Open Recording Session @ Superbudda, Turin, IT.

Insta: https://www.instagram.com/sebastianplano/

Indie Live in Turin: https://www.youtube.com/watch?v=mKl7OZ1s8ow
Indie Live at Funkhaus, Berlin: https://www.youtube.com/watch?v=fB9zsb2wy9I

New Song - 'Indie' Live in Turin, IT.

Umbrae Vitae is a ritual descent into shadow — not as death, but as the hidden vessel of life.
This chapter of the Arkanæa continuum summons ancestral memory through deep drones, cavern percussion, duduk laments, and layered whispers that echo like breath across stone.

Each track is a rite:
⟐ Corpus in Umbra — the body revealed in shadow
⟐ Fons Obscurus — the dark fountain flowing beneath
⟐ Sanguis Vetus — the ancient blood remembering
⟐ Anima in Tenebris — the soul, eternal in darkness

The sound is sacred, heavy, and intimate — a communion with the unseen, where every echo is a heartbeat and every shadow carries breath.

⟐ Genre: Sacred Dark Ambient • Ritual Electronica • Cinematic Chant Fusion
⟐ Mood: Ancestral • Shadowed • Eternal • Reverent
⟐ Instrumentation: Frame drums • Duduk • Cello • Whispered chants • Cavern reverb • Breath loops

This is not the end.
It is the hidden life within shadow.

Fons Obscurus

An ambient, ethereal voyage carried by soft vocals and flowing textures.

Official Website

Dovish Sentiment

the dark and the light and everything in between (live)

Study for Player Piano (i)

LNT: http://po.st/olafurLNT  
iTunes: http://geni.us/LNTolafurarnalds
Bandcamp: http://po.st/olafurBC 

Standing at the intersection where techno meets classical music, Ólafur Arnalds directs the new Late Night Tales.

“When I was asked to do the next installation of the Late Night Tales series I thought "This will be fun and easy, only a couple of days work. No problem!". Six months later, I was still pulling my hair out in some kind of quest to make the perfect mix. As someone who has never really done mixes before, I learned a lot of things along the way and the whole experience was very inspiring. I decided to approach the mix in a similar way as I would one of my scores. This is the soundtrack of my life. I included songs from many of my friends and collaborators and tried to deliver a mix that represents who I am as an artist and where my influences are coming from - both personally and musically.” - Ólafur Arnalds, March 2016

Follow Late Night Tales:

Web: http://latenighttales.co.uk
Facebook: http://www.facebook.com/latenighttales1
Twitter: http://twitter.com/LateNightTales
SoundCloud: http://soundcloud.com/latenighttales
YouTube: http://youtube.com/latenighttalestv
Instagram: http://instagram.com/latenighttalesofficial
Spotify: http://goo.gl/Q98T7d
Apple Music: https://music.apple.com/us/curator/late-night-tales/1233898093
Bandcamp: https://latenighttales.bandcamp.com/

Late Night Tales: Ólafur Arnalds

Ólafur Arnalds ft. Arnor Dan - Say My Name (Late Night Tales: Ólafur Arnalds)

Taken from their forthcoming mini-album 'Ellis' out July 8 on Erased Tapes.

Pre-order the LP/CD/DL here: www.erasedtapes.com/store/index/ERATP086
or from iTunes here: http://snip.ftpromo.net/ellis

For the first half of the twentieth century, Ellis Island stood as the gateway to America. For some twelve million people, it was their first encounter with the land they hoped to call home. 

Directed by acclaimed artist JR, ELLIS tells the story of one such migrant. Starring Robert De Niro, the film winds its way through the crumbling hallways of the abandoned Ellis Island hospital complex, now home to JR’s Unframed art installation. It’s a place that reverberates with the hopes and fears of those who passed through it, the echoes especially resonant today.

Entwined with the narrative is a score composed by Woodkid, performed and co-written by Nils Frahm. The delicate piano motifs of Winter Morning I culminate in a crescendo of strings, while the harmonium swells on the B-side are the foundation for De Niro’s narration: an encomium for those who shaped modern America. 

There’s perhaps never been a more fitting time for this story, with all the proceeds going to the Sea Watch initiative, a non-profit charity dedicated to the protection and rescue of civilian refugees. 

Following a screening as part of Nils’s Barbican Weekender, the ELLIS score will be out July 8th, the same week as America’s great federal holiday. It will be available via Erased Tapes as a mini album on CD, vinyl and in digital format containing a 12-page picture booklet.


IN THE ARTISTS’ OWN WORDS:

Nils Frahm: ‘The opportunity to work on JR´s fantastic short film ELLIS came through my good friend Yoann aka Woodkid. We agreed on recording the piano parts in my studio in Berlin and so it happened that JR and Woodkid were guests at Durton studio on a wonderful late summer day in 2015. We managed to record all the crucial elements that day. The music fell in our laps and melted with the images: a wonderful experience. The film has stuck in my head ever since; it moved my heart and changed my soul.

