Name: Marques Wyatt @ Lightning in a Bottle 2025 by Do LaB
Duration: 1 h 31 min 24 s
Description: Marques Wyatt live from the Junkyard at Lightning in a Bottle 2025

This set was my highlight from this year LIB 🔥 Amazing set 💥

I liked Ben's set, in bound like this one, let's find out 🧬🚬👽

this is miraculous in its coverage, all the bases, I would replace nothing, melted face, displaced but never erased

viva la Revolucion y la resistance, let's dance 🪩⭐

I'm pleased to share this live recording from this year's Lightning in a Bottle via "The Junkyard Stage."  It's been my experience that sometimes, the really good ones don't get recorded.  I'm glad this one did, so that those whom were present can relive it and those whom were not, can listen for the time.  NJOY! <3

MARQUES WYATT "live" at LIB's "Junkyard Stage" 5.27.23

Recorded live at The Junkyard, Lighting in a Bottle 2025. 
@thedolab

Miko Franconi @ Lightning in a Bottle 2025 (Junkyard)

Marques Wyatt live from the Junkyard at Lightning in a Bottle 2025

Marques Wyatt @ Lightning in a Bottle 2025

With haunting melodies, layered textures, and rhythmic motifs that return with subtle variation, Same As It Ever Was invites listeners to reflect: Are we moving forward, or just circling the drain with better technology? Both urgent and timeless, this album is a mirror held up to the ages — and to ourselves.

Same As It Ever Was

Thanks to DoLab - Jesse, Dede, Megan and all for producing another amazing festival that I'm so honored to be regular at, and to the Junkyard- Patricio and Chino for the amazing stage and sound!

Edit July 16 - Track List just added!  A million thanks for the artists represented here for their dedication to making interesting electronic music in a world with limited interest in that.  There are those of us that care!

1 - State Of Mind - Andromo (@andromo)

2 - Burning - Zetbee (@zetbee-1)

3 - Versace - Jorick Croes, Enrico Chirchiello  (@jorickcroes,  @enrico-chirchiello)	

4 - Special For Me (Extended Mix) - Michel De Hey (@michel-de-hey)

5 - Space System - Nick Dare  (@nickdare)

6 - Bonjour Tokyo - M.ono (@m-ono)

7 - Gorgeous (Oscar Barila Remix) - Oscar Barila, Vasily Umanets  (@oscarbarila, @vsiliyumanets)

8 - I Can't Lose You (Pete Moss Remix) - Mo'Cream	(@petemosstracks, @mocreamproductions)

9 - Control (Gorge & Nick Curly Remix) - Hank (@gorge, @nickcurly, @hankkorsan)

10 - Grow (Joel Mull Remix)- Paul Brtschitsch, Malte, Mrrod (@joelmull, @paulbrtschitschofficial) 

11 - MOOG Hero - Joel Mull (@joelmull)

12 - A Feeling (Instrumental) - Jasper Street Co., Nicole Moudaber (@jasperstreetco, @nicolemoudaber)

13 - La Petite Faveur (Fsk24 Remix) - DJ W!ld (@chris-carrier-841295497, @djwild)

14 - Cami's House - Hector Couto (@hectorcouto)

15 - New World - Tuccillo (@tuccillo)

16 - Celestiarp - Vini Pistori (@vinipistori)

17 - Indignation - Kevin Yost (@kevinyost)

18 - Nothing 2 Me - Jorick Croes, ØN.THE.RUN (@jorickcroes)

19 - So Good - Supernova, Thomas Newson  (@supernova, @thomasnewson)

20 - Daydream (Extended) - Archie Hamilton, Sadie Walker (@archiehamiltonmusic, @sadiewalkerband)

21 - Urban House (Leo Portela Remix) - Luis Caballero (@leoportela, @luis-caballero)

22 - Frunky (Ray Okpara Remix) - Berami (@rayokpara) 

23 - What U Need (Marco Grandi remix) - Moe Turk (@marco-grandi, @djmoeturk)

There are just a couple of parties that I play enough times to make a completely specific set for each time, and make it my absolute best.

