professional djs

Four Tet, Fred Again.. & Skrillex in Times Square for The Lot Radio

It was a decade best summed up by podcasts, cancel culture, fake news and memeing our way through tragedy and triumph. But was 2012-2022 any crazier than eras past, or was it that the prevalence of social media put major international events on our digital doorsteps? A Hollywood star becoming the leader of the free world? Bizarre… but it wasn’t the first time. 

Obscure global events just felt more tangible than ever, and we were all finally able to have our say. Communication with pop stars and major companies was instantaneous, and stardom was diluted by the ability for strangers to become a viral sensation overnight. 

With the advance of accessible technology came the explosion of bedroom producers like Flume, who would dictate the direction and popularity of an entire genre. At a glance, many could argue it was the death of originality in pop culture, with covers, remixes, sequels, prequels and remakes dominating the mainstream. The recent emergence of AI will either give those creative minds the resources to forge a new path into 2032, or accelerate us into repetition.

Flight Facilities Decade Mix: 2012-2022

Bonobo – live from Boiler Room x DGTL Amsterdam.

Bonobo | DGTL Amsterdam | Day 2

ODESZA - Lollapalooza 2023 Full Set

Under The K Bridge - Brooklyn, NY 5th May 2024

Finsbury Park London 10th August 2024

♬ Click for more ☞ https://trndmsk.de

⚡ Follow us on YouTube ☞ https://www.youtube.com/c/TrndmusikDe
🌃 Follow us on Spotify ☞ https://spoti.fi/2jzGmv2  

Get @aemygdala's rework for @Naethanmusic on @kioskid here: 
➟ Bandcamp: https://kioskid.bandcamp.com

For the second part of no. 39, Kiosk ID delivers four distinct reinterpretations of Katy and Hybrid Catalysis: Julian Koerndl, Motip White, ĀEMYGDALA, and Johannes Klingebiel follow up Naethan’s emotionally rich electro-acoustic palette, projecting it into new, dancefloor-driven dimensions.   

Julian Koerndl strips Katy to its bare percussive essence, conjuring troves of relentless staccato energy. Barrages of squelching 16th-note basslines collide with malfunctioning samplers and glitched-out beeps and blips in a choppy reduction to undiluted dancefloor power—tight, tough, and unapologetically physical.   

Motip White transforms Katy into an anthemic technoid vision, anchoring its trippy and emotional core in a searing percussive framework of reverberating rides and shakers. Beautifully building on the original’s laser-sharp sound design and resonant, notched leads, Motip White expands on Katy’s hypnotic depths while keeping things raw, left-field, and captivating.   

ĀEMYGDALA transform Hybrid Catalysis into a blazingly bright House journey with subtle tribal undercurrents. Potentiating the original’s dubby warmth and weightlessness, their version gently arcs ecstatic sawtooth strings and radiant chords across a compact and infectiously groovy percussive core—an incandescent four-to-the-floor journey for late nights and early mornings.   

Johannes Klingebiel offers a techier rework still, leading Hybrid Catalysis into a groove-driven world of syncopated percussion, ricocheting vocal chops, and shimmering horns. Balancing drum-centric energy with a cloud of luminous synths and delicate electric horns, his version feels both physically grounded and blissfully translucent.

🎧 More Music in our Playlists on Spotify ⤵
💃 It's Time to Dance: https://spoti.fi/2FjcR9k
⚡ Melodic & Deep House: https://spoti.fi/2JVCgJH
🌃 Mosaic: https://spoti.fi/2qMavuY
🍍 Organic House & Downtempo: https://spoti.fi/2K0w7vN
 👯‍♀️ Yoga Electronica: https://spoti.fi/2qJt0A9
💥 White Ocean (Burning Man): https://spoti.fi/2vrVN0W
🌌 AfrikaBurn: https://spoti.fi/2qMRUOy

🐧 trndmsk's weekly Spotify charts: https://spoti.fi/2sgrlms

Click for more ♬

Naethan - Hybrid Catalyst (ĀEMYGDALA ReWork) [Kiosk I.D.]

