this was real nice yo. great sounds. especially that huge wet bass

CIAIC is an Italian DJ based in Paris. An insatiable delver of dance music’s murkiest depths, he draws inspiration from bass-heavy sounds, dub, and hypnotic rhythms to open a gateway for his imagination.

A dense journey drifting through dub pressure, industrial haze, and glitchy footwork.



AM Podcast #86 - CIAIC

@aliendan
@theory-therapy

https://theorytherapy.bandcamp.com/album/for-the-early-hours-of-a-world-in-bloom

pi premiere: Alien D - Soil Dub [Theory Therapy]

dérive explores dizzying intensities throughout the low-end, defining her signature punch. shifting rhythms criss cross inter-looping soundscapes, leaping to wherever the bassline takes them.


dérive @ Kiosk Radio 17.06.2025

Live recording from Nowadays Nonstop in Ridgewood, NY 6/7/25, 2-5am

Hank Jackson live @ Nowadays Nonstop 6/7/25

New episode of the Hidden Rhythms mix serie signed by Vital. Filled with various style of the electronics spectrum, expect a high energy and raw mix.
All pleasure no pressure

Hidden Rhythms 23 - Vital

A monthly collection of blurred collage, aural experiments, and tonal in-betweens with sound artist and musician Felisha Ledesma. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/felisha-ledesma/episodes/felisha-ledesma-16th-august-2025

FELISHA LEDESMA W/ SHI SHI 160825

Living Room n°88 ~ @user-195275547

q. pls introduce yourself…
Hello, we are forest.exe (Sven and Silvan). We run a label that focuses on ambient, avant-garde and experimental music. It is called Jurassic Ambient Records. The name is inspired by the Jura forests in Switzerland, where we live and grew up. We create our own mixes and also release guest mixes as well as music from friends and anyone interested. We started about four years ago. Over time, we gradually moved away from technoid sounds and club culture, and began experimenting and mixing together within the genres of ambient, experimental and drone, where we felt more at home. For us, it is essential to connect music with the wellbeing in nature, which is also the origin of everything.

q. is there a story behind the mix?
This time we created the mix with Ableton in Sven’s home studio, nestled near the Jurassic forest — not, as we usually do, in a rehearsal room with a Pioneer setup. It was a warm and luminous day at the very beginning of summer. Surrounded by nature, we let the atmosphere guide us, working spontaneously and intuitively. Instead of CDJs, we wanted to explore a new approach, giving ourselves more time and space to shape the flow. This allowed us to engage more deeply with each track and to sculpt the transitions with greater precision.
The result is a mix that feels reduced and calming, almost dreamlike, yet still carries a quiet strength. It mirrors the uncertainties and concerns we feel about the world, and the question of how we might navigate through them. We dedicated an entire day to the process, with pauses, a few beers, and long conversations about the value of music and the character we wanted this mix to embody.

q. what’s the best way to enjoy your mix?
Step into the forest, put on your headphones, leave the world behind and sink into natural, calming sounds. You might wander along the paths and lose yourself in the embrace of nature, or sit quietly on a tree stump, listening to the mix while observing the subtle life unfolding around you. This is, in essence, what our name forest.exe is meant to evoke.

q. describe a favourite object in your living room...
Silvan: My favourite object in my living room is a handmade ceramic piece with an organic, natural design. I discovered it in Krakow last year during my visit to the Unsound Festival.
Sven: Hehe… epic indeed. My favorite object in my living room is a triptych of three Japanese woodblock prints. In the first, several farmers brandishing katanas burst forth with fierce cries. In the second, a lone farmer leaps dramatically over a waterfall, sword in hand. And in the third, a bear flees from the oncoming attackers. The imagery is raw and powerful, yet strangely inspiring. I don’t know the artist or when the pieces were created — but stumbling upon them in an antique shop felt like a stroke of fortune, as if they had been waiting there for me.

q. are you working on any projects right now (music or not music)?
We are both working on new music, though it often takes a lot of time — which can be challenging, since we both work more or less full-time as social workers, and Sven also has children. Still, we meet regularly to create ambient mixes, discuss musical developments, and continue shaping our vision for the label. Through it, we keep releasing new mixes as well as music (EPs) from ourselves and from other artists.
What we love is that this project has been with us for quite some time, and we can move at our own pace — deciding how much energy to put in, or when to slow things down. That way, it never becomes stressful, because we are not chasing success, but rather sharing our musical principles and offering others a fresh listening experience. We are also searching for a spot in the forest where we can record outdoor mixes, letting nature inspire our music even more directly.

Living Room n°88 ~ forest.exe

Summer CO25

@lydias_house @piii3 @lp_sters @dj_candle

art by Carolyn Jungsuh Rhee https://jungsuh.space/

https://candle-object.com

Lydia's House + pi - Summer's End

Tracklist:
Subsurfing - The Number Readers
Azu Tiwaline - Amen Dub
pretty sneaky - A
Big Hands - Girde Maye / Astere (Notte Infinita remix)
Kahn & Neek - Motion Light
Dregs - Underwater (Dub)
Cyrus vs Random Trio - Zambi
Tournesol - Sunny Blow
Oli XL x james K - Drifter Regalia (Boy) [DEMO]
Conna Haraway - Phonetic Reversal
Rei Harakami - schw scow
Piezo - p°P°
Jeremy Young - August
naemi - bloom
Liima - Version 3
The Golden Palominos - You Are Never Ready
Gyrofield - Brinjal (Original Mix) 151
Low End Activist - Wave 02
CiM - Isempty
Andrea - Lush In End (Drum Version)

james K - Trip Lick - NTS September 2025

The Sprawl, EP1, The Death of Rave [2015]

A Project by Mumdance, Logos & Shapednoise

EP2 due early 2018

From Wetware to Software

For the full track listing click here: bleep.com/features/bleep-mix-98--carmen-villain

@carmenvillain is an artist based in Norway who has been releasing on @smalltownsupersound since 2013. Her most recent album ‘Both Lines Will Be Blue’ saw her expand her unique brand of contemporary psychedeliaca even further, luxuriating in the sensuous soundscapes that she creates while also experimenting with music concrete and avant-garde techniques. A remix EP will be released this Friday 28th February that features some of Villain’s favourite dance producers. Her mix for Bleep channels her affection for club music, with just over an hour of trippy, rhythmically astute sounds from a range of contemporary musicians.

From Wetware to Software

The Death of Rave

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