A couple of weeks later I had to cancel a trip to Brussels because of a terror warning; all events got cancelled and I stayed home, having an unexpected day off. I felt rather depressed that day, thinking that the Europe I knew was already gone. I sat down at the harmonium, listened to Robert De Niro’s voice and played for the rest of the day. The result is ‘Winter Morning II,’ the B-side of the ELLIS soundtrack release.

Robert says it all in 17 minutes. We are not facing a refugee crisis. We are facing a crisis because we do not embrace, we do not sympathise and we cannot give up fear. Art can encourage so I hope this project will help fight the fear in all of us.’

Yoann Lemoine, aka Woodkid:  ‘Ellis is my second collaboration with JR after the New York City Ballet piece for Les Bosquets. I initially wanted this piece to sound like it was recorded on an old piano that we found in the ruins of Ellis Island, in the restricted area that is not open to the public, where JR pasted the pictures on the walls for the film Ellis.

I had worked with Nils before and I wanted him to create a sound for this piano part that I composed that was extremely gentle and organic. I wanted the listener to hear the mechanisms, the breathing of the instrument. I wanted it to be imperfect, to sound like a ruin, a trace, an echo, the way the pastings on the walls seem to be ghosts, almost imperceptible.

After a few rehearsals, Nils stripped down my piano parts and we removed almost all orchestration around the piano. He then worked on the extended version that is his interpretation of my piece, with Robert de Niro’s vocals.

Because this film and this recording is historically meaningful, it was important for us to create this piece as an echo to the immigration situation in Europe, and decided to release it in support of Sea Watch.’

Ellis

Winter Morning I

Buy LP/CD/DL

Woodkid & Nils Frahm - Winter Morning I

1.	"Dream 3 (In The Midst Of My Life)"	 10:04
2.	"Path 5 (Delta)" 11:14
3.	"Space 11 (Invisible Pages Over)" 5:16
4.	"Dream 13 (Minus Even)"	8:53
5.	"Space 21 (Petrichor)"	4:48
6.	"Path 19 (Yet Frailest)"	7:51
7.	"Dream 8 (Late And Soon)"	11:53

Max Richter - From Sleep (Full Album) 2015

Artist: Max Richter
// Song: On The Nature Of Daylight
// Link: https://soundcloud.com/max-richter/02-on-the-nature-of-daylight

Remixer: Monocherry
// Link: https://soundcloud.com/monocherry/max-richter-on-the-nature-of-daylight-monocherry-remix

Youtube: https://www.youtube.com/watch?v=ku0s_Pj9wZA&feature=youtu.be

// Support: The Deep Ambient Project
https://www.facebook.com/pg/The-Deep-Ambient-Project-132938227274043

// Wisdom Quote:

I like to call it nighttime brain: the way your mind seems to function on a different frequency than it does during daylight hours - which can be good or bad but also can lead to unexpected epiphanies or experiences that wouldn't be the same at any other time of day. 

~ Erin Morgenstern

// Bio: https://en.wikipedia.org/wiki/Erin_Morgenstern

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// Thank you for Listening.

#TheDeepAmbientProject Salutes you!

__________________________________________

Max Richter - On The Nature Of Daylight (Monocherry Remix) [1hour]

3.32.39 is the 4th track in preview of Plume, my album on vinyl, that will be released October 16th.
The title is the exact hour in which, on April 6th 2009, an earthquake occured in L'Aquila, destroying  part of the city and changing its very soul forever.
The track is meant to be an homage to the victims memory and, at the same time, a hymn to life for whom has survived and found the strength to react.

http://luca-longobardi.bandcamp.com/track/33239

3.32.39

Samples from every track on the new album, For Now I Am Winter out Feb/March 2013:

iTunes: http://smarturl.it/OAiTunes
Amazon: http://smarturl.it/OAamazon

Visit and contribute to the fan-art site: http://olafurarnaldsart.tumblr.com/
Join the mailing list: http://smarturl.it/OAlist


Twitter: http://twitter.com/OlafurArnalds
Facebook: http://www.facebook.com/olafurarnalds
Website: http://www.olafurarnalds.com/

08 Only the Winds

Welcome to the Future.

We accept free submissions here. 愛

🌎 #thedeepambientproject@gmail.com or DM ⬇

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✅ Send links to the track
✅ Type "This is a submission" in your message so we can verify its not spam.

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If your track is accepted, we will notify you. Your track will be placed in our infamous playlists known as "SUBMISSION CATALOGS" Consider becoming a friend of this project and following our pages to help expand our outreach. 

About:

🌎 #TheDeepAmbientProject is a promotional project and independent-label based out of Etobicoke, Canada. Our promotional project aims to showcase electronic music on a global stage and help upcoming artists get recognized.

"Don’t only practice your art, but force your way into its secrets, for it and knowledge can raise men to the divine.”

― Ludwig van Beethoven

..Beam me up scotty!

Max Richter - On The Nature Of Daylight (Monocherry Remix) [1hour]

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