-Even-1 
More premieres : bit.ly/2eTWTpU

Gospel

Premiere : Johannes Heil - Gospel Thirteen

Support the label, buy it here:
lobstertheremin.com/album/it-n...

Artist: nthng
Album title: It Never Ends
Label: Lobster Theremin
Catalogue: LT029
Genre: Electronic
Style: Techno
Format: 12", digital
Release date: 24 February 2017

Album:

nthng - Touches 
nthng - Galaxy
nthng - It Never Ends 
nthng - Soms
nthng - Unity
nthng - In My Dreams
nthng - Abyss
nthng - Eternal
nthng - Last

nthng finally follows up his four stunning EPs with a full album proper, arriving in a whopping 3xLP pack.

Arriving a good 6 months after the LT029.5 album sampler which debuted both Soms and In My Dreams, nthng adds another seven hazy, hooded techno bangers to those to make up a pretty dazzling body of work.

Opener 'Touches' is true ambient bliss, with shrouded, blissful synths fuzzing into view and cut through by a soft low distant sunlight.

Both Galaxy and Eternal thump into view with a hi-paced drums colliding and clashing with syncopated stabs and smooth dusty baselines, recalling the tender techno-trance precipice danced by Dutch producers at the start of the 90's.

The huge mysterious fan favourite and title track It Never Ends gets it's pride of place with 9 mins of deep, cavernous techno, all rippling with epic string-synths and washes of mountainous reverb.

Even deeper numbers are extracted from the hard-drive, including the pensively, digitally-bubbling computer jam Unity sitting tidily alongside the super deep and subtle rolls of Abyss.

Rounding the album out is the appropriately-titled Last. A dark, shimmering, almost emotionless number that cements a different idea of the future. A hard, pounding, yelping, depth-charged technoid closer.

For us, the album feels like a real masterpiece, conjuring a spectrum of intimate and emotive moods, feelings and nostalgia-tinged memories that float into the mind, like the settling fog in the valley on a crisp winters morning.

Benjamin Damage - Monolith

The Cracks!

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