Sea, Swallow Me-instrumental (sped up + reverb)

i fuking hate my life] + vacations young (speed up) tiktok audio

"I've always felt alone...my whole life, for as long as I can remember. I don't know if I like it...or if I'm just used to it, but I do know this. 
 Being lonely...does things to you, and feeling shit and bitter and angry all the time just...eats away at you."

Simon henriksson x subete no mono no woari

Subete No Mono No Owari Wa Sugu Ni Yattekuru.7-Rory in early 20s (slowed)

I've Always Felt Alone

if that's true, then why do you look so sad

in my restless dreams, i see that town

silent voice x scary night (pitoeloengan)

Long Distance

The DeVaux Project - Long Distance

I Skydd Av Mörkret - I Ensamhet

With his seventh full-length release, Unterland, Austrian composer and sound artist Kobermann (Johannes Piller) presents a meditative counterpoint to a culture spinning ever faster — one where the next reel, the next drop, and the next dopamine hit scream for attention. Unterland withdraws from this dynamic, offering instead a deep, slow-burning exploration of repetition, space, and sonic ritual.

Created primarily using modular synthesizers, field recordings, and minimal post-processing, the album moves between ambient, dub, and avant-garde minimalism, drawing influence from early New Age cassettes, contemporary drone practices, and tape-saturated club ghosts. But more than genre, Unterland is a terrain — an imagined topography where each track marks a physical and emotional waypoint.

The 60-minute journey begins with Waves, where blurred field recordings and gently detuned drones wash over the listener like fog over a valley. A child’s voice introduces the piece, speaking of “huge waves” — a fitting metaphor for the undulating nature of what follows.

The 23-minute Hokus Pokus becomes the album’s gravitational core. It’s less a composition than a space to inhabit: modular sequences, feedback loops, and noise textures evolve gradually, encouraging listeners to surrender to a slower sense of time. It’s an invitation to recalibrate — to listen in a way modern life rarely allows.

Alebrijes follows as a surreal, protective presence: ghostly rhythms, laugh-like tones, and deconstructed dub pulses drift through the mix like dream-guardians.

The B-side opens with Strobe Pad, where shimmering pads, panned percussion, and reverb-drenched harmonics suggest a moment of clarity — a brief emergence from the murk. The track serves as a light source before the final descent into abstraction.

Small Cases and Unfold mark a psychological ascent: from the minimalist weightlessness of travel into the oxygen-thin air of revelation. Granular textures and filtered drones evoke both euphoria and disorientation — the moment after a summit, when the world reshapes itself around your breath.

The closing track, Future Schmelz, places the listener at a glacial edge, where crumbling drums and filtered sequences collapse into a dance of entropy. Delayed hats, decaying Moog DFAM sequences, and feedback bursts create a post-dub atmosphere — as if memory itself were dissolving.

All seven pieces were composed and recorded between February 2024 and February 2025 using a modular system, recorded and arranged in Ableton Live. 
credits
released July 13, 2025

All Tracks written and produced by Kobermann
Mixing & Mastering by Johannes Piller
Photography by Jonny P.
Artwork by Tanja Tuner
All rights reserved © A.T.C. Records 2025

Bandcamp

Kobermann - Strobe Pad

The moment before the tears, the stillness before the change — “on the verge” by https://instagram.com/asterionsound is a beautiful piano piece that lingers in the in-between.

The DeVaux Project - Long Distance

Miles DeVoe

Related tracks