One is Lightning in a Bottle, which I'm not a resident of but have played 7 of the last 8 fests.

I've prepared for many different time slots at LIB, always looking at this large and spectacular festival as one where people primarily want to dance and have fun.

So I ramp up my funk and vocals (usually playful but i did have one protest lyric in this year's - you can't miss it).  

I lean on the uplifting side, spend a lot of time choosing music and organizing a playlist so i can play appropriately for my time slot and come back thinking it was one of the best sets I've ever played.  

Something that was different for me this year is I took a year and a half off from buying new music prior to LIB in order to reporganize my collection, which now spans 30 years.

Sometimes it's better to understand better what you already have before adding to a massive music collection.

But I never intended my break to be that long!  It just kept going.  And I had a couple of hard drive farts in the middle which didn't help.  

But anyway,  I started buying music again about two months ahead of LIB because I wanted to play an all new music set,  and I also wanted to to  take the time to understand the new music very well.

The problem with playing all new music at a gig is that I don't always take the time to understand it well enough to know if it's as good as the music I already have.  It's fun because it's new... but is it really adding something?

So this time I really took the time to select tracks - I was picky AF!  
This time I spent a lot of time also to play with my tracks, mix them in different ways and really try to only include tracks that were blowing my mind, so that I could give that to the dance floor.

Also spent a lot of time on tagging producers in this description - hope it helps you to discover some great new artists and music!

Ben Annand LIB 2025 Junkyard Closer

Patricio full set from The Junkyard at Lightning in a Bottle 2025

Patricio @ Lightning in a Bottle 2025

Download here: https://mixedbyzj.bandcamp.com/album/black-label-vol-1

Download

Body Action

I sure hope you enjoy my second set from Camp Dayfunk 2025 as much as I enjoyed playing it!   If you do, please give it a like and consider re-posting it on Soundcloud - it just takes a second and is the most helpful way to share cool music to new people!

Camp Dayfunk is a Minneapolis-based campout in just its second year, taking place 2 hours East in the Wisconsin Woods - and I enjoyed its quality, intimacy, and cute little camp touches immensely.  Both this event and this set are very special to me <3

Before anything, let's talk about the Mix Cover.  I got great pictures from my first set and none from this 2nd, and it's fine.  Because I got something better than a picture - I got a Danceflooor Badge!  

It was one of the greatest honors of my DJ career to earn one of only 8 Dance Floor badges given out at this event  - not for my 4 hours of playing music where I dance some but maintain focus on the mixing - but for my many more hours of representation on the dancefloor as a dancer, which is where this all started for me... and honestly has stayed.  

I fricken love dancing and absolutely think it makes me a better DJ to study and appreciate music from both sides of the decks. I don't dance to everything and also want to give props where props are due - the music at this event was rock solid, and receiving the dance badge has as much to do with the quality of the other DJs playing as it does my dance stamina.  Fun fact, the most I ever danced was at @mingameslaby in Japan in 2007 ;)

Okay, about the music and vision for this set!  My first set at the event, the night before, was previously posted to the event's Soundcloud (@user-467880110) and I had a full dancefloor and lots of energy coming back at me - a Dj's dream.

This, my second set, Saturday 4-6pm, was a bit different.  It's daytime, there's a beach, and @djdanmusic, @Dj-Mes, and Mazi aka @audiosoulproject are playing B2B2B on that stage.  Right at the same time as my set at the Pavilion stage!  First thing that comes to my mind after I realize they are simultaneous - wtf am I going to do?

Contrast is the answer.  If people want it funky, they're gonna want to be down at the other stage.  I mean I wanted to be there too lol.  And who the heck wants the 2 stages to sound the same anyway, that's silly.  So I leaned into this contrast theme for my set.  Someone told me that I may have confused people a little lol.  I said 'good!'  