Welcome to part 7 of the FMB DIsccord mix series. For this episode, we have Discotechnological gracing the decks: 

Hello everyone, I’m Nathan and I go by discotechnological online. By day, I’m a UX/UI designer based near London and I am happiest when I’m making things, whether that’s websites or apps, photography and design, Lego models, building things around my house, and more recently, music - which I release as Singer and the Instruments. 

Like many people I’m sure, I first got into Bicep around the time Glue came out and after picking up the debut album I was hooked and went digging through their back catalogue to find all those other gems. After that I watched a couple of the shows on YouTube and then the 6Music festival during lockdown when Isles came out, but it was the Glasto ’22 set that convinced me that I had get out and see them for real, so I got tickets for Ally Pally and loved every second of it. It was the best gig I’ve ever been to - until Chroma in the Park last year.

For my mix I wanted to showcase some of the great artists and tunes recommended by the community - and some made by them too - alongside some of my fave classics going back as far as the 90’s (yes, I’m that old!). I’m glad I was allowed to include my PULSAR remix as it was such an treat to be able to work with the amazing stems provided for the competition, but more importantly I felt that it was such a fantastic experience sharing our work with each other - getting incredible and valuable feedback and tips from the talented people in the Bicep discord community.  The mix itself is a bit different from previous entries in the series as I’m more of a blender. I like finding those intros and outros that work well with each other and just letting them roll. It takes in some techno, some breaks, a bit of house and trance, plus a surprising amount of acid, culminating in a visit to the chill out room (do they even exist any more?) and a sneaky discord-exclusive from the lads.

Hope you all enjoy it and maybe discover something nice that you’ve never heard before.

https://soundcloud.com/singer-instruments
https://singerandtheinstruments.bandcamp.com
https://www.instagram.com/discotechnological/

0:00:00 - Speedy J - Pepper [Warp]
0:04:11 - Reload - Soaring [Universal Language]
0:06:40 - Swoose - Breathe [Feel My Bicep]
0:10:20 - not even noticed - Feel [Eudemonia]
0:12:33 - Future Draft - Until [FD]
0:15:15 - Pascal Nuzzo - Hold On [R&S]
0:14:44 - Acke - The Way of Rave (303 Vocal Remix) [Acke]
0:19:20 - Slow Assembly - Paramount (Original Mix) [Circuit Grooves]
0:23:12 - Fathead - Skweeler [Humboldt County Records]
0:26:25 - Foamek - Swing [Youngbloods]
0:29:55 - Shit Robot - Chasm [DFA]
0:34:13 - Rhiordan & Stanton Warriors - Bring Me Down [Black Book Records]
0:35:56 - Singer and the Instruments - After 8 [bandcamp]
0:39:46 - Francois K - Time & Space [Wave Music / NRK]
0:43:49 - Voom Voom - Baby [Voom:Voom]
0:47:01 - Bicep x Singer and the Instruments - PULSAR (discotechnological 4x4) [unreleased]
0:51:27 - Bonobo x Totally Enormous Extinct Dinosaurs - Heartbreak [Outlier]
0:54:40 - Floating Points - Problems [Pluto / Ninja Tune]
0:57:33 - Daniel Avery - Knowing We’ll Be Here [Phantasy Sound]
1:01:34 - L.F.O. - Freak (discotechnological edit) [Warp]
1:04:08 - Om Unit and TM404 - Motorway Acid [Acid Test]
1:06:36 - Special Request - Morning Ritual [Houndstooth]
1:09:47 - London Hatred - Refuge [Videoclub]
1:13:03 - Humanoid - Sweet Acid Sound [De:tuned]
1:16:46 - Gerome Sportelli - Interstate [Motech Records]
1:19:24 - L.A. Synthesis - Levitating Machines (Nanodyne Corp Mix) [Vortexian Recordings]
1:22:18 - Sound Synthesis - Be Humble [Distant Worlds]
1:27:24 - Tin Man - Afters Acid [Acid Test]
1:32:26 - DOVE - Bi83 (Beatless) [discord exclusive]

Thank you for being part of our community, we hope you love the mix!
The FMB Discord crew.