I'm really glad I had the opportunity to play the night before, because that was my more funky set - though my interpretation is a bit different from most.  I also won some hearts there, which created more interest than there would have been I think.

So anyway, this set was a challenge - a friendly challenge to myself to play a 2 hour set that was a bit out of the box without losing people, that would serve as a worthy contrast to that devastating funk of Dan, Mes and Mazi.  
 
I would guess overall people there probably liked my first set a tad more - but for me this one was hands-down the winner.  Partly because it was a full 2 hours of new music. Partly because my cup was already full since  I had nailed my set the night before and even got extended an extra hour -  the best hour.  And partly because I had experienced some challenge locking the XDJ the night before, but was effortlessly near flawless on Saturday. I felt zero pressure to do anything but be myself, and play what I felt at that time <3

In general, I favor very full tracks that envelope you with sound.  Besides contrast, the theme for this set is laid back and expansive.  There's funkiness, sure, there are some peaks and valleys energetically, but not at all like the night set.  Overall, it's a smooth ride through deep house with some vocals, minimal house and even a touch of techno, all  around 124bpm. 

Thanks for reading to the end!  I Hope you enjoy the music, and perhaps this background too!


Contrast - Ben Annand Live July 19, 2025 at Camp Dayfunk in the Wisconsin Woods

Soul Shine (at 42,000 ft)

Wednesday morning was something else. DJ Tennis curated a full day of back-to-back sets on the Robot Heart bus, calling it Tennis Doubles. The highlight was the sunrise set with Simon, aka Bonobo. It was Simon’s first Burn and the rest is history. 🎾🌞❤️

In DJ Tennis’ words, “Robot Heart is family. When they asked me to curate the Wednesday lineup, I knew I had to bring Simon for his first Burn. That sunrise was pure magic playing side by side with an artist I deeply admire, as the desert came alive, felt like it was always meant to be. After more than a decade here, the Burn still takes my breath away like no other place.”

YT: youtu.be/0F6KyA4g71g
https://soundcloud.com/djtennisdjtennis / instagram.com/djtennis
https://soundcloud.com/bonobo / instagram.com/si_bonobo

Cover photo: John Dill @johndill / www.sliceofdill.com

DJ Tennis B2B Bonobo - Robot Heart - Burning Man 2024

[Verse 1]
In the daytime, I was on the grind (grind)
Bustin' nine to five (five)
Gettin' things done (done)
My baby was at home
She was on her own (own)
Gettin' bored and alone
Now the day is over, we're free to unwind (unwind)
Pourin' drinks and relaxin', we have a good time (time)
Candlelight, turn off the phone
Let's get it on

[Pre-Chorus]
Said we can go all night, 'cause there's no work tomorrow
No work tomorrow
Said we can go all night, 'cause there's no work tomorrow
No work tomorrow

[Verse 2]
Now we're on the floor, let's dance
Like there's no one around
I pull you close to me, the sweat is pourin' down
I like it when you move, you do it oh so good
And I can't get enough
We gettin' lost in the sound
It makes you wanna go all night

NO WORK TMR

Visit our website: http://thedolab.com

Do LaB is an events business and leader in American festival culture based out of Los Angeles, California. We build and promote music festivals, interactive environments, and unique structures that exhibit and celebrate our ethos of human connection, art as transformative experience, and environmental sustainability. We have created our festivals from the ground up and are best known for Lightning in a Bottle (LIB), Woogie Weekend and The Great Convergence, which took place at the pyramids of Giza in Egypt. Our creative structures and environments have inspired and connected thousands at festivals all over the world including Coachella, Boom Festival, Virgin Music Festival, Global Gathering, and many more.

Stay tuned for what's coming next! http://thedolab.com

Producers of:
Lightning in a Bottle || http://lightninginabottle.org
Woogie Weekend (2015-2016) || http://woogiewknd.com
Dirtybird Campout (2015-2018) || http://dirtybirdcampout.com

Marques Wyatt @ Lightning in a Bottle 2025

Do LaB

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