Join the Bicep Discord community: www.levellr.com/bicep

FMB DISCORD MIXTAPE 007 | Discotechnological

The idea behind the mixtape was to treat dubby and percussive sounds as a kind of palette rather than anchoring myself to a specific genre. I’ve always had quite an eclectic taste, and my sets have naturally reflected that. After having been quite chaotically genre-fluid since I started DJing, I feel as though I am finally finding my own sound, where there’s plenty of room for fluidity but feels much more intentional and personal to me.

I wanted the mix to act almost like an ID or self-portrait, pulling together the styles I gravitate towards most at the moment. It’s an introspective recalibration of my sound and intent, merging deep sub-bass with forward-thinking, deconstructed styles that prompt both movement and reflection. There’s a strong emphasis on hypnotic, percussive, dubbed-out cuts, playing with tension and release, and navigating the line between moody and fun.

I felt brave enough to push myself out of my comfort zone and attempt a polyrhythmic transition where I blend a chuggy 3 bar loop at 110 BPM with a 4/4 dubstep track at 146 BPM. I also threw a 3 deck mix in there just for good measure :P It was a bit of a workout but worth the sweat!

I’ve also recently been quite fascinated in how dubstep is being reimagined, which allows a broader palette of sounds to feel at home within its framework. I tried to reflect that by including influences from outside traditional club genres that still feel very relevant to my sound.

In a nutshell, the mix is an appreciation of dubwise textures, UK soundsystem culture and global club and percussive sounds, tied together by a lot of introspection which should hopefully invite people to dance and also listen.

Feel My Bicep Mixtape 263: Zuri

Four Tet -  Glastonbury Live set 2025

Floating Points - Glastonbury 2025

The Yellow Sun Mix

KSET - KILO

DIE - TECH HOUSE INSTRUMENTAL DJ (2)

Four Tet @ Lightning in a Bottle 2025

@Lane8music recorded this sunrise set on Grand Lake, Colorado in September, 2020.

He explored a lot of his favorite upcoming @TNHlabel music. The full video is located below:
https://www.youtube.com/watch?v=n_LcVqqHSY8

Tracklist:  https://www.1001tracklists.com/tracklist/189bddvt/lane-8-sunrise-set-grand-lake-colorado-united-states-2020-09-06.html

====================

Follow This Never Happened on Spotify: https://tnh.lnk.to/TNHPlaylist
New merch items: https://lane-8-merch.myshopify.com/

Follow Lane 8:
Website: http://www.lane8music.com
Facebook: https://www.facebook.com/lane8music
Twitter: https://twitter.com/lane8music
Subscribe: http://po.st/ytlane8music
Spotify: http://po.st/sLane8
Instagram: http://instagram.com/lane8music
SoundCloud: https://soundcloud.com/lane8music

Sunrise Set - Grand Lake CO (2020)

Lane 8 - Sunrise Set (Grand Lake, CO - 2020)

Visit our website: http://thedolab.com

Do LaB is an events business and leader in American festival culture based out of Los Angeles, California. We build and promote music festivals, interactive environments, and unique structures that exhibit and celebrate our ethos of human connection, art as transformative experience, and environmental sustainability. We have created our festivals from the ground up and are best known for Lightning in a Bottle (LIB), Woogie Weekend and The Great Convergence, which took place at the pyramids of Giza in Egypt. Our creative structures and environments have inspired and connected thousands at festivals all over the world including Coachella, Boom Festival, Virgin Music Festival, Global Gathering, and many more.

Stay tuned for what's coming next! http://thedolab.com

Producers of:
Lightning in a Bottle || http://lightninginabottle.org
Woogie Weekend (2015-2016) || http://woogiewknd.com
Dirtybird Campout (2015-2018) || http://dirtybirdcampout.com

Four Tet @ Lightning in a Bottle 2025

Do LaB

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